
Professor Jennifer Milam
Pro Vice-Chancellor Academic Excellence
Office of the Vice-Chancellor
The art of excellence
An art historian with a flair for teaching, Professor Jennifer Milam has a career that spans North America, Europe and Australia. She joined the University of Newcastle in February 2020 in the newly created role of Pro Vice-Chancellor (Academic Excellence).
Originating from the United States, Professor Milam completed her BA in Art History and Economics at Barnard College, an undergraduate college of Columbia University. With a desire to deepen her understanding the cultural significance of art, she gained her Master of Arts and PhD in Art History from the prestigious Princeton University in New Jersey. During her studies, she worked in curatorial and conservation departments at The Metropolitan Museum of Art in New York and The J. Paul Getty Museum in California.
Since arriving in Australia in 1996, Professor Milam has made an outstanding contribution to research and higher education. She has held highly regarded positions at several universities, including Head of School at the University of Melbourne and Pro Dean of Research and Associate Dean of Postgraduate Coursework at the University of Sydney. She has been a member of the Australian Research Council’s College of Experts and Research Evaluation Committee, and brings a keen eye in identifying research excellence and national innovation opportunities to the University.
Professor Milam is also an elected member of Council for the Australian Academy of the Humanities; and part of the Working Group for the think tank - A New Approach, where she is a champion in obtaining effective investment and return in Australian arts and culture. These activities build on her previous international board position with the College Art Association in the United States and her ARC-funded research into arts sponsorship globally.
A committed collaborator
She has been an active contributor to gender equity initiatives in higher education and is recognised for her excellence in teaching and passion for her field. Professor Milam has supervised ten PhD students to completion, and over 35 Honours and Masters students. Her previous students now hold positions in academic and art institutions in Australia, the U.S.A. and the U.K.
With an interest in eighteenth-century art, garden history and Enlightenment thought, Professor Milam maintains strong academic and industry-based networks, with research collaborations involving scholars and stakeholders around the world. She has served as President of the Australian and New Zealand Society for Eighteenth-Century Studies for over six years.
Professor Milam has published articles in journals such as The Art Bulletin, Art History, Burlington Magazine, Eighteenth-Century Studies and Eighteenth-Century Fiction. She has also published four books which bring together women’s histories, art history, garden history, and eighteenth-century studies to present new theories of vision and reception of the work of art. She has held fellowships and grants from the Huntington Library, the American Council for Learned Studies, the University of Southampton, the Thomas Jefferson Foundation, the National Endowment of the Humanities, the Yale Center for British Art, Apple Australia, the Ian Potter Foundation, Columbia University’s Institution at Reid Hall, the École normale supérieur in Paris, the Samuel H. Kress Foundation and the Australian Research Council. Between 2013 and 2017, she was an ARC Future Fellow.
Professor Milam will lead a high-performance team drawn from across the organisation, responsible for driving academic excellence at all levels. Her experience in developing national and international collaborations with partner universities and industry partners will help lead the University toward success.
The art of excellence
An art historian with a flair for teaching, Professor Jennifer Milam has a career that spans North America, Europe and Australia. She joined the University of Newcastle in February 2020 in the newly created role of Pro Vice-Chancellor (Academic Excellence).
Career Summary
Qualifications
- Doctor of Philosophy, Princeton University
- Bachelor of Arts, Columbia University - New York - USA
Keywords
- American art
- Art History
- Eighteenth-Century Studies
- Enlightenment Studies
- France
- Rococo
- Russia
- garden history
Languages
- French (Working)
- Spanish (Working)
- Italian (Working)
- German (Working)
Professional Experience
UON Appointment
Title | Organisation / Department |
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Academic appointment
Dates | Title | Organisation / Department |
---|---|---|
1/1/2006 - 31/12/2007 | Associate Dean Postgraduate Coursework | The University of Sydney Australia |
1/1/2013 - 22/12/2017 | Professor of Art History and Eighteenth-Century Studies | The University of Sydney Australia |
2/1/2018 - 10/1/2020 | Head of School of Culture and Communication | The University of Melbourne Australia |
1/1/2013 - 22/12/2017 | Director of the Sydney Intellectual History Network | The University of Sydney Australia |
1/1/2011 - 31/12/2013 | Pro Dean Research | The University of Sydney Australia |
1/1/2018 - 1/1/2020 | Professor of Art History | The University of Melbourne Australia |
Membership
Dates | Title | Organisation / Department |
---|---|---|
1/1/2008 - 31/12/2009 | Chair of Department of Art History and Film Studies | The University of Sydney Australia |
1/1/2016 - 31/12/2018 | College of Experts, Humanities and the Creative Arts Panel, Linkage and Future Fellowship Schemes | ARC (Australian Research Council) Australia |
1/1/2014 - 31/12/2020 | President | Australian and New Zealand Society for Eighteenth-Century Studies Australia |
1/1/2018 - 31/12/2020 | A New Approach Think Tank | Australian Academy of the Humanities |
1/1/2013 - 31/12/2016 | Board of Directors (elected member) | The College Art Association Australia |
Awards
Distinction
Year | Award |
---|---|
2018 |
Fellow, Australian Academy of the Humanities The University of Melbourne |
2003 |
Fellow, Institute for Scholars at Reid Hall Columbia University |
Teaching Award
Year | Award |
---|---|
2007 |
Carrick Leadership in Teaching Workshop Carrick Institute for Learning & Teaching in Higher Education |
2006 |
Australian College of Educators Quality Teaching Award Australian College of Education |
2004 |
Vice-Chancellor's Award for Outstanding Teaching The University of Sydney |
Grant Reviews
Year | Grant | Amount |
---|---|---|
2020 |
Australian Research Council External - EXTE, External - EXTE |
$0 |
2020 |
Killam Laureates External - EXTE, External - EXTE |
$0 |
2020 |
Leverhulme Trust External - EXTE, External - EXTE |
$0 |
Publications
For publications that are currently unpublished or in-press, details are shown in italics.
Book (4 outputs)
Year | Citation | Altmetrics | Link | ||
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2018 | Chu PT-D, Milam J, Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), East and West, 324 (2018) | ||||
2017 |
Hyde M, Milam J, Women, Art and the Politics of Identity in Eighteenth-Century Europe (2017) © Melissa Hyde and Jennifer Milam, 2003. All rights reserved. The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effect... [more] © Melissa Hyde and Jennifer Milam, 2003. All rights reserved. The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adéla de and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez. ©
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2011 | Milam JD, Historical Dictionary of Rococo Art, Scarecrow Press, 334 (2011) | ||||
Show 1 more book |
Chapter (17 outputs)
Year | Citation | Altmetrics | Link | ||
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2020 | Milam J, 'Representations of Peace', A Cultural History of Peace in the Age of Enlightenment, Bloomsbury Academic, London 87-104 (2020) | ||||
2019 | Milam J, 'Greuze Girls and the Painterly Embodiment of Sexual Pleasure', Making Waves: Crosscurrents in the Study of Nineteenth-century Art: Essays in honour of Petra ten-Doesschate Chu, Brepols, Turnhout, Belgium 95-100 (2019) [B1] | ||||
2018 | Milam J, 'Introduction: Beyond Chinoiserie', Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), Brill, Leiden (2018) | ||||
2018 | Milam J, 'Jefferson s Interest in China and the Gongs of Monticello', Beyond Chinoiserie Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911), Brill, Leiden (2018) | ||||
2017 |
Milam J, 'Matronage and the direction of Sisterhood: Portraits of Madame Adélaïde', Women, Art and the Politics of Identity in Eighteenth-Century Europe 115-138 (2017)
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2017 | Hyde M, Milam J, 'Introduction: Art, cultural politics and the woman question', Women, Art and the Politics of Identity in Eighteenth-Century Europe 1-19 (2017) | ||||
2014 |
Milam J, 'Art and aesthetic theory: Claiming enlightenment as viewers and critics', The Cambridge Companion to the French Enlightenment 122-136 (2014) © Cambridge University Press 2014. How interesting this age has become, causing so many artists to sigh. For a few days the countryside is abandoned; Paris comes to life; all clas... [more] © Cambridge University Press 2014. How interesting this age has become, causing so many artists to sigh. For a few days the countryside is abandoned; Paris comes to life; all classes of citizens come to pack the Salon. The Public, natural judge of the fine arts, already pronounces its verdict on the merit of paintings that took two years of labour to produce. Its opinions, at first tentative and uncertain, quickly acquire stability. The experience of some, the enlightenment of others, the extreme sensibility of one party and the good faith of the majority are finally able to produce a judgment all the more equitable in that the greatest liberty has presided there. The rise of the art critic is one of the most significant changes to the history of artistic reception. It is bound up in a broader understanding of the Enlightenment as process, rather than strictly as an intellectual movement. Debates about the definition of beauty, the origins of good taste and the social value of the arts occupied the Enlightenment¿s intellectual leaders - Voltaire, Diderot, Rousseau, Montesquieu, among others - but their theories did not inform an artistic movement. There is no Enlightenment style, and to seek out a set of criteria by which certain works of art could be claimed as a product of the Enlightenment is fraught with difficulty. It is far more productive to consider how encounters with art, occasioned by the public exhibition of paintings and sculpture at the Salons, offered opportunities through which individuals could claim ¿enlightenment¿ and thus opened up the discourse on art to a wider range of opinions and judgements that further questioned the relationship between art and society. Enlightenment was conceived as a state of mind in the reception of art, cultivated in opposition to received positions of authority in matters of taste.
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Show 14 more chapters |
Journal article (18 outputs)
Year | Citation | Altmetrics | Link | |||||
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2017 |
Milam J, Parsons N, 'Ideas and enlightenment', Eighteenth-Century Life, 41 3-8 (2017)
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2017 |
Milam J, Maddox A, 'Visual and aural intellectual histories: an introduction', Intellectual History Review, 27 285-298 (2017) © 2017 International Society for Intellectual History. If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and... [more] © 2017 International Society for Intellectual History. If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual ¿texts¿, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.
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2017 |
Milam J, 'Cosmopolitan translation and patriotic sensibilities in German garden art', Intellectual History Review, 27 377-403 (2017) © 2017 International Society for Intellectual History. My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the re... [more] © 2017 International Society for Intellectual History. My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of ¿garden-landscape-art¿. What they shared was a conviction that garden forms affect feelings, with the role of the garden artist to determine paths that would alter and diversify the visitor¿s experience of place. This essay explores how spontaneous emotions, elicited by movement through the garden, were linked with a growing sense of patriotism that contrasted with cosmopolitan judgments in the writings of Hirschfeld, Pückler, and Goethe.
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2017 | Milam J, 'A Collection Worthy of a Cosmopolitan Patron of the Arts', EMAJ : Electronic Melbourne Art Journal, 9 (2017) | |||||||
2016 |
Milam J, 'Cosmopolitan time in the Jardin de Monceau', Studies in the History of Gardens and Designed Landscapes, 36 282-296 (2016)
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2015 |
Milam J, 'Rococo representations of interspecies sensuality and the pursuit of Volupté', Art Bulletin, 97 192-209 (2015)
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2013 |
Milam J, '"Art Girls": Philanthropy, Corporate Sponsorship, and Private Art Museums in Post-Communist Russia', CURATOR-THE MUSEUM JOURNAL, 56 391-405 (2013)
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2013 |
Milam J, 'Empress Maria Theresa and the Politics of Habsburg Imperial Art', EIGHTEENTH-CENTURY STUDIES, 46 575-577 (2013)
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2012 |
Milam J, 'Toying with China: Cosmopolitanism and Chinoiserie in Russian Garden Design and Building Projects under Catherine the Great', EIGHTEENTH-CENTURY FICTION, 25 115-138 (2012)
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2012 |
Milam J, 'Toying with China: Cosmopolitanism and chinoiserie in Russian garden design and Building projects under Catherine the Great', Eighteenth-Century Fiction, 25 115-138 (2012) An emerging cosmopolitanism in the eighteenth century bolstered the search for the foundations of a shared humanity across the boundaries of different cultures, which was one of t... [more] An emerging cosmopolitanism in the eighteenth century bolstered the search for the foundations of a shared humanity across the boundaries of different cultures, which was one of the central aspects of Enlightenment thought. Similar ideas and principles transformed the traditions of European garden design in the second half of the eighteenth century with William Chambers's writings on Chinese gardens suggesting aesthetic values that both paralleled and rivalled those found in the English gardens of his contemporaries. In 1771, Catherine the Great translated Chambers's Designs of Chinese Buildings (1757) into Russian, which led to the creation of the largest complex of chinoiserie in any eighteenth-century European garden. Taking as my focus the gardens of Tsarskoye Selo, I explore the tensions between cosmopolitanism, exoticism, and imperialism in Russian garden design under Catherine the Great.
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2000 |
Milam J, 'Playful constructions and Fragonard's swinging scenes', EIGHTEENTH-CENTURY STUDIES, 33 543-559 (2000)
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1998 |
Milam J, 'Fragonard and the blindman's game: Interpreting representations of blindman's buff', Art History, 21 1-25 (1998)
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Show 15 more journal articles |
Grants and Funding
Summary
Number of grants | 20 |
---|---|
Total funding | $1,341,510 |
Click on a grant title below to expand the full details for that specific grant.
20201 grants / $58,462
Visual Cosmopolitanism, National Identity and Imperialist Ambitions in Garden Spaces$58,462
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Project Team | Professor Jennifer Milam |
Scheme | Future Fellowships |
Role | Lead |
Funding Start | 2020 |
Funding Finish | 2020 |
GNo | G2001122 |
Type Of Funding | C1200 - Aust Competitive - ARC |
Category | 1200 |
UON | Y |
20181 grants / $0
Huntington Library Research Conference Award$0
Funding body: Huntington Library
Funding body | Huntington Library |
---|---|
Project Team | Professor Stephen Bending |
Scheme | Huntington Library |
Role | Investigator |
Funding Start | 2018 |
Funding Finish | 2018 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20161 grants / $11,000
Global Partnership Award$11,000
Funding body: University of Southampton
Funding body | University of Southampton |
---|---|
Project Team | Professor Stephen Bending |
Scheme | University of Southampton Global Partnership |
Role | Investigator |
Funding Start | 2016 |
Funding Finish | 2017 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20152 grants / $22,200
ACLS Comparative Perspectives on Chinese Society Award$15,000
Funding body: Seton Hall University
Funding body | Seton Hall University |
---|---|
Project Team | Professor Petra Chu |
Scheme | Seton Hall University |
Role | Investigator |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
Robert H Smith International Centre for Jefferson Studies Fellowship$7,200
Funding body: Robert H Smith International Centre
Funding body | Robert H Smith International Centre |
---|---|
Scheme | Jefferson Studies Fellowship |
Role | Lead |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20141 grants / $9,748
Ian Potter Foundation$9,748
Funding body: Ian Potter Foundation
Funding body | Ian Potter Foundation |
---|---|
Scheme | Ian Potter Foundation |
Role | Lead |
Funding Start | 2014 |
Funding Finish | 2014 |
GNo | |
Type Of Funding | Not Known |
Category | UNKN |
UON | N |
20131 grants / $716,000
Australian Research Council Future Fellowship$716,000
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | Future Fellowships |
Role | Lead |
Funding Start | 2013 |
Funding Finish | 2017 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20091 grants / $197,000
Australian Research Council Discovery Project Grant$197,000
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | ARC Small Grant / RMC Project grant |
Role | Lead |
Funding Start | 2009 |
Funding Finish | 2011 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20071 grants / $4,500
Yale Centre for British Art, Fellow$4,500
Funding body: Yale University
Funding body | Yale University |
---|---|
Scheme | Yale Center for British Art |
Role | Lead |
Funding Start | 2007 |
Funding Finish | 2007 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20061 grants / $2,500
Australian Academy of the Humanities$2,500
Funding body: Australian Academy of the Humanities
Funding body | Australian Academy of the Humanities |
---|---|
Scheme | Humanities Fieldwork Fellowships |
Role | Lead |
Funding Start | 2006 |
Funding Finish | 2006 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20041 grants / $156,000
Australian Research Council Discovery Project Grant$156,000
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | ARC Small Grant / RMC Project grant |
Role | Lead |
Funding Start | 2004 |
Funding Finish | 2006 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
20023 grants / $55,500
Australian Research Council Discovery Project Grant$48,000
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | ARC Small Grant / RMC Project grant |
Role | Lead |
Funding Start | 2002 |
Funding Finish | 2002 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
National Endowment for the Humanities Summer Stipend$7,500
Funding body: National Endowment for the Humanities
Funding body | National Endowment for the Humanities |
---|---|
Scheme | National Endowment for the Humanities Summer Stipend |
Role | Lead |
Funding Start | 2002 |
Funding Finish | 2002 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
Apple Australia Teaching Grant$0
Funding body: Apple University Development Fund
Funding body | Apple University Development Fund |
---|---|
Scheme | Apple University Development Fund |
Role | Lead |
Funding Start | 2002 |
Funding Finish | 2002 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
19982 grants / $29,000
Australian Research Council Discovery Small Grant$24,000
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | ARC Small Grant |
Role | Lead |
Funding Start | 1998 |
Funding Finish | 1999 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
College Art Association Conference Travel Grant$5,000
Funding body: College Art Association
Funding body | College Art Association |
---|---|
Scheme | Conference Travel Grant |
Role | Lead |
Funding Start | 1998 |
Funding Finish | 1998 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
19951 grants / $30,000
Samuel H Kress Foundation Dissertation Fellowship$30,000
Funding body: Samuel H Kress Foundation
Funding body | Samuel H Kress Foundation |
---|---|
Scheme | Fellowship |
Role | Lead |
Funding Start | 1995 |
Funding Finish | 1996 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
19921 grants / $0
Ecole normale superierure$0
Funding body: pensionnaire estrangere
Funding body | pensionnaire estrangere |
---|---|
Scheme | pensionnaire estrangere |
Role | Lead |
Funding Start | 1992 |
Funding Finish | 1993 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
19891 grants / $46,000
Doctoral Student Stipend$46,000
Funding body: Princeton University
Funding body | Princeton University |
---|---|
Scheme | Doctoral Student Stipend |
Role | Lead |
Funding Start | 1989 |
Funding Finish | 1994 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
19881 grants / $3,600
National Endowment for the Humanities$3,600
Funding body: National Endowment for the Humanities
Funding body | National Endowment for the Humanities |
---|---|
Scheme | National Endowment for the Humanities Younger Scholar Grant |
Role | Lead |
Funding Start | 1988 |
Funding Finish | 1988 |
GNo | |
Type Of Funding | External |
Category | EXTE |
UON | N |
Research Supervision
Number of supervisions
Current Supervision
Commenced | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2018 | PhD | Ornemanistes and Ornamentation in early 18th Century Interiors | Fine Arts, The University of Melbourne | Principal Supervisor |
Past Supervision
Year | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2018 | PhD | Making History: Print Culture and Louis XIV | Fine Arts, The University of Sydney | Principal Supervisor |
2018 | PhD | Watteau's theatrics: performance and spectatorship in the 18th Century | Fine Arts, The University of Sydney | Principal Supervisor |
2018 | PhD | Maria Fedorovna and Pavlovsk | Fine Arts, The University of Sydney | Principal Supervisor |
2018 | PhD | Fetes in the Gardens of Versailles | Fine Arts, The University of Sydney | Principal Supervisor |
2017 | PhD | Play in the Garden in 18th century Venice | Fine Arts, The University of Sydney | Principal Supervisor |
2016 | PhD | Identity and Representation: Foreign Princesses at the Court of Louis XIV | Fine Arts, The University of Sydney | Principal Supervisor |
2015 | PhD | The Seduction of Shells: Rituals of Display in 18th century Conchology | Fine Arts, The University of Sydney | Principal Supervisor |
2014 | PhD | Painting the Threshold: Doors, Space and Presentation in 17th and 18th century art | Fine Arts, The University of Sydney | Principal Supervisor |
1998 | PhD | Fashion Victims: Class, Gender, Sexuality and the Macaroni | Fine Arts, The University of Sydney | Co-Supervisor |
News
Upward trajectory continues for University of Newcastle
March 5, 2021
Professor Jennifer Milam
Position
Pro Vice-Chancellor Academic Excellence
Office of the Vice-Chancellor
Vice-Chancellor's Division
Contact Details
jennifer.milam@newcastle.edu.au |