Copyright for creators
Copyright is an important consideration for creators, as it can control ownership, access and usage. Information on this page is general in nature - for specific guidance contact the Copyright Advisor or seek legal advice as applicable.
Copyright does not protect ideas, only the expression or form that the ideas may take.
Works that are literary, dramatic, musical or artistic in nature can usually be protected if they are sufficiently 'original'. In copyright terms, 'original' means that the work isn’t "a mere copy, a requisite level of skill and effort has been exercised in its creation, and it has been created by a human author" (Australian Copyright Council).
In Australia copyright is an automatic right once a work takes material form - there is no need to register your work to receive copyright protection.
Further reading:
Generally the creator of a work would own the copyright in the work, but there are some exceptions:
- employment (view the University's IP Policy)
- commissions and/or general contracts
- Crown (government) copyright (PDF)
- performers' rights
Copyright owners have exclusive rights for their works, and can control the use of them by others:
- reproduction
- adaptation
- performance
- publication
- communication
Further reading:
It is common for creators to transfer copyright ownership in their works to a publisher or other party as part of a publishing or work agreement (or contract). While you may be provided certain usage rights within an agreement, these will be much more limited that if you retain the copyright yourself.
The rights you retain can vary, based on:
- the type of work
- the publisher or other party involved
- whether there is an option (or requirement) for open-licensing
- what you plan to do with, and where you plan to use, the work.
You should always read any copyright transferral agreement and double-check what you are allowed to do with your work once copyright is transferred. Have a question? Contact the Copyright Advisor
Further reading:
In Australia, creators of works have moral rights under Part IX of the Copyright Act. A creator's moral rights include:
- attribution / acknowledgement as author
- to not be falsely attributed to an unauthorised version of the work
- to maintain the integrity of a work.
Moral rights are retained even where copyright is transferred to another party and cannot be waived. It is possible to request or provide consent for activities that might otherwise breach a creator's moral rights.
Further reading:
The Copyright Act and other Australian legislation currently doesn't include direction around AI-generated material, however there is a requirement for a human author for copyright ownership (see Requirements for copyright protection above).
The U.S. Copyright Office has issued guidance to state that there is usually not enough human involvement in the genAI creation process to generate any copyright protection - it is the algorithm doing the 'creative' work and copyright can only be held by humans. For more on their current advice around copyrightability for genAI outputs, visit Copyright for AI outputs on the Copyright for generative AI page.
While Australia shares some characteristics with the U.S. around copyright, such as extended copyright duration and a requirement for human authorship, there is no direction on genAI in our legislation as yet. It has, however, already been suggested in multiple legal opinion pieces that AI-generated works will not be protected in Australia.
The discussion around how creators can therefore use genAI and still have at least some ownership/copyright over the outputs is still an evolving space, but the suggestion is that the more of your own work and creative expression you can inject into genAI outputs, the more likely they may be copyrightable. Note that issues around substantial similarity to existing works can be a problem when using genAI.
More information on genAI inputs, outputs, and use of copyrighted works can be found on our Copyright for generative AI page.
Have a question? Contact the Copyright Advisor
Further reading:
- This is not a bicycle: Human creativity and generative AI [Creative Commons]
- The complex world of style, copyright, and generative AI [Creative Commons]
- AI copyright infringement: Move fast and steal things [CoinGeek]
- The training wheels are off: The copyright implications of training generative AI [Lexology]
- ChatGPT and copyright: The ultimate appropriation [Techpolicy.press]
- Glaze: Protecting artists from style mimicry [University of Chicago]
- Preventing Stable Diffusion ‘copyright infringement’ by poisoning the source data [Metaphysic]
Note that some of the above links contain U.S. copyright information, but the general principles are still applicable. Any mention of 'fair use' will not apply in Australia.
Works that are "expressed in words, figures or symbols" are called 'literary works' in the Copyright Act. This includes a broad range of material, including books, articles, user guides, reports, anthologies, screenplays, letters, poetry, text on websites, advertising material, and more. Interestingly, computer programs are also considered to be literary works.
Original works in this category have protection under the Act. Adaptations can also have their own protection (such as authorised translations), as can published editions of works. Learn more about literary works and copyright
Further reading:
Australian Copyright Council fact sheets:
Works that are "of artistic craftsmanship" are called 'artistic works' in the Copyright Act. This includes a broad range of material, including drawings, paintings, sculptures, photographs, engravings (lithographs, prints, woodcuts, etc.), and more. Plans, buildings, and models of buildings are also considered to be artistic works. Some handmade ceramics, jewellery and other material may also qualify, where the works are not mass-produced and they posses a level of artistic quality and craftsmanship.
Original works in this category have protection under the Act. Adaptations may also have their own protection. Learn more about artistic works and copyright
Further reading:
- The tension between copyright law and appropriation art: Where is the line between artistic innovation and stealing? [The Art Newspaper] (U.S. information) and an update on the Warhol case [ABC News]
- Can copyright protect immersive art? [ArtsHub]
Artist Resale Royalty:
Australian Copyright Council fact sheets:
- Artists & copyright
- Artists - First Nations art
- Photography & copyright
- Designs & copyright
- Graphic designers & copyright
- Street art & copyright
- Fashion, costume design & copyright
- Craftworkers & copyright
- Building plans & copyright
- Tattoos & copyright
For performance art and choreography, see Other dramatic works below.
Audiovisual works are a varied category, generally covered in the Copyright Act under musical and dramatic works, and more specifically under sound recordings, films, and broadcasts. This can include:
- Recordings of live performances
- Recordings of music and songs
- Recordings of literary works read aloud and oral histories
- Podcasts, recordings of interviews, etc.
- Feature films, documentaries, and TV programs
- Animation and cartoons
- Short films, video clips, and YouTube content
- free-to-air broadcasts and more.
Original works in this category have protection under the Act. Adaptations may also have their own protection. Audiovisual works can often have multiple layers of copyright involved (e.g., a film may have the recording, the screenplay, the music/soundtrack, production or release artwork, etc.). Learn more about audiovisual works and copyright
Australian Copyright Council fact sheets:
- Music & copyright
- Film & copyright
- Music: Use in film
- Music: Use in home videos and student films
- Music: DJs
- Music: Bands
For YouTube, see Social media and online below.
The online world is often one where ownership and copyright can get blurred. It is important to remember that just because content has been made available online, it does not mean you can take it and use or adapt it without the permission of the owner. Some platforms may allow for the embedding of other's content (Twitter, YouTube, etc.), but this doesn't grant you any other usage rights.
Need to locate resources for your online projects? Access our Free and open-licensed resources page
Have a question? Contact the Copyright Advisor
Further reading:
- Do memes infringe on copyright? [UNSW]
- So memes are illegal? Now what? [Nicholsons Solicitors]
- Just because it’s on the Internet doesn’t mean it’s in the public domain [JD Supra]
- Copyright’s 10% rule: Is it a thing? [Lexology]
- Excuses for not getting copyright permission [CopyrightLaws.com]
Note that some of the above contain U.S. copyright information, but the general principles are still applicable. Any mention of 'fair use' will not apply in Australia.
Australian Copyright Council fact sheets:
- Video uploads & copyright [YouTube, Facebook, etc.]
- Websites and user-generated content
- Mashups, memes, remixes & copyright
YouTube resources:
- Remove claimed content from videos [covers trimming segments and muting, replacing, or erasing songs]
Options for using music in your videos
Updates to the Erase Song Feature
'Dramatic works' are those intended to be performed in a dramatic context, including choreography, dance, movement, stage plays, pantomimes, theatrical performances, and more. Films are also dramatic works under the Copyright Act, but due to the different levels of copyright involved they have special mention as 'cinematograph films' in the Act (see Audiovisual works above).
Original works in this category may have protection under the Act once they are recorded in material form (e.g., a video of choreography). Adaptations may also have their own protection. Learn more about dramatic works and copyright
Australian Copyright Council fact sheets:
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