Professor Jennifer Milam

Professor Jennifer Milam

Pro Vice-Chancellor Academic Excellence

Office of the Vice-Chancellor

The art of excellence

An art historian with a flair for teaching, Professor Jennifer Milam has a career that spans North America, Europe and Australia. She joined the University of Newcastle in February 2020 in the newly created role of Pro Vice-Chancellor (Academic Excellence).

Professor Jennifer Milam smiling, wearing black blouse, hair pulled back in front of white wall

Originating from the United States, Professor Milam completed her BA in Art History and Economics at Barnard College, an undergraduate college of Columbia University. With a desire to deepen her understanding the cultural significance of art, she gained her Master of Arts and PhD in Art History from the prestigious Princeton University in New Jersey. During her studies, she worked in curatorial and conservation departments at The Metropolitan Museum of Art in New York and The J. Paul Getty Museum in California.

Since arriving in Australia in 1996, Professor Milam has made an outstanding contribution to research and higher education. She has held highly regarded positions at several universities, including Head of School at the University of Melbourne and Pro Dean of Research and Associate Dean of Postgraduate Coursework at the University of Sydney. She has been a member of the Australian Research Council’s College of Experts and Research Evaluation Committee, and brings a keen eye in identifying research excellence and national innovation opportunities to the University.

Professor Milam is also an elected member of Council for the Australian Academy of the Humanities; and part of the Working Group for the think tank - A New Approach, where she is a champion in obtaining effective investment and return in Australian arts and culture. These activities build on her previous international board position with the College Art Association in the United States and her ARC-funded research into arts sponsorship globally.

A committed collaborator

She has been an active contributor to gender equity initiatives in higher education and is recognised for her excellence in teaching and passion for her field. Professor Milam has supervised ten PhD students to completion, and over 35 Honours and Masters students. Her previous students now hold positions in academic and art institutions in Australia, the U.S.A. and the U.K.

With an interest in eighteenth-century art, garden history and Enlightenment thought, Professor Milam maintains strong academic and industry-based networks, with research collaborations involving scholars and stakeholders around the world. She has served as President of the Australian and New Zealand Society for Eighteenth-Century Studies for over six years.

Professor Milam has published articles in journals such as The Art Bulletin, Art History, Burlington Magazine, Eighteenth-Century Studies and Eighteenth-Century Fiction. She has also published four books which bring together women’s histories, art history, garden history, and eighteenth-century studies to present new theories of vision and reception of the work of art. She has held fellowships and grants from the Huntington Library, the American Council for Learned Studies, the University of Southampton, the Thomas Jefferson Foundation, the National Endowment of the Humanities, the Yale Center for British Art, Apple Australia, the Ian Potter Foundation, Columbia University’s Institution at Reid Hall, the École normale supérieur in Paris, the Samuel H. Kress Foundation and the Australian Research Council. Between 2013 and 2017, she was an ARC Future Fellow.

Professor Milam will lead a high-performance team drawn from across the organisation, responsible for driving academic excellence at all levels. Her experience in developing national and international collaborations with partner universities and industry partners will help lead the University toward success.

The art of excellence

An art historian with a flair for teaching, Professor Jennifer Milam has a career that spans North America, Europe and Australia. She joined the University of Newcastle in February 2020 in the newly created role of Pro Vice-Chancellor (Academic Excellence).

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Career Summary

Qualifications

  • Doctor of Philosophy, Princeton University
  • Bachelor of Arts, Columbia University - New York - USA

Keywords

  • American art
  • Art History
  • Eighteenth-Century Studies
  • Enlightenment Studies
  • France
  • Rococo
  • Russia
  • garden history

Languages

  • French (Working)
  • Spanish (Working)
  • Italian (Working)
  • German (Working)

Fields of Research

Code Description Percentage
190102 Art History 50
120502 History and Theory of the Built Environment (excl. Architecture) 25
120103 Architectural History and Theory 25

Professional Experience

UON Appointment

Title Organisation / Department

Academic appointment

Dates Title Organisation / Department
1/1/2006 - 31/12/2007 Associate Dean Postgraduate Coursework The University of Sydney
Australia
1/1/2013 - 22/12/2017 Professor of Art History and Eighteenth-Century Studies The University of Sydney
Australia
2/1/2018 - 10/1/2020 Head of School of Culture and Communication The University of Melbourne
Australia
1/1/2013 - 22/12/2017 Director of the Sydney Intellectual History Network The University of Sydney
Australia
1/1/2011 - 31/12/2013 Pro Dean Research The University of Sydney
Australia
1/1/2018 - 1/1/2020 Professor of Art History The University of Melbourne
Australia

Membership

Dates Title Organisation / Department
1/1/2008 - 31/12/2009 Chair of Department of Art History and Film Studies The University of Sydney
Australia
1/1/2016 - 31/12/2018 College of Experts, Humanities and the Creative Arts Panel, Linkage and Future Fellowship Schemes ARC (Australian Research Council)
Australia
1/1/2014 - 31/12/2020 President Australian and New Zealand Society for Eighteenth-Century Studies
Australia
1/1/2018 - 31/12/2020 A New Approach Think Tank Australian Academy of the Humanities
1/1/2013 - 31/12/2016 Board of Directors (elected member) The College Art Association
Australia

Awards

Distinction

Year Award
2018 Fellow, Australian Academy of the Humanities
The University of Melbourne
2003 Fellow, Institute for Scholars at Reid Hall
Columbia University

Teaching Award

Year Award
2007 Carrick Leadership in Teaching Workshop
Carrick Institute for Learning & Teaching in Higher Education
2006 Australian College of Educators Quality Teaching Award
Australian College of Education
2004 Vice-Chancellor's Award for Outstanding Teaching
The University of Sydney

Grant Reviews

Year Grant Amount
2020 Australian Research Council
External - EXTE, External - EXTE
$0
2020 Killam Laureates
External - EXTE, External - EXTE
$0
2020 Leverhulme Trust
External - EXTE, External - EXTE
$0
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Publications

For publications that are currently unpublished or in-press, details are shown in italics.


Book (4 outputs)

Year Citation Altmetrics Link
2018 Chu PT-D, Milam J, Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), East and West, 324 (2018)
2017 Hyde M, Milam J, Women, Art and the Politics of Identity in Eighteenth-Century Europe (2017)

© Melissa Hyde and Jennifer Milam, 2003. All rights reserved. The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effect... [more]

© Melissa Hyde and Jennifer Milam, 2003. All rights reserved. The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adéla de and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez. ©

DOI 10.4324/9781315233666
2011 Milam JD, Historical Dictionary of Rococo Art, Scarecrow Press, 334 (2011)
2006 Milam J, Fragonard's Playful Paintings Visual Games in Rococo Art, Manchester University Press, 191 (2006)
Show 1 more book

Chapter (16 outputs)

Year Citation Altmetrics Link
2020 Milam J, 'Representations of Peace', A Cultural History of Peace in the Age of Enlightenment, Bloomsbury Academic, London 87-104 (2020)
2020 Milam J, 'Greuze Girls and the Painterly Embodiment of Sexual Pleasure', Making Waves Crosscurrents in the Study of Nineteenth-century Art, Brepols, Turnhout, Belgium 95-100 (2020)
2018 Milam J, 'Introduction: Beyond Chinoiserie', Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), Brill, Leiden (2018)
2018 Milam J, 'Jefferson s Interest in China and the Gongs of Monticello', Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), Brill, Leiden (2018)
2017 Milam J, 'Matronage and the direction of Sisterhood: Portraits of Madame Adélaïde', Women, Art and the Politics of Identity in Eighteenth-Century Europe 115-138 (2017)
Citations Scopus - 3
2017 Hyde M, Milam J, 'Introduction: Art, cultural politics and the woman question', Women, Art and the Politics of Identity in Eighteenth-Century Europe 1-19 (2017)
2015 Milam J, 'Betwixt and Between: Chinese Taste in Peter the Great s Russia', Qing Encounters Artistic Exchanges between China and the West, Getty Publications, Los Angeles (2015)
2014 Milam J, 'Art and aesthetic theory: Claiming enlightenment as viewers and critics', The Cambridge Companion to the French Enlightenment 122-136 (2014)

© Cambridge University Press 2014. How interesting this age has become, causing so many artists to sigh. For a few days the countryside is abandoned; Paris comes to life; all clas... [more]

© Cambridge University Press 2014. How interesting this age has become, causing so many artists to sigh. For a few days the countryside is abandoned; Paris comes to life; all classes of citizens come to pack the Salon. The Public, natural judge of the fine arts, already pronounces its verdict on the merit of paintings that took two years of labour to produce. Its opinions, at first tentative and uncertain, quickly acquire stability. The experience of some, the enlightenment of others, the extreme sensibility of one party and the good faith of the majority are finally able to produce a judgment all the more equitable in that the greatest liberty has presided there. The rise of the art critic is one of the most significant changes to the history of artistic reception. It is bound up in a broader understanding of the Enlightenment as process, rather than strictly as an intellectual movement. Debates about the definition of beauty, the origins of good taste and the social value of the arts occupied the Enlightenment¿s intellectual leaders - Voltaire, Diderot, Rousseau, Montesquieu, among others - but their theories did not inform an artistic movement. There is no Enlightenment style, and to seek out a set of criteria by which certain works of art could be claimed as a product of the Enlightenment is fraught with difficulty. It is far more productive to consider how encounters with art, occasioned by the public exhibition of paintings and sculpture at the Salons, offered opportunities through which individuals could claim ¿enlightenment¿ and thus opened up the discourse on art to a wider range of opinions and judgements that further questioned the relationship between art and society. Enlightenment was conceived as a state of mind in the reception of art, cultivated in opposition to received positions of authority in matters of taste.

DOI 10.1017/CCO9781139108959.010
2008 Milam J, 'A Monk, the Writer and his Painter: Diderot s Imagining of a Fragonard', Word and Image in the Long Eighteenth Century An Interdisciplinary Dialogue, Cambridge Scholars Pub, Newcastle, UK (2008)
2007 Milam J, 'Miming Play: Picturing Amusement in Rococo Decorative Panels and Garden Designs', Performing the "everyday" The Culture of Genre in the Eighteenth Century, University of Delaware Press, Delaware (2007)
2007 Milam J, 'The Art of Imagining Childhood in the Eighteenth Century', Stories for Childhood, Histories of Childhood/Histoires d enfant, histories d enfant, Presses Universitaires François Rabelais, Tours, France (2007)
2005 Milam J, 'Play between disciplines: the problem of the ludic in rococo art and Enlightenment culture', The Interdisciplinary Century Tensions and Convergences in Eighteenth-century Art, History and Literature, The Voltaire Foundation, Oxford (2005)
2005 Milam J, 'Art in the Boardroom: Questioning the Ethics of Corporate Collecting Practices', Corporate Social Responsibility in International Perspective, ICFAI University Press, Hyderabad (2005)
2002 Milam J, 'Sex Education and the Child: Gendering Erotic Response in Eighteenth-Century France', Between Rousseau and Freud: Visual Representations of Children and the Construction of Childhood in the Nineteenth Century, Ashgate, Farnham (2002)
1999 Milam J, 'Understanding Life Drawings', Michelangelo to Matisse Drawing the Figure, The Art Gallery of New South Wales, Sydney (1999)
1992 Milam J, 'The Artist s Working Methods', William M. Harnett, Harry N Abrams Incorporated, New York (1992)
Show 13 more chapters

Journal article (16 outputs)

Year Citation Altmetrics Link
2017 Milam J, Parsons N, 'Ideas and enlightenment', Eighteenth-Century Life, 41 3-8 (2017)
DOI 10.1215/00982601-3841324
2017 Milam J, Maddox A, 'Visual and aural intellectual histories: an introduction', Intellectual History Review, 27 285-298 (2017)

© 2017 International Society for Intellectual History. If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and... [more]

© 2017 International Society for Intellectual History. If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual ¿texts¿, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.

DOI 10.1080/17496977.2017.1333686
Citations Scopus - 2
2017 Milam J, 'Cosmopolitan translation and patriotic sensibilities in German garden art', Intellectual History Review, 27 377-403 (2017)

© 2017 International Society for Intellectual History. My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the re... [more]

© 2017 International Society for Intellectual History. My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of ¿garden-landscape-art¿. What they shared was a conviction that garden forms affect feelings, with the role of the garden artist to determine paths that would alter and diversify the visitor¿s experience of place. This essay explores how spontaneous emotions, elicited by movement through the garden, were linked with a growing sense of patriotism that contrasted with cosmopolitan judgments in the writings of Hirschfeld, Pückler, and Goethe.

DOI 10.1080/17496977.2017.1333326
2017 Milam J, 'Cosmopolitan Moments', EMAJ : Electronic Melbourne Art Journal, 9 (2017)
2017 Milam J, 'A Collection Worthy of a Cosmopolitan Patron of the Arts', EMAJ : Electronic Melbourne Art Journal, 9 (2017)
2016 Milam J, 'Cosmopolitan time in the Jardin de Monceau', Studies in the History of Gardens and Designed Landscapes, 36 282-296 (2016)
DOI 10.1080/14601176.2016.1161295
Citations Web of Science - 1
2015 Milam J, 'Rococo representations of interspecies sensuality and the pursuit of Volupté', Art Bulletin, 97 192-209 (2015)
DOI 10.1080/00043079.2015.979104
Citations Scopus - 2Web of Science - 1
2013 Milam J, '"Art Girls": Philanthropy, Corporate Sponsorship, and Private Art Museums in Post-Communist Russia', CURATOR-THE MUSEUM JOURNAL, 56 391-405 (2013)
DOI 10.1111/cura.12040
Citations Web of Science - 5
2013 Milam J, 'Empress Maria Theresa and the Politics of Habsburg Imperial Art', EIGHTEENTH-CENTURY STUDIES, 46 575-577 (2013)
DOI 10.1353/ecs.2013.0040
2012 Milam J, 'Toying with China: Cosmopolitanism and Chinoiserie in Russian Garden Design and Building Projects under Catherine the Great', EIGHTEENTH-CENTURY FICTION, 25 115-138 (2012)
DOI 10.3138/ecf.25.1.115
Citations Web of Science - 2
2012 Milam J, 'Toying with China: Cosmopolitanism and chinoiserie in Russian garden design and Building projects under Catherine the Great', Eighteenth-Century Fiction, 25 115-138 (2012)

An emerging cosmopolitanism in the eighteenth century bolstered the search for the foundations of a shared humanity across the boundaries of different cultures, which was one of t... [more]

An emerging cosmopolitanism in the eighteenth century bolstered the search for the foundations of a shared humanity across the boundaries of different cultures, which was one of the central aspects of Enlightenment thought. Similar ideas and principles transformed the traditions of European garden design in the second half of the eighteenth century with William Chambers's writings on Chinese gardens suggesting aesthetic values that both paralleled and rivalled those found in the English gardens of his contemporaries. In 1771, Catherine the Great translated Chambers's Designs of Chinese Buildings (1757) into Russian, which led to the creation of the largest complex of chinoiserie in any eighteenth-century European garden. Taking as my focus the gardens of Tsarskoye Selo, I explore the tensions between cosmopolitanism, exoticism, and imperialism in Russian garden design under Catherine the Great.

DOI 10.1353/ecf.2012.0038
Citations Scopus - 2
2011 Milam J, 'Imagining Marie-Antoinette: Cultural Memory and the Deconstruction of History in Cinema', French History and Civilization: papers from the George Rude Seminar, 4 (2011)
2000 Milam J, 'Playful constructions and Fragonard's swinging scenes', EIGHTEENTH-CENTURY STUDIES, 33 543-559 (2000)
DOI 10.1353/ecs.2000.0042
1999 Milam J, 'Fragonard s Le Furet', The Burlington magazine, 542-543 (1999)
1998 Milam J, 'Fragonard and the blindman's game: Interpreting representations of blindman's buff', Art History, 21 1-25 (1998)
DOI 10.1111/1467-8365.00090
Citations Scopus - 2Web of Science - 3
1995 Milam J, 'Landscape fantasies and farm fictions in French drawings and prints during the ancien règime', The Magazine Antiques, CXLVIII 492-501 (1995)
Show 13 more journal articles
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Grants and Funding

Summary

Number of grants 19
Total funding $1,283,048

Click on a grant title below to expand the full details for that specific grant.


20181 grants / $0

Huntington Library Research Conference Award$0

Funding body: Huntington Library

Funding body Huntington Library
Project Team

Professor Stephen Bending

Scheme Huntington Library
Role Investigator
Funding Start 2018
Funding Finish 2018
GNo
Type Of Funding External
Category EXTE
UON N

20161 grants / $11,000

Global Partnership Award$11,000

Funding body: University of Southampton

Funding body University of Southampton
Project Team

Professor Stephen Bending

Scheme University of Southampton Global Partnership
Role Investigator
Funding Start 2016
Funding Finish 2017
GNo
Type Of Funding External
Category EXTE
UON N

20152 grants / $22,200

ACLS Comparative Perspectives on Chinese Society Award$15,000

Funding body: Seton Hall University

Funding body Seton Hall University
Project Team

Professor Petra Chu

Scheme Seton Hall University
Role Investigator
Funding Start 2015
Funding Finish 2015
GNo
Type Of Funding External
Category EXTE
UON N

Robert H Smith International Centre for Jefferson Studies Fellowship$7,200

Funding body: Robert H Smith International Centre

Funding body Robert H Smith International Centre
Scheme Jefferson Studies Fellowship
Role Lead
Funding Start 2015
Funding Finish 2015
GNo
Type Of Funding External
Category EXTE
UON N

20141 grants / $9,748

Ian Potter Foundation$9,748

Funding body: Ian Potter Foundation

Funding body Ian Potter Foundation
Scheme Ian Potter Foundation
Role Lead
Funding Start 2014
Funding Finish 2014
GNo
Type Of Funding Not Known
Category UNKN
UON N

20131 grants / $716,000

Australian Research Council Future Fellowship$716,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Scheme Future Fellowships
Role Lead
Funding Start 2013
Funding Finish 2017
GNo
Type Of Funding External
Category EXTE
UON N

20091 grants / $197,000

Australian Research Council Discovery Project Grant$197,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Scheme ARC Small Grant / RMC Project grant
Role Lead
Funding Start 2009
Funding Finish 2011
GNo
Type Of Funding External
Category EXTE
UON N

20071 grants / $4,500

Yale Centre for British Art, Fellow$4,500

Funding body: Yale University

Funding body Yale University
Scheme Yale Center for British Art
Role Lead
Funding Start 2007
Funding Finish 2007
GNo
Type Of Funding External
Category EXTE
UON N

20061 grants / $2,500

Australian Academy of the Humanities$2,500

Funding body: Australian Academy of the Humanities

Funding body Australian Academy of the Humanities
Scheme Humanities Fieldwork Fellowships
Role Lead
Funding Start 2006
Funding Finish 2006
GNo
Type Of Funding External
Category EXTE
UON N

20041 grants / $156,000

Australian Research Council Discovery Project Grant$156,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Scheme ARC Small Grant / RMC Project grant
Role Lead
Funding Start 2004
Funding Finish 2006
GNo
Type Of Funding External
Category EXTE
UON N

20023 grants / $55,500

Australian Research Council Discovery Project Grant$48,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Scheme ARC Small Grant / RMC Project grant
Role Lead
Funding Start 2002
Funding Finish 2002
GNo
Type Of Funding External
Category EXTE
UON N

National Endowment for the Humanities Summer Stipend$7,500

Funding body: National Endowment for the Humanities

Funding body National Endowment for the Humanities
Scheme National Endowment for the Humanities Summer Stipend
Role Lead
Funding Start 2002
Funding Finish 2002
GNo
Type Of Funding External
Category EXTE
UON N

Apple Australia Teaching Grant$0

Funding body: Apple University Development Fund

Funding body Apple University Development Fund
Scheme Apple University Development Fund
Role Lead
Funding Start 2002
Funding Finish 2002
GNo
Type Of Funding External
Category EXTE
UON N

19982 grants / $29,000

Australian Research Council Discovery Small Grant$24,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Scheme ARC Small Grant
Role Lead
Funding Start 1998
Funding Finish 1999
GNo
Type Of Funding External
Category EXTE
UON N

College Art Association Conference Travel Grant$5,000

Funding body: College Art Association

Funding body College Art Association
Scheme Conference Travel Grant
Role Lead
Funding Start 1998
Funding Finish 1998
GNo
Type Of Funding External
Category EXTE
UON N

19951 grants / $30,000

Samuel H Kress Foundation Dissertation Fellowship$30,000

Funding body: Samuel H Kress Foundation

Funding body Samuel H Kress Foundation
Scheme Fellowship
Role Lead
Funding Start 1995
Funding Finish 1996
GNo
Type Of Funding External
Category EXTE
UON N

19921 grants / $0

Ecole normale superierure$0

Funding body: pensionnaire estrangere

Funding body pensionnaire estrangere
Scheme pensionnaire estrangere
Role Lead
Funding Start 1992
Funding Finish 1993
GNo
Type Of Funding External
Category EXTE
UON N

19891 grants / $46,000

Doctoral Student Stipend$46,000

Funding body: Princeton University

Funding body Princeton University
Scheme Doctoral Student Stipend
Role Lead
Funding Start 1989
Funding Finish 1994
GNo
Type Of Funding External
Category EXTE
UON N

19881 grants / $3,600

National Endowment for the Humanities$3,600

Funding body: National Endowment for the Humanities

Funding body National Endowment for the Humanities
Scheme National Endowment for the Humanities Younger Scholar Grant
Role Lead
Funding Start 1988
Funding Finish 1988
GNo
Type Of Funding External
Category EXTE
UON N
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Research Supervision

Number of supervisions

Completed9
Current1

Current Supervision

Commenced Level of Study Research Title Program Supervisor Type
2018 PhD Ornemanistes and Ornamentation in early 18th Century Interiors Fine Arts, The University of Melbourne Principal Supervisor

Past Supervision

Year Level of Study Research Title Program Supervisor Type
2018 PhD Making History: Print Culture and Louis XIV Fine Arts, The University of Sydney Principal Supervisor
2018 PhD Watteau's theatrics: performance and spectatorship in the 18th Century Fine Arts, The University of Sydney Principal Supervisor
2018 PhD Maria Fedorovna and Pavlovsk Fine Arts, The University of Sydney Principal Supervisor
2018 PhD Fetes in the Gardens of Versailles Fine Arts, The University of Sydney Principal Supervisor
2017 PhD Play in the Garden in 18th century Venice Fine Arts, The University of Sydney Principal Supervisor
2016 PhD Identity and Representation: Foreign Princesses at the Court of Louis XIV Fine Arts, The University of Sydney Principal Supervisor
2015 PhD The Seduction of Shells: Rituals of Display in 18th century Conchology Fine Arts, The University of Sydney Principal Supervisor
2014 PhD Painting the Threshold: Doors, Space and Presentation in 17th and 18th century art Fine Arts, The University of Sydney Principal Supervisor
1998 PhD Fashion Victims: Class, Gender, Sexuality and the Macaroni Fine Arts, The University of Sydney Co-Supervisor
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Professor Jennifer Milam

Position

Pro Vice-Chancellor Academic Excellence
Office of the Vice-Chancellor
Vice-Chancellor's Division

Contact Details

Email jennifer.milam@newcastle.edu.au
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