Dr Stuart McBratney

Dr Stuart McBratney

Lecturer

School of Humanities, Creative Ind and Social Sci

Democratising the Australian film industry

Dr Stuart McBratney’s creative projects prove that high-quality, Australian feature films need not break the bank.

Dr Stuart McBratney

Dr Stuart McBratney is a filmmaker with a global audience and a heart for local talent. He has worked with production companies in Newcastle, Los Angeles, and Oradea, Romania to produce multiple feature-length films at a fraction of the usual Hollywood price tag—an impressive feat that changes the game for aspiring filmmakers.

“When Hollywood movies often cost hundreds of millions of dollars, making a feature film can seem impossible,” says Dr McBratney.
“But by demonstrating that a movie can be made for the price of a discount Australian wedding, aspiring filmmakers can have their voices heard.”

Multiple times over, he has demonstrated how the process of making a full-length feature film—from conception, to production and distribution—can be achieved for a reasonable price, and this has given Australian actors and filmmakers the opportunity to work on feature films that might otherwise have remained out of reach.

Now, Dr McBratney is keen to share his encouraging results with other aspiring filmmakers, with the aim of making the craft more accessible and affordable, and helping more Australians tell their stories.

“I’m dedicated to democratising the filmmaking process, and to sharing my findings with aspiring filmmakers. I want the world to see that stories don’t require millions of dollars to be told.”

Learning through experience

Dr McBratney first started making movies when he was 11, and by age 14, he was determined to turn his passion into a career. Through his late teens and into his twenties, he worked multiple jobs to support his dreams, all while writing screenplays, making short films, and chasing his first big break. Like many aspiring Australian filmmakers, he faced his fair share of setbacks from an early age.

“I would send screenplays and proof-of-concept videos to production companies, and no-one ever responded, which was frustrating. Eventually I realised that if I kept waiting for someone else to produce my movies I’d go nowhere, so I had to create my own opportunities.”

This empowering realisation was a turning point in Dr McBratney’s career. Determined to find a way forward, he began to research alternative ways to make his films without relying on investors.

“I became obsessed with self-sufficiency. I bypassed the gatekeepers and developed methods for creating ‘bang for my buck’. Filmmaking is a highly complex craft, which requires time, money, people, equipment, and locations. To find ways to forge ahead with such productions despite a lack of funds remains a challenge, but I’m excited to embrace it.”

Enriching creativity in others

Dr McBratney’s resilience and determination in the face of numerous challenges has undeniably paid off. Since those early days of juggling part-time jobs and screenwriting, he is now a globally recognised filmmaker with an agent in Los Angeles and projects that are purchased internationally. To date, he has completed numerous music videos, 500 television commercials, a television series which was shot in Russia and Ukraine, and three feature films – two of which were filmed in multiple countries.

“I take it one project at a time, and each project takes three or four years. But rather than feeling daunted by such a long creative endeavour, I’m excited to tackle the challenges ahead, and I look forward to meeting incredible collaborators along the way.”

With Dr McBratney’s last movie Don’t Read This on a Plane being released in 15 countries in North America, Europe and Asia via streaming, broadcast, and DVD/Blu-ray, the hard-working creative has already started on a new production, Strangers in a Car Park, which has an expected release date of 2024. He completed its principal photography in mid-2023 alongside a small crew consisting primarily of Bachelor of Media & Communication students from the University of Newcastle.

“To film alongside such hard-working students was an absolute pleasure. They were the most committed crew I’ve ever worked with, and their ideas consistently surprised and inspired me. Their positivity on set and enthusiasm for the job transcended their relatively small number of years behind the camera. It’s been a delight to share some of my knowledge with them, and I look forward to seeing their own filmmaking progress during the years ahead.

Looking back, Dr McBratney is proud of his career achievements and excited to see where his next adventure will lead. Never one to shy away from a challenge, he is committed to forging a path for his fellow creatives—and devising a more democratic future for Australia’s filmmaking industry."

“Australian films continue to inspire the world, and the films I make contribute to our cultural output as a nation. I am no longer the kid wondering which gatekeepers will allow me to make a movie. Rather than letting a lack of financing stop me, I simply forged ahead and made movies anyway. I look forward to sharing what I’ve learned with the next generation of storytellers.”

Dr Stuart McBratney

Democratising the Australian film industry

Dr Stuart McBratney is a filmmaker with a global audience and a heart for local talent. He has worked with production companies in Newcastle, Los Angeles, and Oradea, Romania to produce multiple feature-length films at a fraction of the usual Hollywood price tag—an impressive feat that changes the game for aspiring filmmakers.

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Career Summary

Biography


Dr Stuart McBratney
Academic / Filmmaker 

Dr Stuart McBratney is a filmmaker, composer, and academic whose work explores the intersections of narrative cinema, music, and philosophy. With a background spanning fiction, documentary, and commercial forms, his films often blend humour with existential inquiry, drawing from lived experience and a deep interest in authenticity, perception, and moral contradiction.

He has written, directed, and produced four feature films and one tv series, including the dramedy Strangers in a Car Park, which was made on a microbudget akin to Robert Rodriguez’s El Mariachi. His work has screened at festivals worldwide and has secured wide distribution across Asia, North America, and Europe, and he continues to champion low-budget filmmaking as a viable and powerful creative model.

Alongside his filmmaking, Dr McBratney composes original music for screen, and has scored several of his own films. His research and creative practice engage with themes such as men’s mental health, performative masculinity, digital identity, and the aesthetics of truth in screen media.

He holds a PhD in Design and regularly supervises student projects in short film production and practice-led research. In 2025, he will present at the Film-Philosophy Conference in Malta, speaking on self-deception and moral complexity in screen narratives.

Dr McBratney teaches into the Media and Communication program, where he encourages students to develop bold, innovative, and deeply personal work.


Qualifications

  • Doctor of Philosophy in Design, University of Newcastle

Keywords

  • bricolage
  • film
  • filmmaking
  • media production
  • pragmatism

Languages

  • English (Mother)

Fields of Research

Code Description Percentage
330316 Visual communication design (incl. graphic design) 50
470199 Communication and media studies not elsewhere classified 50

Professional Experience

UON Appointment

Title Organisation / Department
Lecturer University of Newcastle
School of Creative Industries
Australia
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Publications

For publications that are currently unpublished or in-press, details are shown in italics.


Book (2 outputs)

Year Citation Altmetrics Link
2025 McBratney S, 'Don't Read This on a Plane' (2025)
2025 Hight C, Minichiello M, 'The Elephant's Leg II: Creativity in Action' (2025)
DOI 10.18848/978-1-966214-81-6/CGP
Co-authors Craig Hight

Chapter (1 outputs)

Year Citation Altmetrics Link
2025 McBratney S, 'Strangers in a Car Park: A Case Study in Microbudget Feature Filmmaking', 2, 291-305 (2025)
DOI 10.18848/978-1-966214-81-6/CGP

Creative Work (17 outputs)

Year Citation Altmetrics Link
2025 McBratney S, 'Pop-Up - Music from the Motion Picture' (2025)
2025 McBratney S, McBratney S, 'Don't Read This on a Plane - Music from the Motion Picture' (2025)
2025 McBratney S, 'Strangers in a Car Park' (2025)
2025 McBratney S, 'Strangers in a Car Park - Music from the Motion Picture' (2025)
2024 McBratney S, Xu E, Cassin A, Weaving S, 'Life. Pass it On.' (2024) [N1]
Co-authors Elaine Xu, Andrea Cassin
2020 McBratney S, Don't Read This on a Plane, Streaming, Blu-ray, DVD, broadcast, US, Canada, Germany, Austria, Switzerland, Russia, Taiwan, Malaysia (2020) [N1]
2020 McBratney S, Pop-Up, Amazon + other streaming services, Walmart + other retailers (2020) [N1]
2019 McBratney S, Back in the Soviet Bloc - Episode 7 - Borsch, Vodka and Fusion Cuisine, Australia (2019)
2019 McBratney S, Back in the Soviet Bloc - Episode 6 - Stalin, Gymnastics and Discotheques, Australia (2019)
2019 McBratney S, 'Back in the Soviet Bloc - Episode 3 - Independence, Revolution and Eurovision' (2019)
2019 McBratney S, Back in the Soviet Bloc - Episode 5 - Folklore, Playgrounds and Reunions, Australia (2019)
2019 McBratney S, 'Back in the Soviet Bloc Episode 1 - Lenin, Tchaikovsky and Dixieland Jazz' (2019)
2019 McBratney S, 'Back in the Soviet Bloc - Episode 2 - Capitalism, Celebrities and Dachas' (2019)
2019 McBratney S, 'Back in the Soviet Bloc - Episode 4 - Artists, Activists and Stilettos' (2019)
2019 McBratney S, Back in the Soviet Bloc, Newcastle, NSW (2019) [N1]
2015 Brooker CJ, Cross K, Minichiello M, Roxburgh M, Howells A, Atkins D, Dickinson M, McAuley M, Shadbolt J, Kenke R, Hodgson B, Douglas M, Thompson W, Stonestreet C, Chand A, Mitchell B, Rolla M, McBratney , 'Making it Known', 1-44 (2015) [J2]
Co-authors Ari Chand, Caelli Brooker, Jane Shadbolt, Bettina Hodgson, Ralph Kenke, Andrew Howells, Michael Dickinson, Mark Roxburgh
2015 Brooker C, Cross K, 'Making It Known' (2015) [J2]
Co-authors Ari Chand, Caelli Brooker, Jane Shadbolt, Bettina Hodgson, Mark Roxburgh, Andrew Howells, Michael Dickinson
Show 14 more creative works

Journal article (1 outputs)

Year Citation Altmetrics Link
2020 McBratney S, Minichiello M, Roxburgh M, ''Don't Read This on a Plane': a case study in microbudget feature filmmaking', Studies in Australasian Cinema, 14 144-159 (2020) [C1]

This paper presents demonstrable insights from the creation of a microbudget feature-length narrative drama film with high production values. As a case study, I am usin... [more]

This paper presents demonstrable insights from the creation of a microbudget feature-length narrative drama film with high production values. As a case study, I am using a feature film I have written and directed titled "Don't Read This on a Plane", which was filmed in 10 countries, produced on a budget of A$125,000 including all post-production, fees, and deliverables, and has been acquired for international distribution. I argue that by practicing pragmatism and bricolage, and by utilising a small professional crew who handle multiple roles, a microbudget filmmaker is able to transcend financial limitations. To support my argument, I detail my lived experience as a filmmaker from the project's conception in 2016 to its completion in 2020. In additional to describing my roles as the film's writer, co-financer, co-producer, director, editor, composer, and sound mixer, I also outline the involvement of key crew members. "Don't Read This on a Plane" embodies my tacit understanding of pragmatism and bricolage, and this paper shares my demonstrable approach to microbudget filmmaking.

DOI 10.1080/17503175.2020.1834517
Citations Scopus - 2Web of Science - 2
Co-authors Mark Roxburgh

Thesis / Dissertation (1 outputs)

Year Citation Altmetrics Link
2018 McBratney SJ, McBratney S, Shoestring Theory: Pragmatism and Bricolage in Microbudget Feature Filmmaking, The University of Newcastle (2018)
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Grants and Funding

Summary

Number of grants 4
Total funding $150,618

Click on a grant title below to expand the full details for that specific grant.


20231 grants / $73,118

“Let’s talk”: Organ and tissue donation campaign targeting young Australians$73,118

A team of researchers from the University of Newcastle was awarded a Community Awareness Grant from the Australian Organ and Tissue Authority (OTA) to address the low rate of organ and tissue donation among young Australians. Student focus groups revealed myths, barriers, and attitudes, which were combined with a systematic review of international literature to guide content creation. Responding to these insights, this project produced a portfolio of media works, designed to prompt 18–22-year-olds to talk with their families about organ donation and registration.  The portfolio comprised three scripted 30-second advertisements (released in both horizontal and vertical formats), five vertical-only vox-pop videos for TikTok and YouTube, and three campaign posters. The creative direction, messaging, and call-to-action were informed by the findings from student focus groups and the systematic review of international literature of organ donation framing and messaging. The media works were produced with student involvement across research, production, and dissemination, and were distributed on youth-oriented platforms such as YouTube and TikTok. The campaign achieved over 200,000 YouTube views, 1.69 million impressions on TikTok and generated further peer-to-peer engagement across social media.

Funding body: Australian Organ and Tissue Donation and Transplantation Authority

Funding body Australian Organ and Tissue Donation and Transplantation Authority
Project Team Doctor Elaine Xu, Doctor Andrea Cassin, Doctor Stuart McBratney, Doctor Simon Weaving
Scheme Community Awareness Grants Program
Role Investigator
Funding Start 2023
Funding Finish 2023
GNo G2201286
Type Of Funding C1500 - Aust Competitive - Commonwealth Other
Category 1500
UON Y

20203 grants / $77,500

Media and Entertainment Research Centre (MERCury) establishment program$70,000

Funding body: Faculty of Education and Arts, University of Newcastle

Funding body Faculty of Education and Arts, University of Newcastle
Project Team

Dr Simon Weaving (Lead); A/Prof Craig Hight; Dr Simone O'Callaghan; Dr Jane Shadbolt; Dr Ben Matthews; Dr Stuart McBratney; Mr Jack McGrath; Dr Zi Siang See; Claire Pasvolsky; Karen Nobes; Prof Richard Vella.

Scheme Research Programs Pilot Scheme
Role Investigator
Funding Start 2020
Funding Finish 2021
GNo
Type Of Funding Internal
Category INTE
UON N

Faculty of Education and Arts New Start Grant$5,000

Completion of Creative Work.

Funding body: Faculty of Education and Arts, University of Newcastle

Funding body Faculty of Education and Arts, University of Newcastle
Scheme New Start Grants
Role Lead
Funding Start 2020
Funding Finish 2020
GNo
Type Of Funding Internal
Category INTE
UON N

2020 FEDUA 'Finish that Output' scheme funding$2,500

Funding body: Faculty of Education and Arts, University of Newcastle

Funding body Faculty of Education and Arts, University of Newcastle
Project Team

Dr S McBratney (Lead); Prof M Minichiello (UoN); A/Prof M Roxburgh (UoN).

Scheme FEDUA 'Finish that Output' scheme
Role Lead
Funding Start 2020
Funding Finish 2020
GNo
Type Of Funding Internal
Category INTE
UON N
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Research Supervision

Number of supervisions

Completed2
Current2

Current Supervision

Commenced Level of Study Research Title Program Supervisor Type
2023 PhD How Can The Significance Of Rural Cinema Best Be Expressed In On-Screen Storytelling? PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2023 PhD Site Unseen: A Case Study in Microbudget Genre Production, Marketing and Distribution PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Principal Supervisor

Past Supervision

Year Level of Study Research Title Program Supervisor Type
2025 PhD The Enigmatic Frame: Staging the Unseen and Shaping the Mind PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2023 PhD Slouching Towards Redemption: On The Nature and Process of Screen Redemption PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Co-Supervisor
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News

Photo on set in a bookstore

News • 27 Aug 2020

University lecturer’s film to premier at international Film Festival

Shot in some of the world’s most beautiful bookstores on location in France, Italy, Portugal, Greece, The Netherlands, Germany, Romania, Hungary and Australia, a new feature film by the University of Newcastle’s Dr Stuart McBratney, Don’t Read This on a Plane, will premiere at the Dances with Films festival in Los Angeles on 29 August 2020.

Dr Stuart McBratney

Position

Lecturer
School of Humanities, Creative Ind and Social Sci
College of Human and Social Futures

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