Professor Pia Ednie-Brown
Honorary Professor
School of Architecture and Built Environment (Architecture)
- Email:pia.edniebrown@newcastle.edu.au
- Phone:(02) 4913 8119
Creative practice research sparks new possibilities
An architectural theorist, researcher and creative practitioner, Professor Pia Ednie-Brown’s provocative work encourages people to reconsider how they interact with their built and social environments.
Professor Pia Ednie-Brown is a passionate educator and an avid creative practice researcher, with designed works forming both part of her research methods and output.
Pia has led or been an investigator on four large projects that use creative practice research as a mode of investigation in the last 16 years, totalling more than $2.8 million in research funding. Her projects have explored topics such as new forms of collaborative creative practice knowledge production, the role of ethics in creative practice and differentiating creative practice research models.
Pia’s work is held in high esteem nationally and internationally. She has presented at renowned venues such as the Guggenheim New York City, the National Gallery of Victoria and TEDX, to name a few. Her research insights are also available in print, with numerous papers, book chapters and two books: Plastic Green: designing for environmental transformation (RMIT Press, 2009), and The Innovation Imperative: Architectures of Vitality (AD, Wiley, 2013).
Reconsidering our place in the world
Pia is the director of Onomatopoeia, a creative research practice dedicated to combatting anthropocentrism—the assumption that human beings are the centre of the world—within architecture and beyond.
Onomatopoeia provides a platform for Pia to test and drive her creative research projects, from a small building renovation, to inhabitable installations, small sculptural objects and writing projects.
Pia is particularly proud of her research project Avery Green, a house extension in Melbourne. She explains that the renovation and extension were approached as a process of getting to know Avery as a 'person', drawing on her character and allowing it to transform.
“This project was undertaken to raise questions about how we might productively reassess our relationships with sites, buildings and creative work through the concept of personhood,” explains Pia.
“While I had already gathered a sense of her disposition while living with Avery for six years, ushering her through a significant architectural transformation allowed me to know her in new ways, experiencing emerging qualities that I guided her toward in my role as designer.”
Avery Green was the subject of Pia’s TEDX talk. The unique project was reviewed in Architecture Australia and showcased at the RMIT Design Hub in 2018. For Pia, the project was a valuable catalyst for exploring people’s relationships with their surroundings.
“My hope is that fostering a sense of personal relationship with the buildings we inhabit will also encourage deeper awareness, care and respect for our environments more broadly.”
The space to learn and create
Pia has coordinated, developed and taught undergraduate and postgraduate curriculum for almost two decades, and has received several awards for her innovative pedagogy. Her design teaching studios are always research-led and aim to address real-world concerns through multi-disciplinary collaboration.
“My studios encourage risk-taking and play in the belief that students need supportive environments in which to take chances, move beyond their comfort zone and explore new ideas.
“For example, one of my studios aimed to reimagine a primary school in Thornbury, Victoria. The project involved engaging with the primary school students, encouraging them to draw pictures of their ideal school, grow bean seeds, and bring them in to become part of a school bean garden.
“In tandem with information gleaned through this engagement with the children,
architecture students explored the educational ideas of the Reggio Emilia Approach, and used
this to generate design ideas for a school that engaged with its wider community in new ways.”
During her 20-year tenure with RMIT, Pia set up a cross-disciplinary postgraduate course for a new Spatial Information Architecture Laboratory (SIAL) to be directed by Professor Mark Burry. In the first year of the course, Pia worked with a group of students to produce a major installation in the State Library of Victoria: Skins of Intimate Distance.
“This project both enabled individual interactive works and operated as a collective endeavour.”
One of those collective endeavours was a haptic feedback system for the multi-user interactive artwork, Intimate Transactions, conducted in collaboration with Keith Armstrong and the Transmute Collective.
“Intimate Transactions was ground-breaking in a media art and design context for the nature of its interface. It has been recognised internationally for its excellence and innovation, having been shown internationally in over 20 locations around the world, has a book dedicated to
it, and was awarded Honorary Mention in the 2005 Prix Ars Electronica.”
Intimate Transactions was produced in collaboration with Pia’s first research candidate supervision, which led to a co-published paper in 2006. Since then, Pia has supervised more than 19 creative practice PhD candidates through to completion.
A strong career trajectory
Pia’s highly successful teaching and research career has been repeatedly acknowledged by esteemed awards, from the 2000 BHERT Award, 10th Annual Business and Higher Education Round Table for “Outstanding Achievement in Collaboration in Education and Training” for her collaborative work as part of the “Telstra Home Team” during her doctorate years, to a RMIT University Research Supervision Excellence ECR Award in 2013, and the RMIT Graduate Research Leadership Award in 2017.
“It’s exciting to be part of the development and maturing recognition of design and creative practice research. Witnessing this maturation close at hand has acted to deeply shape my own career emphases and trajectory.”
Creative practice research sparks new possibilities
An architectural theorist, researcher and creative practitioner, Professor Pia Ednie-Brown’s provocative work encourages people to reconsider how they interact with their built and social environments.
Career Summary
Biography
Pia Ednie-Brown is an architectural theorist, researcher and creative practitioner. Her research projects have investigated the significance of mutual relationships between digital technologies, emergence, ethics and innovation in architecture. She has been involved in projects funded through the Australian Research Council (ARC), the Office of Learning and Teaching (OLT), and the Social Sciences and Humanities Research Council (Canada), all of which have employed creative practice research as a mode of investigation. She has a creative research practice, Onomatopoeia (onomatopoeia.com.au), and leads the cross-institutional Affective Environments Laboratory (ael.org). Her creative work and writing have been published widely in international contexts, and she has edited two books: Plastic Green: designing for environmental transformation (RMIT Press, 2009), and The Innovation Imperative: Architectures of Vitality (AD, Wiley, 2013).
Since 2013, Pia has played significant roles in the area of Higher Degrees, specifically PhDs through creative practice research. She coordinated, developed and taught the cross-disciplinary Creative Practice Research Strategies subject at RMIT University for six years. For two and a half years she Chaired the internationally renowned Practice Research Symposia (PRS) in the School of Architecture and Design at RMIT University. In 2018 she was recipient of the ACRG National Award for Excellence in Graduate Leadership, after the 2017 RMIT Award for Excellence – Graduate Research Leadership. She has supervised 19 Creative Practice PhD candidates through to completion.
Qualifications
- Doctor of Philosophy, RMIT University
- Bachelor of Architecture, University of Western Australia
Keywords
- Architectural Aesthetics
- Architectural Theory and Philosophy
- Creative Practice Research
- Ethics and Creative Practice
- Innovation and Architecture
- Theories of Emergence and Creativity
Fields of Research
Code | Description | Percentage |
---|---|---|
330102 | Architectural design | 40 |
330104 | Architectural history, theory and criticism | 60 |
Professional Experience
UON Appointment
Title | Organisation / Department |
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Professor | University of Newcastle School of Architecture and Built Environment Australia |
Academic appointment
Dates | Title | Organisation / Department |
---|---|---|
1/1/2016 - 30/7/2018 | Chair, Practice Research Symposium (Chair, PRS) | RMIT University School of Architecture and Design Australia |
1/1/2013 - 31/12/2015 | HDR Coordinator | RMIT University School of Architecture and Design Australia |
1/1/2001 - 31/12/2009 | Senior Lecturer | RMIT University School of Architecture and Design Australia |
1/1/1999 - 31/1/2000 | Telstra Home Team PhD Scholar | RMIT University Interactive Information Institute Australia |
2/1/1997 - 31/12/1998 | Lecturer | RMIT University School of Architecture and Design Australia |
Professional appointment
Dates | Title | Organisation / Department |
---|---|---|
30/6/1995 - 31/7/1996 | Graduate of Architecture | Buchan Group Architects Australia |
30/6/1991 - 30/7/1992 | Graduate of Architecture | Donaldson Warn Architects Australia |
Awards
Award
Year | Award |
---|---|
2018 |
ACRG National Award for Excellence in Graduate Leadership ACGR Australian Council of Graduate Research |
2018 |
RMIT Award for Excellence – Graduate Research Leadership RMIT University |
Nomination
Year | Award |
---|---|
2008 |
RIBA President’s Award for Research - Outstanding Thesis award. RIBA |
Recognition
Year | Award |
---|---|
2005 |
Prix Ars Electronica 2005 Ars Electronica |
Research Award
Year | Award |
---|---|
2013 |
RMIT University Research Supervision Excellence ECR Award RMIT University |
Publications
For publications that are currently unpublished or in-press, details are shown in italics.
Book (2 outputs)
Year | Citation | Altmetrics | Link | ||
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2012 |
Supervising Practices for Postgraduate Research in Art, Architecture and Design, SensePublishers (2012)
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2009 | Brown PE, Plastic Green Designing for Environmental Transformation, RMIT Publishing, Melbourne, VIC, 181 (2009) |
Chapter (18 outputs)
Year | Citation | Altmetrics | Link | |||||
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2020 |
Ednie-Brown P, 'Six troubling things: Cultivating ethical know-how through creative practice research', The Meeting of Aesthetics and Ethics in the Academy: Challenges for Creative Practice Researchers in Higher Education, Routledge, Abingdon, Oxon 193-211 (2020) [B1]
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Nova | ||||||
2019 | Ednie-Brown P, 'Playing Person: An Architectural Adventure', Immediation, Open Humanities Press, London, Uk 182-205 (2019) [B1] | Nova | ||||||
2018 | Ednie-Brown P, 'A Vital, Architectural Materialism; a house-person s escape from the anthropocentric', Architectural Materialisms Nonhuman Creativity, New Materialisms, Edinburgh 111-131 (2018) | |||||||
2017 |
Ednie-Brown P, 'WHEN WORDS WON T DO: RESISTING THE IMPOVERISHMENT OF KNOWLEDGE', Practice-based Design Research 131-139 (2017)
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2012 |
Ednie-Brown P, 'Supervising emergence: Adapting ethics approval frameworks toward research by creative project', Supervising Practices for Postgraduate Research in Art, Architecture and Design 103-116 (2012)
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Show 15 more chapters |
Journal article (24 outputs)
Year | Citation | Altmetrics | Link | |||||
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2023 |
Ednie-Brown P, 'Schooling Fishy Knowledge', Architectural Design, 93 38-45 (2023) [C1] There is much debate about architectural education and its usefulness in the face of vexing global issues and problems. Pia Ednie Brown examines the roots of Cranbrook's peda... [more] There is much debate about architectural education and its usefulness in the face of vexing global issues and problems. Pia Ednie Brown examines the roots of Cranbrook's pedagogy and assesses its relevance in this contemporary context. Her polemic piece calls for a fresh approach to architectural education, and the development of imaginative ecosystems to help it on its way.
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Nova | ||||||
2021 |
MacNeill K, Bolt B, Barrett E, McPherson M, Sierra M, Miller S, et al., 'An ethical engagement: creative practice research, the academy and professional codes of conduct', Research Ethics, 17 73-86 (2021) [C1] This paper reports on the experiences of creative practice graduate researchers and academic staff as they seek to comply with the requirements of the Australian National Statemen... [more] This paper reports on the experiences of creative practice graduate researchers and academic staff as they seek to comply with the requirements of the Australian National Statement on the Ethical Conduct of Research Involving Humans. The research was conducted over a two-year period (2015 to 2017) as part of a wider project ¿iDARE ¿ Developing New Approaches to Ethics and Research Integrity Training through Challenges Presented by Creative Practice Research¿. The research identified the appreciation of ethics that the participants acquired through their experience of institutional research ethics procedures at their university. It also revealed a disjunction between the concepts of ethics acquired through meeting institutional research ethics requirements, the notion of ethics that many researchers adopt in their own professional creative practice and the contents of professional codes of conduct. A key finding of the research was that to prepare creative practice graduates for ethical decision-making in their professional lives, research ethics training in universities should be broadened to encompass a variety of contexts and enable researchers to develop skills in ethical know-how.
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Nova | ||||||
2020 |
Ednie-Brown P, Burke T, 'God in Reverse: Art, Architecture and Consciousness', Architecture Australia, 109 12-13 (2020)
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2020 |
Ednie-Brown P, George B, Chapman M, Mullen K, 'Sympathetic World-making: Drawing-out Ecological-Empathy', idea journal, 17 121-143 (2020) [C1]
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Nova | ||||||
2019 |
Stead N, Ednie-Brown P, Watson F, Rhodes K, 'Exhibiting the Workaround', Journal of Architectural Education, 73 193-201 (2019) [C1]
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Nova | ||||||
2015 |
Ednie-Brown P, 'Architecture of the occasion', Architectural Design, 85 100-105 (2015)
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2013 |
Ednie-Brown P, 'The ethics of the imperative', Architectural Design, 83 18-23 (2013) The bald desire to innovate is not sufficient in itself. To go beyond mere technical invention and make a positive difference, innovation requires an engagement with overall ethic... [more] The bald desire to innovate is not sufficient in itself. To go beyond mere technical invention and make a positive difference, innovation requires an engagement with overall ethical intent. Here, Guest-Editor Pia Ednie-Brown espouses a design ethos that values an open-ended approach to architectural innovation. She illustrates the ethical impact of implementing new technologies with two opposing paradigms - one dark and one affirmative - as exemplified by two classic films from 1968: 2001: A Space Odyssey and Barbarella. Copyright © 2013 John Wiley & Sons, Ltd.
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2013 |
Ednie-Brown P, 'Innovation at the storefront: The practice of Eva Franch i Gilabert', Architectural Design, 83 34-37 (2013) An event and exhibition space opening on to the sidewalk of New York City's SoHo, Storefront is dedicated to the advancement of innovative positions in architecture and desig... [more] An event and exhibition space opening on to the sidewalk of New York City's SoHo, Storefront is dedicated to the advancement of innovative positions in architecture and design. It seeks 'to simultaneously shake and question the current state of affairs'. Guest-Editor Pia Ednie-Brown discusses with the Catalan architect, Eva Franch i Gilabert, her role as Director of Storefront, and specifically how she has promoted active, generative engagement through humour, disruption and innovation. Copyright © 2013 John Wiley & Sons, Ltd.
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2013 |
Ednie-Brown P, Burry M, Burrow A, 'The innovative imperative: Architectures of vitality', Architectural Design, 83 8-17 (2013)
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2013 |
Ednie-Brown P, 'Strange vitality: The transversal architecture of MOS and new territories/R&Sie(n)', Architectural Design, 83 62-69 (2013) Guest-Editor Pia Ednie-Brown provides a foil to Mario Carpo's discussion of digital innovation. She argues for an emerging 'strange vitality' in contemporary comput... [more] Guest-Editor Pia Ednie-Brown provides a foil to Mario Carpo's discussion of digital innovation. She argues for an emerging 'strange vitality' in contemporary computational design that is highly innovative: being disruptive rather than incremental in the manner in which it seeks out innovation. She specifically describes how MOS (Michael Meredith and Hilary Sample) and New Territories/R&Sie(n), led by François Roche, are reinventing digital design in architecture by reconnecting it through a variety of media to broader cultural and social issues. Copyright © 2013 John Wiley & Sons, Ltd.
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2013 |
Ednie-Brown P, 'On a fine line: Greg Lynn and the voice of innovation', Architectural Design, 83 44-49 (2013) Architectural innovators often work on the cusp of what is feasible, acceptable and convincing. Practising futuristically can also mean risking going down a blind alley. Over the ... [more] Architectural innovators often work on the cusp of what is feasible, acceptable and convincing. Practising futuristically can also mean risking going down a blind alley. Over the last two decades, Greg Lynn has been one of the leading figures in innovative practice, demonstrating an instinct for the meaningfully inventive. One of his major contributions has been cross-fertilisation of technologies, introducing the likes of animation and robotics from other disciplines into architecture. Having interviewed Lynn in April 2012, Guest-Editor Pia Ednie-Brown reflects on the specific characteristics of his work and mode of operation. Copyright © 2013 John Wiley & Sons, Ltd.
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2013 |
Ednie-Brown P, 'BioMASON and the speculative engagements of biotechnical architecture', Architectural Design, 83 84-91 (2013) In the last decade, biotechnical architecture has become one of the most fertile areas for speculative architecture. Guest-Editor Pia Ednie-Brown traces the recent lineage of this... [more] In the last decade, biotechnical architecture has become one of the most fertile areas for speculative architecture. Guest-Editor Pia Ednie-Brown traces the recent lineage of this field, highlighting the work of Ginger Krieg Dosier and Michael Dosier of Vergelabs, which has pushed biotechnical architecture further towards actualisation; their company bioMASON specialises in the biomanufacture of building material and its architectural applications. Copyright © 2013 John Wiley & Sons, Ltd.
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2012 |
Ednie-Brown P, 'Vicious architectural circles: Aesthetics, affect and the disposition of emergence', Architectural Theory Review, 17 76-92 (2012) Theories of emergence are intrinsically concerned with how things are generated or created. Such a theoretical model would seem clearly relevant to creative design practices and q... [more] Theories of emergence are intrinsically concerned with how things are generated or created. Such a theoretical model would seem clearly relevant to creative design practices and questions of aesthetics, but the discourse on emergence has been predominantly held within frameworks belonging to modern science. Implicit, historical connections between emergence and both architectural composition and aesthetics become indicators of other potential, with Greg Lynn as a key historical reference point regarding how architectural composition might offer important insight into the aesthetics of emergence. This article argues, drawing on Manuel DeLanda's keynote essay, that the potential of these connections has been hidden behind the mystical glow surrounding missing causal explanations. By connecting emergence and aesthetics through the concept of affect, they can become productive, mutually transformative allies. © 2012 Taylor & Francis.
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2006 |
Ednie-Brown P, Andrasek A, 'Continuum: A self-engineering creature-culture', Architectural Design, 76 18-25 (2006)
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2006 |
Ednie-Brown P, 'All-over, over-all: Biothing and emergent composition', Architectural Design, 76 72-81 (2006)
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Show 21 more journal articles |
Conference (2 outputs)
Year | Citation | Altmetrics | Link | ||
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2019 |
Ednie-Brown P, Chapman M, George B, 'Architectural 'Aesthetic Incunabula': Empathic Drawing as a movement toward Environmental Enrichment', https://www.scribd.com/document/446489205/BoK-2019-Conference-Presenter-Abstracts, Deakin University, Victoria, Australia (2019)
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2019 |
Chapman M, George B, Ednie-Brown P, 'Full Tilt: architectural enrichment in Claude Parent s Living Laboratories', Deakin University (2019)
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Creative Work (22 outputs)
Year | Citation | Altmetrics | Link |
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2023 | Ednie-Brown P, Akama Y, Strahan L, Copley M, Dement L, Farago A, et al., Archipelagos of grief: crises partially digested, Sydney Review of Books (2023) | ||
2023 | Ednie-Brown P, Pushing the boundaries of arts writing and criticism via interdisciplinary experimental writing and collective digital creative practice, Various (2023) [N1] | ||
2022 | Ednie-Brown P, Akama Y, Strahan L, Copley M, Dement L, Farago A, et al., Writing the Virus, http://runway.org.au/expanded-writers-collective/, Runway Journal (2022) | ||
2017 | Ednie-Brown P, Avery Green: a house-person, Thornbury, Victoria, Melbourne (2017) | ||
Show 19 more creative works |
Presentation (1 outputs)
Year | Citation | Altmetrics | Link |
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2015 | Ednie-Brown P, 'Can a Building be a Person?', (2015) |
Grants and Funding
Summary
Number of grants | 4 |
---|---|
Total funding | $2,915,027 |
Click on a grant title below to expand the full details for that specific grant.
20161 grants / $436,117
Design and Architecture Practice research: contemporary PhD (DAP_r)$436,117
Funding body: Office of Learning and Teaching
Funding body | Office of Learning and Teaching |
---|---|
Scheme | Department of Education OLT |
Role | Investigator |
Funding Start | 2016 |
Funding Finish | 2019 |
GNo | |
Type Of Funding | Aust Competitive - Commonwealth |
Category | 1CS |
UON | N |
20151 grants / $215,238
Developing new approaches to ethics and research integrity training through challenges posed by Creative Practice Research (iDARE)$215,238
Funding body: Office of Learning and Teaching
Funding body | Office of Learning and Teaching |
---|---|
Scheme | Department of Education OLT |
Role | Investigator |
Funding Start | 2015 |
Funding Finish | 2017 |
GNo | |
Type Of Funding | Aust Competitive - Commonwealth |
Category | 1CS |
UON | N |
20121 grants / $2,083,644
Immediations: Media, Art, Event$2,083,644
Funding body: SSHRC Social Sciences and Humanities Research Council
Funding body | SSHRC Social Sciences and Humanities Research Council |
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Project Team | Prof. Erin Manning (lead CI), Concordia University; Prof Brian Massumi, University of Montreal & 22 researchers across 14 institutions and 17 community partners across Canada, Denmark, Nether- lands, Switzerland, Australia, USA |
Scheme | Social Sciences and Humanities Research Council Partnership Grant |
Role | Investigator |
Funding Start | 2012 |
Funding Finish | 2019 |
GNo | |
Type Of Funding | International - Competitive |
Category | 3IFA |
UON | N |
20091 grants / $180,028
Ethics and aesthetics as criteria for innovation: A design research study of biological art and digital architecture$180,028
Funding body: ARC (Australian Research Council)
Funding body | ARC (Australian Research Council) |
---|---|
Scheme | ARC Discovery |
Role | Lead |
Funding Start | 2009 |
Funding Finish | 2013 |
GNo | |
Type Of Funding | C1200 - Aust Competitive - ARC |
Category | 1200 |
UON | N |
Research Supervision
Number of supervisions
Current Supervision
Commenced | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2021 | PhD | Ritual Cartographies - Mapping Social Attitudes to Death and Dying | PhD (Architecture), College of Engineering, Science and Environment, The University of Newcastle | Co-Supervisor |
2021 | PhD | Ngaay Irri Urri Arri! (Me This Doing That!) A Study In Traditional Aboriginal Architecture Informing Contemporary Design Practice | PhD (Architecture), College of Engineering, Science and Environment, The University of Newcastle | Co-Supervisor |
2020 | PhD | Mapping Perceptual Worlds: Looping Biosemiotic Enactivism and Neuroaesthetics | PhD (Architecture), College of Engineering, Science and Environment, The University of Newcastle | Co-Supervisor |
Past Supervision
Year | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2019 | PhD | The Attentive Maker: foregrounding the interrelationality of thing, material, environment and maker. | Creative Arts, RMIT University | Principal Supervisor |
2018 | PhD | Facilimaking ornamental events - makeshift co-elaborations of jewellery juh - oul - lurh - ree | Creative Arts, RMIT University | Co-Supervisor |
2018 | PhD | A commoning creative practice: tending to mutuality in spaces of engagement | Creative Arts, RMIT University | Principal Supervisor |
2017 | PhD | Forms and ideas materialise: the material agency of the design medium in Architectural practice | Arch & Urban Environment, RMIT University | Principal Supervisor |
2017 | PhD | In pursuit of puzzlement: how architecture can pose questions | Arch & Urban Environment, RMIT University | Principal Supervisor |
2016 | PhD | Architectural judo:relational techniques for building events | Arch & Urban Environment, RMIT University | Principal Supervisor |
2015 | PhD | Care Making: Practices of Gleaning, Using and Future Fashioning | Fashion Design, RMIT University | Principal Supervisor |
2014 | PhD | Ark: Pursuing qualities of relation through a provisional compositional taxonomy | Arch & Urban Environment, RMIT University | Principal Supervisor |
2014 | PhD | Behavioral Formation: Multi-Agent Algorithmic Design Strategies | Arch & Urban Environment, RMIT University | Co-Supervisor |
2013 | PhD | [A]DRESSING DEATH: Fashioning Garments for the Grave | Fashion Design, RMIT University | Principal Supervisor |
2013 | PhD | Manufacturing Urbanism : An architectural practice for unfinished cities | Arch & Urban Environment, RMIT University | Co-Supervisor |
2013 | PhD | Transformations: A Project-Based Investigation into the Impact of Creative Design Computation on Architectural Practice | Architecture, RMIT University | Co-Supervisor |
2013 | PhD | Sponging the Chair: Diagramming Affect Through Architecture and Performance | Creative Arts, RMIT University | Principal Supervisor |
2012 | PhD | The Emergent Holographic Scene: Compositions of movement and affect using multiplexed holo- graphic images | Creative Arts, RMIT University | Principal Supervisor |
2011 | PhD | Objects in Flux: the consumer modification of mass-produced goods | Creative Arts, RMIT University | Co-Supervisor |
2010 | Masters | through a glass darkly: Reflections on the Affectivity of Mirrored Composition | Creative Arts, RMIT University | Principal Supervisor |
2009 | Masters | The Skin Project | Fashion Design, RMIT University | Principal Supervisor |
2006 | Masters | Performing the Art of Life: Four projects | Creative Arts, RMIT University | Principal Supervisor |
2006 | Masters | Digital Architectures and the Presence of the Virtual | Architecture, RMIT University | Principal Supervisor |
Research Projects
Affective Environments Laboratory 2013 -
Grants
Immediations: Media, Art, Event
Funding body: SSHRC Social Sciences and Humanities Research Council
Funding body | SSHRC Social Sciences and Humanities Research Council |
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Scheme | Social Sciences and Humanities Research Council Partnership Grant |
Developing new approaches to ethics and research integrity training through challenges posed by Creative Practice Research (iDARE)
Funding body: Office of Learning and Teaching
Funding body | Office of Learning and Teaching |
---|---|
Scheme | Department of Education OLT |
Edit
Professor Pia Ednie-Brown
Position
Honorary Professor
School of Architecture and Built Environment
College of Engineering, Science and Environment
Focus area
Architecture
Contact Details
pia.edniebrown@newcastle.edu.au | |
Phone | (02) 4913 8119 |
Office
Room | A112 |
---|---|
Building | Architecture |
Location | Callahan , |