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Career Summary

Biography

Dr Phillip McIntyre is a Communication and Media scholar who researches how novel and valued things are created by human beings. He seeks to answer a basic research question: what is the most rational way to explain how novel things are bought into being? In addition to this basic research question, he also seeks to answer an applied question: How can these explanations help to increase human kind’s ability to generate unique and valued products, processes and ideas? Dr McIntyre's most recent book 'Creativity and Cultural Production: Issues for Media Practice' was published by Palgrave MacMillan in 2012 and he is a current recipient of an ARC Linkage Grant entitled 'Creativity and Cultural Production: An Applied Ethnographic Study of New Entrepreneurial Systems in the Creative Industries'. He is the Group Leader of the Communication and Media Research (CAMR) group and is a member of the Hunter Centre for Creative Industries and Technology (HCIT). He recently received an Excellence in Research Supervision Award. As well as having a research focus on creativity and innovation, Dr McIntyre also teaches media production and media studies courses in the Bachelor of Communication program. He is the Head of Discipline for Communication and Media in the School of Design, Communication and Information Technology. He was a visiting scholar at Leeds Metropolitan University in the United Kingdom in 2010 working with a research group in sound production in the Faculty of Information and Technology. He is the Vice President Elect of the Australian and New Zealand Communication Association (ANZCA) and is a current member of the Association for the Study of the Art of Record Production (ASARP). He sits on the Editorial Board of the Journal of the Art of Record Production (JARP) and is the Conference Proceedings Editor for this journal. His most recent media production was a documentary series on the wine industry for ABC Radio. Previously Phillip McIntyre was involved in the music industry where he was a songwriter, instrumentalist, musical director and manager for various musical groups dealing with promoters, record companies and distribution labels. He managed a section of a large music retailer and his work as a music journalist entailed interviewing and writing feature stories on a wide range of musicians including David Bowie, John Fogerty, Paul Kelly, Don Walker, Daniel Johns, Mandawuy Yunupingu, Tim Rogers and many others. For a short time he produced and presented a local music radio program on 2NUR FM as well as currently sitting on its Advisory Board. A number of the music videos he produced, directed and edited have been broadcast on ABCTV and he continues to produce and engineer music CDs for local artists. He has taught in the Ausmusic Basic Music Industry Skills course at TAFE, which included Daniel Johns from Silverchair as a student in the songwriting course he taught, as well as teaching courses for the Music Industry Training Package at WEA. His doctoral research investigated the creative process of songwriters as cultural producers. He has since published widely in this area.

Qualifications

  • PhD, Macquarie University, 12/10/2004
  • Graduate Certificate (Practice-Tertiary Teaching), University of Newcastle, 12/12/2005
  • Bachelor of Arts (Communication Studies)(Honours), University of Newcastle, 27/04/1995
  • Bachelor of Arts (Communication Studies), University of Newcastle, 06/05/1994

Research

Research keywords

  • creativity and cultural production
  • creativity and innovation
  • media practice
  • popular music industry
  • record production
  • songwriting
  • sound production

Research expertise

Dr Phillip McIntyre is a researcher who has also had over twenty-five years of relevant industrial and professional experience in all facets of the Australian music industry. He has been part of the Emerging Research Leaders program and has stimulated research through his role as Head of Discipline in Communication and Media and through his international contacts particularly those at Leeds Metropolitan University in the UK. He was instrumental in forming the Communication and Media Research (CAMR) group where he is the Group Leader and recently received an Excellence in Research Supervision Award from the VC.

He was awarded his PhD in March 2004, and has been publishing material in refereed publications and delivering his research to international audiences in conference settings. His academic research is centred on the production phase of the communication process and the relationship between creativity and cultural production. For his doctoral thesis he tested and verified the systems model of creativity, developed by Mihaly Csikszentmihalyi, by conducting an extensive ethnographic study of popular music songwriting. This research involved participant observation facilitated by operating in the milieu of the music industry. It was triangulated with audience surveys, document analysis and a significant number of in-depth interviews with local, national and international level songwriters.

Apart from this ongoing ethnographic research focus which he has extended to record production he also has an interest in the use of innovative research methods to examine the creative process, such as Practitioner Based Enquiry. As a result of these interests, a wide-ranging knowledge of the theories of creativity and ample practical experience in project management, sound and video production, and music journalism, he brings a valued set of skills which are directly applicable to his research.

Dr McIntyre has been successful with both external and internal grants. He was awarded a $20,000 Collaborative Research Grant in conjunction with Newcastle City Council and a $16,000 grant came from the ABC Regional Production Fund to produce a radio series for ABC regional radio.He is the holder of a $180,000 Australian Research Council (ARC) Linkage Grant and has established active and ongoing international research links with colleagues at Leeds Metropolitan University and Goldsmiths College in the UK.

Dr McIntyre has published widely with a number of book chapters, journal articles and refereed international conference proceedings listed on his Researcher Report (link above). His recent book, 'Creativity and Cultural Production: Issues for Media Practice' (2012) was published by Palgrave MacMillan.

The 2013 Humour Studies Network conference organiser, Michael Meany, wrote recently that ‘Dr McIntyre’s standing as a world authority on creativity research is confirmed by his published research outputs and esteem factors such as invited keynote addresses. The most recent keynote address was given at the 19th Australasian Humour Studies Network (AHSN) Colloquium, Newcastle 7 - 9 February 2013. The colloquium theme of ‘Humour and Creativity’ was specifically chosen by the AHSN Review Committee due to Dr McIntyre’s position at the University of Newcastle and his national and international reputation.’

Fields of Research

CodeDescriptionPercentage
200101Communication Studies50
200104Media Studies40
190499Performing Arts And Creative Writing Not Elsewhere Classified10

Memberships

Body relevant to professional practice.

  • Member - Australian and New Zealand Communication Association
  • Member - International Association of the Society of Popular Music

Editorial Board.

  • Member - Journal of the Art of Record Production

Appointments

Visiting Fellow
Leeds Metroploitan University (United Kingdom)
01/01/2010 - 01/06/2010

Invitations

Humour and Creativity 19th AHSN Colloquium, Newcastle 7 - 9 February 2013
Australasian Humour Studies Network, Australia (Keynote Address)
2013
Humour and Creativity 19th AHSN Colloquium, Newcastle 7 - 9 February 2013
Australasian Humour Studies Network, Australia (Keynote Address)
2013

Collaboration

Dr McIntyre collaborates with industry partners TechnicaCPT and Newcastle Now on an ARC Linkage Project entitled 'Creativity and Cultural Production in the Hunter'. This project undertakes an applied ethnographic study of key collaborative groups across all the major creative industries in the Hunter region in NSW. Mapping these industries’ approach to cultural production in the digital realm provides detailed insights into the dynamic entrepreneurial systems at the heart of creative industries. The project presents findings to policy makers, industry and academia to increase their understanding of factors affecting creative output in an increasingly technological world. The mapping of conditions favorable to creativity and innovation in the creative industries in the Hunter will be reported in trade magazines, scholarly publications and conference presentations.

Administrative

Administrative expertise

Dr Phillip McIntyre is currently the Head of Discipline of Communication and Media and sits on the School of DCIT Executive Committee. He was the Program Convenor for the Communication and Media Honours Program. In this role he was the Chair, Bachelor of Communication (Honours) Review Committee for the Faculty of Science & IT in 2004.

He also sits on the DCIT Research Committee. In 2005 he was a member of both the Faculty of Science & IT and the School of DCIT Research Training Committees. He has also been a member of the School of DCIT RHD Progress Committee and sat on the School's CT&L Committee, as well as being the Library Liaison Officer for the Department of CAMA between 1998 and 2001. He was also, for a short period, the Acting Head of Department in 2001.

Dr McIntyre is also the VC Representative on the Advisory Board of the University radio station 2NURFM and is Chair of the Peter Pickhover Trust Fund Committee that reports to that Board.

In his prior professional life Dr Phillip McIntyre's aptitude for project management and administration can be seen in his active involvement with the award winning band Supersonic. The most recent project Phillip was involved in for Supersonic ran from 2003 to 2004 and was primarily funded by a group of investors. Phillip was instrumental in negotiating this funding. The project involved the coordination and oversight of the recording, manufacture, release and promotion of a popular music single, an album of songs and a video, as well as the business management of the musical group involved. Phillip undertook the planning, budgetary and oversight responsibilities during this project period (2003-2004). The project required engaging a PR firm (AMB), a manufacturing plant (MAD) as well as negotiating conditions and terms with a commercial distributor (MGM) for the product. The project also saw him acting as the producer of a promotional video clip using an eight person crew. The administration of this entire project by Phillip McIntyre eventually involved the organization of the work and transportation of five personnel touring across the east coast of Australia. Dr Phillip McIntyre's professional management, creative capability and administrative expertise was instrumental in the success of this project.

Teaching

Teaching keywords

  • communication and media studies
  • creativity and cultural production
  • media practice
  • media production - radio
  • media production - sound
  • popular music studies

Teaching expertise

When Dr Phillip McIntyre commenced studying for his BA(CS) Honours degree as a mature age student at the University of Newcastle in 1994 he was asked to lecture at the same time into the Communication & Media Arts program at the University. Following this Honours year, he continued to lecture and tutor in a variety of courses at the University for the Department of Sociology and Anthropology, the Department of Leisure and Tourism as well as continuing to teach into the Communication and Media program. At this time he also taught into the BMIS Music Industry Skills course at the Hunter Institute of Higher Education (TAFE). He has also taught courses in the Music Industry Training Package for WEA. After achieving a full time continuing position at the University he has taught into a significant number of courses in the Communication and Media program.

His teaching philosophy encompasses an observable congruence between theoretical understanding and professional practice. His emphasis on mentoring is premised on the realization that learning can be facilitated through interactions built on concrete experience, reflective observation, abstract conceptualization and active experimentation. This approach dovetails well with the overall PBL and WIL approaches espoused by the University.

Dr McIntyre undertook and completed the Graduate Certificate in Tertiary Teaching in 2005. His SET and SEC scores have been consistently high and he has received commendations from the PVC of the Faculty Science & IT for his contribution to teaching in the Faculty.

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Highlighted Publications

For publications that are currently unpublished or in-press, details are shown in italics.

YearCitationAltmetricsLink
2012McIntyre KC, Creativity and Cultural Production: Issues for Media Practice, Palgrave Macmillan, New York, 233 (2012) [A1]
2007McIntyre KC, 'Copyright and creativity: Changing paradigms and the implications for intellectual property and the music industry', Media International Australia, 82-94 (2007) [C1]
2008McIntyre KC, 'Creativity and cultural production: A study of contemporary Western popular music songwriting', Creativity Research Journal, 20 40-52 (2008) [C1]
2006McIntyre KC, 'Paul McCartney and the creation of 'Yesterday': the systems model in operation', Popular Music, 25/2 201-219 (2006) [C1]
2006McIntyre KC, 'Creative Practice as Research: 'Testing Out' the systems model of creativity through practitioner based enquiry', Applying Practice Led Research in the Creative Industries, Brisbane, Australia (2006) [E1]

Publications

For publications that are currently unpublished or in-press, details are shown in italics.

Click on a category title below to expand the list of citations for that specific category.

Book (1 outputs)

YearCitationAltmetricsLink
2012McIntyre KC, Creativity and Cultural Production: Issues for Media Practice, Palgrave Macmillan, New York, 233 (2012) [A1]

Chapter (4 outputs)

YearCitationAltmetricsLink
2013McIntyre KCP, 'Creativity as a System in Action', Handbook of Research on Creativity, Edward Elgar, Cheltenham UK 84-97 (2013) [B1]
2012McIntyre KC, 'Rethinking creativity: Record production and the systems model', The Art of Record Production: An Introductory Reader for a New Academic Field, Ashgate, London 149-161 (2012) [B1]
2008McIntyre KC, 'Songwriting, creativity and the music industry', The Business of Entertainment: Popular Music, Praeger Publishing, Westport, Connecticut 1-20 (2008) [B1]
2003McIntyre KC, ''Never Mind the Bullocks': The Tex Pistols in Tamworth', Outback and Urban: Australian Country Music, aicm Press, Gympie 145-158 (2003) [B2]
Show 1 more

Journal article (20 outputs)

YearCitationAltmetricsLink
2014Morey J, McIntyre P, 'The Creative Studio Practice of Contemporary Dance Music Sampling Composers', Dancecult: Special Issue on Production Technologies and Studio Practice in Electronic Dance Music Culture, 6 41-60 (2014)
2013Fulton J, McIntyre P, 'Journalists on journalism: print journalists' discussion of their creative process', Journalism Practice, 7 17-32 (2013) [C1]

Co-authors: Janet Fulton

2013McIntyre P, 'The Newcastle Music Industry: An Ethnographic Study of a Regional Creative System in Action', International Journal of Music Business Research, 2 36-60 (2013) [C1]
2013Fulton J, McIntyre P, 'Futures of Communication: Communication Studies~Creativity', Review of Communication, 13 269-289 (2013) [C1]
2013McIntyre KCP, 'Examining Creativity and Cultural Production: Screen Based Media and the Current Research into Creativity', in Interactive Media: Ejournal of the National Academy of Screen& Sound, 1-17 (2013) [C1]
2013Fulton JM, McIntyre KCP, 'Futures of Communication: Communication Studies~Creativity', Review of Communication, 13 269-289 (2013) [C1]
2012McIntyre KC, Morey J, 'Examining the impact of multiple technological, legal, social and cultural factors on the creative practice of sampling record producers in Britain', Journal on the Art of Record Production, (2012) [C1]
2012McIntyre KC, 'Constraining and enabling creativity: The theoretical ideas surrounding creativity, agency and structure', The International Journal of Creativity and Problem Solving, 22 43-60 (2012) [C1]
2011McIntyre KC, 'Rethinking the creative process: The systems model of creativity applied to popular songwriting', Journal of Music, Technology & Education, 4 77-90 (2011) [C1]
2011Morey J, McIntyre KC, ''Working out the split': Creative collaboration and assignation of copyright across differing musical worlds', Journal on the Art of Record Production, 1-8 (2011) [C1]
2011McIntyre KC, 'Systemic creativity: The partnership of John Lennon and Paul McCartney', Musicology Australia, 33 241-254 (2011) [C1]
2010Kerrigan SM, McIntyre KC, 'The 'creative treatment of actuality': Rationalizing and reconceptualizing the notion of creativity for documentary practice', Journal of Media Practice, 11 111-129 (2010) [C1]
2008McIntyre KC, 'Creativity and cultural production: An interdisciplinary approach to understanding creativity through an ethnographic study of songwriting', Cultural Science, 1 1-8 (2008) [C1]
2008McIntyre KC, 'Creativity and cultural production: A study of contemporary Western popular music songwriting', Creativity Research Journal, 20 40-52 (2008) [C1]
2008McIntyre KC, Paton BK, 'The mastering process and the systems model of creativity', Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 8 64-81 (2008) [C1]
2007McIntyre KC, 'Copyright and creativity: Changing paradigms and the implications for intellectual property and the music industry', Media International Australia, 82-94 (2007) [C1]
2007McIntyre KC, McIntyre E, 'Rethinking creativity and approaches to teaching', International Journal of the Book, 4 15-22 (2007) [C1]
2006McIntyre KC, 'Paul McCartney and the creation of 'Yesterday': the systems model in operation', Popular Music, 25/2 201-219 (2006) [C1]
2004McIntyre P, 'Review of Jason Toynbee (2002) ''Making Popular Music: Musicians Creativity and Institutions''', Perfect Beat:The Pacific Journal of Research into Contemporary Music and Popular Culture, 6 (2004) [C3]
2001McIntyre KC, 'The Domain of Songwriters: Towards defining the term 'Song'', Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, vol 5 N3 July 2001 100-111 (2001) [C1]
Show 17 more

Conference (20 outputs)

YearCitationAltmetricsLink
2013McInytre P, 'Creativity and Creative Industries: From Romanticism to Idiosyncratic Agency, Social Networks and Knowledge Systems', Refereed Proceedings of the Australian and New Zealand Communication Association conference: Global Networks-Global Divides: Bridging New and Traditional Communication Challenges, Perth (2013) [E1]
2013McIntyre KC, 'Creativity: What is the research telling us?', Program and Abstracts Nineteenth Colloquium on 'Humour and Creativity', Newcastle, NSW (2013) [E3]
2012McIntyre KC, ''How are messages created?': Changes in thinking about communication theory leading to a new synthesis', Refereed Proceedings of the 2012 Australian and New Zealand Communication Association Conference: Communicating Change and Changing Communication in the 21st Century, Adelaide, SA (2012) [E1]
2011Regan BG, Nesbitt KV, McIntyre KC, 'Incorporating practitioner based enquiry into software development research', PACIS 2011 - 15th Pacific Asia Conference on Information Systems: Quality Research in Pacific, Brisbane, QLD (2011) [E1]
2011McIntyre KC, 'Bringing novelty into being: Exploring the relationship between 'creativity' and 'innovation'', Proceedings of the Australian and New Zealand Communication Association Conference, Hamilton, NZ (2011) [E1]
2010McIntyre KC, 'Communication and the creation of media content: A practitioner-based enquiry study of popular music songwriting', Media Democracy and Change: Refereed Proceedings of the Australian and New Zealand Communications Association Annual Conference 2010, Canberra, ACT (2010) [E1]
2009Fulton JM, McIntyre KC, 'Creativity: A keyword in print journalism', 59th Annual Conference of the International Communication Association, Chicago, ILL (2009) [E1]

Co-authors: Janet Fulton

2009Paton B, McIntyre KC, 'Audio mastering: Experimenting on the creative system of music production', Proceedings of the 2nd International Conference on Music Communication Science (ICoMCS2), Sydney, NSW (2009) [E1]
2009McIntyre KC, 'Rethinking communication, creativity and cultural production: Outlining issues for media practice', Communication, Creativity and Global Citizenship: Refereed Proceedings of the Australian and New Zealand Communication Association Conference 2009, Brisbane, QLD (2009) [E1]
2009McIntyre KC, 'Rethinking the idea of the mainstream/alternative dichotomy in contemporary western popular music in the light of recent research into creativity', Stuck in the Middle: The Mainstream and Its Discontents: Selected Proceedings of the 2008 IASPM-ANZ Conference, Griffith University, Brisbane, Brisbane, QLD (2009) [E1]
2009McIntyre KC, 'Songwriting and studio practice: The systems model of creativity applied to 'writing records'', ARP 2009 Proceedings: The Fifth Annual Art of Record Production Conference, Cardiff, Wales (2009) [E2]
2009McIntyre KC, 'I'm looking through you: An historical case study of systemic creativity as seen in the partnerships of John Lennon and Paul McCartney', Collaborations: Creative Partnerships in Music: Program, Melbourne, VIC (2009) [E3]
2006McIntyre KC, 'Creative Practice as Research: 'Testing Out' the systems model of creativity through practitioner based enquiry', Applying Practice Led Research in the Creative Industries, Brisbane, Australia (2006) [E1]
2006McIntyre KC, Paton BK, 'Don Bartley and the Systems model of creativity: Mastering as a domain of knowledge and its relationship to record production', Whose Music? Popularity, Industry and Property, Sydney (2006) [E2]
2005McIntyre KC, 'Radio Program Directors, Music directors and the Creation of Popular Music', Radio Program Directors, Music Directors and the Creation of Popular Music, Melbourne (2005) [E1]
2005McIntyre KC, 'Learning to be Songwriters: Creativity, the Systems Model and Domain Acquisition', Contemporary Popular Music Studies Conference, Auckland, NZ (2005) [E2]
2005McIntyre KC, 'Creative Practice as Research', Speculation and Innovation ¿ Applying practice¿led Research in the Creative Industries,, Brisbane (2005) [E2]
2002McIntyre KC, 'The creation of Paul McCartney's Yesterday: romanticism or rationalism?', Conference Paper, Newcastle, Australia (2002) [E2]
2002McIntyre KC, 'Never Mind the Bullocks: The Tex Pistols and Tamworth', Conference Paper, Gympie, Queensland, Australia (2002) [E2]
2000McIntyre KC, 'The Domain of Songwriters: Towards a Definition of 'Song'', Changing Sounds - New Directions and Configurations in Popular Music, University of Technology, Sydney (2000) [E2]
Show 17 more

Creative Work (9 outputs)

YearCitationAltmetricsLink
2004McIntyre KC, Waking Hour (2004) [J1]
2004McIntyre P, Rock''n''Roll (2004) [J2]
2003McIntyre KC, Late Starter: Not Always the Favourite (2003) [J1]
2003McIntyre KC, Composing music: popular music since 1950, Currency House Inc, Sydney (2003) [J2]
2003McIntyre KC, Out of Sight (Out of Mind), PMP Records, Newcastle (2003) [J2]
2003McIntyre KC, What You Mean To Me, PMP Records, Newcastle (2003) [J2]
2003McIntyre KC, Can't Get Her Out of My Head, PMP Records, Newcastle (2003) [J2]
2001McIntyre P, Love is Everything (2001) [J2]
2001McIntyre P, Grey Skies End (2001) [J2]
Show 6 more

Other (3 outputs)

YearCitationAltmetricsLink
2004McIntyre P, 'Paul Kelly Talks About the Oldest Story in the Book', : Uturn (2004) [O1]
2004McIntyre P, 'Silverchair''s Daniel Johns + Dance Guru Paul Mac: The Dissociatives', : Attitude (2004) [O1]
2004McIntyre P, 'The Waifs', : Uturn (2004) [O1]

Thesis / Dissertation (4 outputs)

YearCitationAltmetricsLink
2014Coffee S, Profiling Creativity: An Exploration of the Creative Process Through the Practice of Freelance Print Journalism, University of Newcastle (2014)
2013Sheather G, Rock, This City: A Thematic History of Live Popular Music in Licensed Venues in Newcastle, Australia, During the Oz Rock/Pub Era (1970s and 80s)., University of Newcastle (2013)
2013Scott NB, A Study Examining the ICT Literacy Levels of Music Educators in the New South Wales Department of Education & Training, The University of Newcastle (2013)

Co-authors: Nathan Scott

2011Fulton JM, Making the news: print journalism and the creative process, University of Newcastle (2011)
Show 1 more
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Grants and Funding

Summary

Number of grants13
Total funding$327,804

- Indicates that the researcher may be seeking students for this project.

Click on a grant title below to expand the full details for that specific grant.

2013 (4 grants)

Creativity and Cultural Production in the Hunter: an applied ethnographic study of new entrepreneurial systems in the creative industries.$180,000
Funding Body: ARC (Australian Research Council)

Project Team
Doctor Phillip McIntyre, Professor Mark Balnaves, Doctor Susan Kerrigan, Mrs Evelyn King, Ms Claire Williams
SchemeRole
Linkage ProjectsChief Investigator
Total AmountFunding StartFunding Finish
$180,00020132016
GNo:G1201143

Creativity and Cultural Production in the Hunter: an applied ethnographic study of new entrepreneurial systems in the creative industries.$70,000
Funding Body: Technica CPT

Project Team
Doctor Phillip McIntyre, Professor Mark Balnaves, Doctor Susan Kerrigan, Mrs Evelyn King, Ms Claire Williams
SchemeRole
Linkage Projects Partner FundingChief Investigator
Total AmountFunding StartFunding Finish
$70,00020132016
GNo:G1300761

Creativity and Cultural Production in the Hunter: an applied ethnographic study of new entrepreneurial systems in the creative industries.$30,000
Funding Body: Newcastle Business Improvement Association Inc

Project Team
Doctor Phillip McIntyre, Professor Mark Balnaves, Doctor Susan Kerrigan, Mrs Evelyn King, Ms Claire Williams
SchemeRole
Linkage Projects Partner FundingChief Investigator
Total AmountFunding StartFunding Finish
$30,00020132016
GNo:G1300762

Faculty PVC Conference Assistance Grant 2013$2,000
Funding Body: University of Newcastle - Faculty of Science & IT

Project Team
Doctor Phillip McIntyre
SchemeRole
PVC Conference Assistance GrantChief Investigator
Total AmountFunding StartFunding Finish
$2,00020132013
GNo:G1401173

2012 (1 grants)

2011 Emerging Research Leaders Program$15,000
Funding Body: University of Newcastle

Project Team
Doctor Phillip McIntyre
SchemeRole
Emerging Research Leaders ProgramChief Investigator
Total AmountFunding StartFunding Finish
$15,00020122012
GNo:G1200825

2008 (1 grants)

The Fourth Annual Art of Record Production Conference, The University of Massachusetts Lowell, Lowell, Massachusetts, USA, 14/11/2008 - 16/11/2008$2,500
Funding Body: University of Newcastle

Project Team
Doctor Phillip McIntyre
SchemeRole
Travel GrantChief Investigator
Total AmountFunding StartFunding Finish
$2,50020082008
GNo:G0189574

2007 (1 grants)

Music on the Edge: International Association for the Study of Popular Music in ANZ Conference 2007, 30/11/2007 - 3/12/2007$487
Funding Body: University of Newcastle

Project Team
Doctor Phillip McIntyre
SchemeRole
Travel GrantChief Investigator
Total AmountFunding StartFunding Finish
$48720072007
GNo:G0188290

2005 (2 grants)

Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting$3,000
Funding Body: University of Newcastle

SchemeRole
Research Project SupportChief Investigator
Total AmountFunding StartFunding Finish
$3,00020052005
GNo:2348764

Research Assistance$2,500
Funding Body: University of Newcastle

SchemeRole
Research AssistantChief Investigator
Total AmountFunding StartFunding Finish
$2,50020052006
GNo:2348756

2004 (3 grants)

The Living History of Fort Scratchley: Representing a site of historical and community significance in the Newcastle Local Government Area$10,000
Funding Body: Newcastle City Council

Project Team
Dr Erik Eklund, Doctor Susan Kerrigan, Doctor Phillip McIntyre
SchemeRole
University Grant Partner fundingInvestigator
Total AmountFunding StartFunding Finish
$10,00020042004
GNo:G0184230

The Living History of Fort Scratchley: Representing a site of historical and community significance in the Newcastle Local Government Area$10,000
Funding Body: University of Newcastle

Project Team
Doctor Susan Kerrigan, Doctor Phillip McIntyre, Dr Erik Eklund
SchemeRole
Collaborative Research GrantInvestigator
Total AmountFunding StartFunding Finish
$10,00020042004
GNo:G0184229

Research Assistance$2,000
Funding Body: University of Newcastle

SchemeRole
Research AssistantChief Investigator
Total AmountFunding StartFunding Finish
$2,00020042005
GNo:2348775

2002 (1 grants)

1st Australian Country Music Studies Conference, Central Queensland University, QLD 23 - 24 August 2002$317
Funding Body: University of Newcastle

Project Team
Doctor Phillip McIntyre
SchemeRole
Travel GrantChief Investigator
Total AmountFunding StartFunding Finish
$31720022002
GNo:G0182241
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Research Supervision

Number of current supervisions11
Total current UoN Masters EFTSL0.85
Total current UoN PhD EFTSL2.6

For supervisions undertaken at an institution other that the University of Newcastle, the institution name is listed below the program name.

Current Supervision

CommencedProposed
Completion
ProgramSupervisor TypeResearch Title
20142018M Philosophy (Comm&Med Arts)Co-SupervisorCreative Industries as a Catalyst for Urban Renewal and Economic Development: An Empirical Study into the Evolution and Effectiveness of Strategies Based on the Creative Industries to Deliver Jobs Growth and Urban Revitalization in Newcastle with Particular Emphasis on the Roles Assumed by Creative Women
20142018PhD (Comm & Media Arts)Co-SupervisorCreative Industries in the Hunter: Building Capital Through Documentary Production
20142022PhD (Comm & Media Arts)Co-SupervisorAccessing Modern Cultural Assets: Policies, Politics and Practices in a Digital Age
20142018PhD (Education)Co-SupervisorExploring Creativity: Developing Individualised Artistic Expression in Adult Learners Using A Multi-Sensory, Whole-Body Visual Arts Teaching Approach
20142018PhD (Comm & Media Arts)Principal SupervisorHyper-Compression in Music Production: The Creative Context of the Aesthetics of Loudness
20142020PhD (Comm & Media Arts)Co-SupervisorWork, Health and Safety (WHS) Compliance in the Australian Film and Television (TV) Industry
20142021PhD (Comm & Media Arts)Principal SupervisorMultiple Intelligence Theory in Songwriting: an Autoethnographic Study
20132015M Philosophy (Comm&Med Arts)Principal SupervisorThe Long Term Impact of Workshops Focused on Creativity and/or Innovation on Attendees and Subsequent Work Practises.
20112019PhD (Comm & Media Arts)Co-SupervisorDislocation and Belonging: Investigating the Cultural Identities of Intercountry Adoptees through Narratives about Self
20092015PhD (Comm & Media Arts)Principal SupervisorEffect of Centralisation on Regional Radio: Case Study of the Super Radio Network (SRN) in Northern NSW and South East Queensland
20082012PhD (Comm & Media Arts)Principal SupervisorThe Creation of Australian Children's Literature

Past Supervision

YearProgramSupervisor TypeResearch Title
2014PhD (Comm & Media Arts)Principal SupervisorProfiling Creativity: An Exploration of the Creative Process Through the Practice of Freelance Print Journalism
2013M Arts (Music) [R]Principal SupervisorA Study Examining the ICT Literacy Levels of Music Educators in the New South Wales Department of Education and Training
2013PhD (Comm & Media Arts)Principal SupervisorRock, This City: A Thematic History of Live Popular Music in Licensed Venues in Newcastle, Australia, During the Oz/Pub Rock Era (1970s and 80s)
2011PhD (Comm & Media Arts)Principal SupervisorMaking the News: Print Journalism and the Creative Process
2011PhD (Comm & Media Arts)Principal SupervisorCreative Documentary Practice: Internalising the Systems Model of Creativity Through Documentary Video and Online Practice
2010PhD (Comm & Media Arts)Sole SupervisorCommunicating Community: Cultural Production, Habitus and the Construction of a City's Identity
2006M Creative Arts (Com&Media)[R]Principal SupervisorA Playwright's Toolkit - The Instruments, Tools and Agency of the Playwright in the Creative Writing Process.
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Dr Kenneth (Phillip) McIntyre

Work Phone(02) 4985 4522
Fax(02) 4921 5896
Email
PositionSenior Lecturer
School of Design Communication and IT
Faculty of Science and Information Technology
The University of Newcastle, Australia
Focus AreaCommunication
Office
ICT3-55,
ICT Building,
Callaghan
University Drive
Callaghan NSW 2308
Australia
URL:www.newcastle.edu.au/profile/phillip-mcintyre