
Associate Professor Jesper Gulddal
Associate Professor
School of Humanities and Social Science (English and Writing)
- Email:jesper.gulddal@newcastle.edu.au
- Phone:(02) 4921 5166
Moving with the times
The University of Newcastle's Head of English, Dr Jesper Gulddal, has always been fascinated by travel adventure stories, but gone are the days when fictional characters were footloose and fancy free to navigate a plot's twists and turns on a whim.
"Traditionally, many novels based their plots on travelling and free mobility – on adventures encountered on the road," Dr Gulddal says. "But mobility of the carefree type – where you simply depart – ceased to exist in many places more than 200 years ago. Modernity is precisely an age of movement control, and my point is that this has deeply affected the genre of the novel."
Dr Gulddal has been focusing his research energies on a book project on movement control – passports, borders and immigration law – from the point of view of literary history. With the introduction of modern movement control as of the late 18th century, the free and easy style of narrative becomes more and more implausible.
An early example illustrating this is Henry Fielding's Tom Jones. This novel is still based on free mobility but at the same time, Fielding is keen to contain this mobility and the subversiveness associated with it. And he does that, Dr Gulddal notes, via formal innovations that echo the proposals for a British passport system he made as a London magistrate.
"But this is just the beginning of the story," Dr Gulddal says. "In the 19th century, the highly restrictive passport systems in continental Europe are associated with a type of novel driven by the attempts to subvert or avoid the control measures – Dickens's A Tale of Two Cities and Stendhal's The Charterhouse of Parma are good examples of this.
"And in the 20th century, the drama of the refugee or the stateless person confronted with closed borders becomes a key theme of many novels."
Often, the passport motif is used as a means of criticising movement control in the name of either individual freedom or social inclusiveness, Dr Gulddal says. "Think of a novel like T.C. Boyle's The Tortilla Curtain from 1995. What we find here is a fictional space totally dominated by different kinds of borders and movement restrictions. And the point seems to be these borders are ultimately just a means of upholding an unequal distribution of wealth, rights and opportunity. At the end of the day, they lead to misery on both sides.
"I'm also interested in the methodological implications of this research," Dr Gulddal adds. "I like to think of the passport motif as an interface that connects a specific historical mode of controlling movement and, on the other hand, a specific way of writing novels. In this sense, the passport motif doesn't just anchor a fictional text historically, but provides the starting point for a narrative interpretation of movement control as one of the defining institutions of modernity."
Dr Gulddal, who has a PhD in Comparative Literature from the University of Copenhagen (2005), completed his postdoctoral work at Cambridge before accepting a senior lecturer position at Newcastle in 2010.
His former research project focused on anti-Americanism and resulted in the monograph Anti-Americanism in European Literature.
"What interested me about anti-Americanism was not so much the topicality or the controversies, but rather the historical derivations and roots," Dr Gulddal says. "I wanted to explore how anti-Americanism is produced and activated in literary texts, how novels are crafted with a view to making an all-out assault on America. And I wanted to make the case as well that literature has been important in disseminating anti-American discourse to a wider audience."
Dr Gulddal explains that literary history is full of examples of authors juxtaposing European refinement and American boorishness. The story of the disillusioned European chasing the American dream and returning home unfulfilled – think of Dickens's Martin Chuzzlewit – is a perfect example of this.
Moving with the times
Dr Jesper Gulddal, has always been fascinated by travel adventure stories, but gone are the days when fictional characters were footloose and fancy free.
Career Summary
Biography
Jesper Gulddal has a PhD in Comparative Literature from the University of Copenhagen (2005). He completed his postdoctoral work in Clare Hall College, University of Cambridge (2005-2010), and took up his present job as senior lecturer in English at the University of Newcastle in 2010. Main research interests: anti-Americanism in European literature, borders and passports in literature, new developments in literary theory and criticism.
Research Expertise
- 19th century literature - the novel - Literary Theory and Literary Criticism after "Theory" - Anti-Americanism in British and European Literature - Movement Control and Borders in literature
Qualifications
- PhD, University of Copenhagen - Denmark
- Cand Mag (MA) in Comparative Literature, University of Copenhagen - Denmark
- Diploma in Higher Education (Learning & Teaching), University of Copenhagen - Denmark
Keywords
- 19th-century literature
- 20th-century literature
- Anti-Americanism in European literature
- Comparative literature
- Detective fiction
- History of the novel
- Literary theory and criticism
- Movement control and passports in literature
- World Literature
Languages
- German (Fluent)
- French (Fluent)
Fields of Research
Code | Description | Percentage |
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200599 | Literary Studies not elsewhere classified | 50 |
209999 | Language, Communication and Culture not elsewhere classified | 50 |
Professional Experience
UON Appointment
Title | Organisation / Department |
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Associate Professor | University of Newcastle School of Humanities and Social Science Australia |
Academic appointment
Dates | Title | Organisation / Department |
---|---|---|
1/1/2009 - 1/1/2010 | Conjoint Research Fellow | University of Copenhagen Denmark |
1/1/2005 - 1/1/2006 | Clare Hall Visiting Fellow | University of Cambridge United Kingdom |
1/1/2006 - 1/1/2009 | Carlsberg Research Fellow | University of Cambridge United Kingdom |
1/1/2006 - 1/1/2010 | Postdoctoral Associate | University of Cambridge United Kingdom |
1/1/2004 - 1/1/2005 | Lecturer | University of Copenhagen Denmark |
1/1/2001 - 1/1/2004 | Senior Lecturer | University of Copenhagen Denmark |
Publications
For publications that are currently unpublished or in-press, details are shown in italics.
Book (9 outputs)
Year | Citation | Altmetrics | Link |
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2021 | The Cambridge Companion to World Crime Fiction [forthcoming], Cambridge University Press, Cambridge (2021) | ||
2020 | Allan J, Gulddal J, King S, Pepper A, The Routledge Companion to Crime Fiction, Routledge, Abingdon & New York, xviii, 424 (2020) | ||
2019 | Criminal Moves. Modes of Mobility in Detective Fiction, Liverpool University Press, Liverpool (2019) | ||
2011 | Gulddal J, Anti-Americanism in European Literature, Palgrave Macmillan, New York, NY, 252 (2011) [A1] | ||
2003 | Gulddal J, Friedrich Schlegel og hermeneutikken. Fragmenter af en teori om forståelsen [Friedrich Schlegel's Hermeneutics. Fragments of a Theory of Understanding], Museum Tusculanum - University of Copenhagen Press, Copenhagen, 116p (2003) | ||
Show 6 more books |
Chapter (24 outputs)
Year | Citation | Altmetrics | Link | ||
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2021 | Gulddal J, King S, '"European Crime Fiction" [forthcoming]', The Cambridge Companion to Crime Fiction", Cambridge University Press, Cambridge (2021) | ||||
2021 | Gulddal J, King S, '"The Emergence of World Crime Fiction" [forthcoming]', The Cambridge Companion to World Crime Fiction, Cambridge University Press, Cambridge (2021) | ||||
2020 | Gulddal J, King S, 'Genre', The Routledge Companion to Crime Fiction, Routledge, Abingdon, Ox 13-21 (2020) [B1] | ||||
2020 | Gulddal J, 'Clues', The Routledge Companion to Crime Fiction, Routledge, Abingdon, Ox 194-201 (2020) [B1] | ||||
2020 |
Allan J, Gulddal J, King S, Pepper A, 'Introduction: New directions in crime fiction scholarship', The Routledge Companion to Crime Fiction, Routledge, Abingdon, Ox 1-9 (2020)
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2020 | Gulddal J, King S, 'Genre', The Routledge Companion to Crime Fiction, Routledge, Abingdon, Ox 13-21 (2020) [B1] | ||||
2019 |
Gulddal J, King S, Rolls A, 'Introduction: Criminal Moves: Modes of Mobility in Crime Fiction', Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool University Press, Liverpool 1-24 (2019) [B1]
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2019 | Gulddal J, 'Foggy Muddle: Narrative, Contingency and Genre Mobility in Dashiell Hammett s The Dain Curse', Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool University Press, Liverpool 113-128 (2019) [B1] | ||||
2019 |
Gulddal J, King S, Rolls A, 'Introduction: Criminal Moves: Modes of Mobility in Crime Fiction', Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool University Press, Liverpool 1-24 (2019) [B1]
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2017 | Gulddal J, 'Interpretation', Literature. An Introduction to Theory and Analysis, Bloomsbury, London 15-26 (2017) [B1] | ||||
2016 | Gulddal J, 'Sam Spade: Anatomy of a P. I.', Private Investigator, Intellect, Bristol, UK 34-44 (2016) [B1] | ||||
2015 | Gulddal J, 'Tolkning', Litteratur: Introduktion till teori och analys, Studentlitteratur, Lund 25-35 (2015) [O1] | ||||
2013 | Gulddal J, 'Slanderous Stories. Anti-Americanism in Contemporary European Literature', Expanding the Frontiers of Comparative Literature. Toward an Age of Tolerance., Chung-Ang University Press, Seoul 145-155 (2013) [B1] | ||||
2012 | Gulddal J, 'Fortolkning', Litteratur. Introduktion til teori og analyse, Aarhus Universitetsforlag, Aarhus 23-33 (2012) [B1] | ||||
Show 21 more chapters |
Journal article (36 outputs)
Year | Citation | Altmetrics | Link | ||||||||
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2020 |
Gulddal J, ' That deep underground savage instinct narratives of sacrifice and retribution in Agatha Christie s Appointment with Death', Textual Practice, 34 1803-1821 (2020) [C1] © 2019 Informa UK Limited, trading as Taylor & Francis Group. Appointment with Death (1938) poses a challenge to the longstanding critical practice of highlighting Agatha Ch... [more] © 2019 Informa UK Limited, trading as Taylor & Francis Group. Appointment with Death (1938) poses a challenge to the longstanding critical practice of highlighting Agatha Christie¿s lack of literary sophistication: her ¿workmanlike¿ style, stereotypical settings, two-dimensional characters and ludic conception of the plot as a game that the author plays with the reader. This challenge is due not only to the Middle Eastern setting or the novel¿s detailed psychoanalytical reading of domestic abuse, but also, more importantly, to its textual and subtextual debates surrounding truth and justice and the articulation of both through narrative. Based on a detailed textual examination of the novel, drawing in part on Pierre Bayard¿s ¿counterinvestigative¿ approach to detective fiction, I argue that Appointment with Death presents readers with two competing narratives: Poirot¿s standard narrative of criminal retribution and a mythical narrative that links the suppression of pre-civilisational savagery to the practice of human sacrifice. As suggested by way of conclusion, this dual narrative structure must be seen as an effect of place, specifically the relocation of an English murder mystery to a Middle Eastern rife with cultural and mythical meanings.
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2017 | Gulddal J, 'Modernism and Mobility. The Passport and Cosmopolitan Experience', SYMPLOKE, 25 580-583 (2017) | ||||||||||
2017 |
Gulddal J, 'Crossing the Lines: Passports and Borders as Motifs in Contemporary Migration Literature', Le Comparatisme comme approche critique Comparative Literature as a Critical Approach., 5 195-204 (2017) [C1]
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2017 |
Gulddal J, 'Porous Borders: The Passport as an Access Metaphor in Laurence Sterne's A Sentimental Journey', Symploke, 25 43-59 (2017) [C1]
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2017 |
Gulddal J, Payne C, 'Passports. On the Politics and Cultural Impact of Modern Movement Control', Symploke, 25 9-23 (2017) [C1]
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2016 |
Rolls A, Gulddal J, 'Pierre bayard and the ironies of detective criticism: From text back to work', Comparative Literature Studies, 53 150-169 (2016) [C1] Copyright © 2016. The Pennsylvania State University, University Park, PA. Pierre Bayard is a polarizing figure in contemporary French criticism: on the one hand, he is brilliant, ... [more] Copyright © 2016. The Pennsylvania State University, University Park, PA. Pierre Bayard is a polarizing figure in contemporary French criticism: on the one hand, he is brilliant, innovative, and daring; on the other hand, he seems to delight in deception and sleight of hand, particularly in the way that he revisits, and arguably transvalorizes, theoretical discourse reminiscent, inter alia, of poststructuralism and deconstruction. In this article, we wish to reveal the double-sidedness of Bayard's new detective criticism in order to see how his new solutions to classic crime texts carry within themselves clues to their own undoing as well as alternative solutions that can be deemed to have been sown consciously or unconsciously into the weave of Bayard's analysis. This is the irony of Bayard's criticism: it references the work by reverting to a study of the text while keeping both, work and text, in view and, effectively, by being both, that is, by exposing the textuality of canonical literary works and presenting his criticism as transparently readable, even as "easy reading," he offers his ideas as works, which the reader can read as such but can also reread, à la Pierre Bayard, as text.
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2016 |
Gulddal J, Rolls A, 'Detective fiction and the critical-creative nexus', Text, 20 1-10 (2016) [C1]
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2016 |
Gulddal J, 'Utopian Passport Control: Narrative, Mobility and Movement Control in J. G. Schnabel's Insel Felsenburg', Orbis Litterarum, 71 405-427 (2016) [C1] © 2016 John Wiley & Sons A/S. Published by John Wiley & Sons Ltd The argument presented in this article addresses a conflict that is fundamental to the eighteenth-cent... [more] © 2016 John Wiley & Sons A/S. Published by John Wiley & Sons Ltd The argument presented in this article addresses a conflict that is fundamental to the eighteenth-century transformation of the novel namely that between the mobility restrictions imposed by the modern state and the novel's traditional dependency on the free mobility of its characters. J. G. Schnabel's Insel Felsenburg is a striking literary manifestation of this conflict. As I argue, the narrative logic of this voluminous and somewhat bizarre novel can only be fully appreciated when taking into account its complex negotiations of mobility and movement control. Marking the confluence of two novelistic traditions, the utopian novel and the adventure novel, it is equally reliant on the settledness and the nomadism of its central characters, the former being the precondition for social order, the latter the basis for the novel's narrative momentum. The structure of the novel results from an attempt to resolve this conflict by channelling mobility into politically and morally acceptable paths ¿ that is, by inventing a literary movement control regime.
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2016 |
Gulddal J, 'Beyond the Schools Approach: Chronological and Thematic Pedagogies for Teaching Literary Theory', Pedagogy, 16 393-412 (2016) [C1]
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2016 |
Gulddal J, Rolls AC, 'Reappropriating Agatha Christie: An introduction', Clues: A Journal of Detection, 34 5-10 (2016) [C1]
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2016 | Gulddal J, 'Clueless: Genre, Realism and Contingency in Ed McBain's Early 87th Precinct Novels', Clues: a Journal of Detection, 34 54-62 (2016) [C1] | ||||||||||
2016 | Gulddal J, ''Beautiful Shining Order:' Detective Authority in Agatha Christie's Murder on the Orient Express', Clues: a Journal of Detection, 34 11-21 (2016) [C1] | ||||||||||
2015 |
Gulddal J, Rolls A, 'Mobile Criticism: Pierre Bayard's Irreverent Hermeneutics', Australian Journal of French Studies, 52 37-52 (2015) [C1]
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2015 |
Gulddal J, 'Review of: Pierre Bayard, Il existe d'autres mondes', French Studies: a quarterly review, 69 277-278 (2015) [C3]
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2015 |
Gulddal J, 'The novel and the passport: Towards a literary history of movement control', Comparative Literature, 67 131-144 (2015) [C1]
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2014 |
Gulddal J, 'Paper trails: The Austrian passport system in stendhal's la chartreuse de Parme', Arcadia, 49 58-73 (2014) [C1] A striking yet overlooked feature of Stendhal's La Chartreuse de Parme (1839) is the prominence that this novel accords to passports and movement control practices. This feat... [more] A striking yet overlooked feature of Stendhal's La Chartreuse de Parme (1839) is the prominence that this novel accords to passports and movement control practices. This feature is a product of the novel's historical surroundings. During the post-Napoleonic Restoration, the passport had become a favoured instrument of power for absolutist governments across Europe, and the Austrian Empire in particular had set up a notoriously restrictive passport system, extending also to the Austrian possessions and client states in Northern Italy - the scene of Stendhal's narrative. Tracing the numerous references to the Austrian movement control regime, this article argues that the passport motif should be seen, not simply as a "reality effect" or a metaphor for identity conflicts, but as an interface linking a specific political practice and a specific literary form. Thus, the novel provides ample historically accurate information about the contemporary passport system, yet at the same time uses this information as a structuring device that crucially informs the articulation of its space, plot, and major themes. By virtue of this structural centrality, the passport motif opens up a new political dimension in a novel that has often been seen simply as an escapist fantasy.
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2014 |
Gulddal J, 'Henry fieldings proposals for an internal British passport system', ANQ - Quarterly Journal of Short Articles Notes and Reviews, 27 153-157 (2014) [C1]
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2013 |
Gulddal J, 'Narratives of Resentment: Notes towards a Literary History of European Anti-Americanism', New Literary History: a journal of theory and interpretation, 44 493-513 (2013) [C1]
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2013 |
Gulddal J, 'PASSPORT PLOTS: B. TRAVEN'S DAS TOTENSCHIFF AND THE CHRONOTOPE OF MOVEMENT CONTROL', German Life and Letters, 66 292-307 (2013) [C1]
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2013 | Gulddal J, Sneddon HL, 'War stories: Narrative sense-making in German Eastern front soldier memoirs', Sic! A Journal of Literature, Culture and Literary Translation, 2 1-8 (2013) [C1] | ||||||||||
2012 | Gulddal J, 'Contrasting visions: Perceptions of America in Henrik Ibsen's Pillars of Society', Nineteenth-Century Contexts, 34 289-304 (2012) [C1] | ||||||||||
2007 |
Gulddal J, ' The one great Hyperpower in the Sky : Anti-Americanism in contemporary European literature', Cambridge Review of International Affairs, 20 677-692 (2007) [C1] In this article, three recent works by French, English and German authors are analysed as examples of anti-Americanism in contemporary European literature. Luc Lang's travel ... [more] In this article, three recent works by French, English and German authors are analysed as examples of anti-Americanism in contemporary European literature. Luc Lang's travel book, 11 septembre mon amour (2003), John Le Carré's spy novel, Absolute friends (2003) and Frank Schätzing's apocalyptic ¿eco-thriller¿ Der Schwarm (2004) were all written in response to the ongoing ¿war on terror¿, and each presents a remarkably antagonistic interpretation of the United States and its role in the world today. Although the literary strategies employed in these negative representations of the US are very different in each case, the three books share a deep disgust not only with American foreign policy, invariably interpreted as a reckless, deranged bid for global hegemony, but also with American culture and society in general. This article interprets this disgust as an expression of a deep-seated, irrational Americanophobia¿that is, of ¿anti-Americanism¿. © 2007, Centre of International Studies.
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Show 33 more journal articles |
Review (3 outputs)
Year | Citation | Altmetrics | Link |
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2020 | Gulddal J, 'Review of John Frow, On Interpretive Conflict [forthcoming] (2020) | ||
2017 | Gulddal J, 'Review of Bridget T. Chalk, Modernism and Mobility. The Passport and Cosmopolitan Experience', Symploke (2017) | ||
2014 | Gulddal J, 'Review of Heide Reinhäckel, Traumatische Texturen. Der 11. September in der deutschen Gegenwartsliteratur', - (2014) [C3] |
Other (4 outputs)
Year | Citation | Altmetrics | Link | ||
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2017 | Gulddal J, Payne C, 'Special Issue: "Passports"', ( issue.1-2) (2017) | ||||
2016 |
Franks R, Gulddal J, Rolls A, 'Editors: Special Issue: "Detective Fiction and the Critical-Creative Nexus"', ( issue.2) (2016)
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2016 |
Rolls A, 'Crime Fiction: The Creative/Critical Nexus', Crime Fiction: The Creative/Critical Nexus ( issue.October): Australasian Association of Writing Programs (2016)
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Show 1 more other |
Grants and Funding
Summary
Number of grants | 14 |
---|---|
Total funding | $257,500 |
Click on a grant title below to expand the full details for that specific grant.
20201 grants / $20,000
Faculty funding for external engagement in 2020 - Centre for 21st Century Humanities$20,000
Funding body: Faculty of Education and Arts, University of Newcastle
Funding body | Faculty of Education and Arts, University of Newcastle |
---|---|
Project Team | Dr J McIntyre (Director); Dr K Ariotti; A/Prof G Arrighi; Dr H Askland; Dr J Coffey; A/Prof N Cushing; E/Prof H Craig; A/Prof J Gulddal et al. |
Scheme | Faculty funding |
Role | Investigator |
Funding Start | 2020 |
Funding Finish | 2020 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
20191 grants / $100,000
Faculty matching funding for UON PRC Scheme 2019 - Centre for 21st Century Humanities$100,000
Funding body: Faculty of Education and Arts, University of Newcastle
Funding body | Faculty of Education and Arts, University of Newcastle |
---|---|
Project Team | Dr G Arrighi; Dr H Askland; Prof H Craig; Prof P Dwyer; A/Prof J Gulddal; A/Prof M Harvey; Prof V Haskins (Director); Prof M Johnson; A/Prof B Palmer; A/Prof T Pender; Prof L Ryan. |
Scheme | Faculty funding |
Role | Investigator |
Funding Start | 2019 |
Funding Finish | 2019 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
20182 grants / $102,000
Faculty matching funding for UON PRC Scheme - Centre for 21st Century Humanities$100,000
Funding body: Faculty of Education and Arts, University of Newcastle
Funding body | Faculty of Education and Arts, University of Newcastle |
---|---|
Project Team | Dr G Arrighi; Dr H Askland; Prof H Craig (Director); Prof P Dwyer; A/Prof J Gulddal; A/Prof M Harvey; Prof V Haskins; Prof M Johnson; Dr B Palmer; A/Prof T Pender; Prof L Ryan; Prof R Smith (Deputy Director). |
Scheme | Faculty funding |
Role | Investigator |
Funding Start | 2018 |
Funding Finish | 2018 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
American Comparative Literature Association, Los Angeles, 29 March-1 April 2018$2,000
Funding body: Faculty of Education and Arts, University of Newcastle
Funding body | Faculty of Education and Arts, University of Newcastle |
---|---|
Project Team | Jesper Gulddal |
Scheme | FEDUA Conference Travel Grant |
Role | Lead |
Funding Start | 2018 |
Funding Finish | 2018 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
20162 grants / $12,000
Detective Fiction on The Move 2016$10,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Dr Jesper Gulddal; A Prof Alistair Rolls; Dr Stewart King; Prof Theo D'haen; Dr Louise Nilsson |
Scheme | FEDUA Strategic Networks and Pilot Projects Scheme |
Role | Investigator |
Funding Start | 2016 |
Funding Finish | 2016 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
21st World Congress of the International Comparative Literature Association, Vienna, Austria, 21-27 July$2,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2016 |
Funding Finish | 2016 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
20152 grants / $12,000
Detective Fiction on the Move$10,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Alistair Rolls, Doctor Rachel Franks, Ms Clara Sitbon, Doctor Marie-Laure Vuaille-Barcan, Associate Professor Jesper Gulddal |
Scheme | Strategic Networks Grant |
Role | Investigator |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | G1500902 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
American Comparative Literature Association (ACLA) Convention, Washington USA, 26-29 March 2015$2,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | G1500096 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20132 grants / $2,000
XXth Congress of the International Comparative Literature Association, Sorbonne, Paris, 18- 24 July 2013$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2013 |
Funding Finish | 2014 |
GNo | G1300346 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Liberty and Limits 1789-1920, Sydney Australia, 5-6 December 2013$500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2013 |
Funding Finish | 2013 |
GNo | G1301336 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20121 grants / $1,500
Migration, memory and Place, University of Copenhagen, 5 - 7 December 2012$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2012 |
Funding Finish | 2013 |
GNo | G1200794 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20111 grants / $1,500
The Politics of Anti-Americanism Princeton Univeristy, May 13 2011$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2011 |
Funding Finish | 2012 |
GNo | G1100295 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20102 grants / $6,500
Movement Control in Twentieth Century Fiction$5,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | New Staff Grant |
Role | Lead |
Funding Start | 2010 |
Funding Finish | 2011 |
GNo | G1001045 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
XIXth Congress of the Int'l Comp. Lit. Association, Chung-Ang University, Seoul, South Korea, 15 - 21 August 2010$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Jesper Gulddal |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2010 |
Funding Finish | 2011 |
GNo | G1000750 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Research Supervision
Number of supervisions
Past Supervision
Year | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2007 | Masters | Paul Auster: Betwen Desire and Insight. | Literature, University of Copenhagen | Principal Supervisor |
2006 | Masters | 'The Need for Narrative in the Wake of a Disaster': 9/11 in Fiction Literature | Literature, University of Copenhagen | Principal Supervisor |
2005 | Masters | Alphabet City: Narratives of the Metropolis | Literature, University of Copenhagen | Principal Supervisor |
News
Associate Professor Jesper Gulddal publishes The Routledge Companion to Crime Fiction
March 5, 2020
Research Directions 2013/2014
May 16, 2014
Associate Professor Jesper Gulddal
Position
Associate Professor
English
School of Humanities and Social Science
Faculty of Education and Arts
Focus area
English and Writing
Contact Details
jesper.gulddal@newcastle.edu.au | |
Phone | (02) 4921 5166 |
Office
Room | W.227 |
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Building | McMullin Building. |
Location | Callaghan University Drive Callaghan, NSW 2308 Australia |