Emeritus Professor Victor Emeljanow

Conjoint Professor

School of Creative Arts (Drama)

Career Summary

Biography

My career as a Drama academic started in 1965 when I was appointed to the Department of Drama at the University of New South Wales. My dilemma at the time lay in how to maintain an academic career that demanded a dual proficiency: a professional credibility as a theatre practitioner and as a theatre scholar. The historical circumstances suggested that my first challenge should be to bring the worlds of the academy and the theatre profession together, a rapprochement that was regarded with considerable scorn at the time by both communities. I determined to lead by example and this lay at the basis of my tenure as the artistic director of the Bondi Pavilion Theatre (1974-8), my period as theatre critic for the "National Times" (1979-80), and my assumption of the role of vice-president of the Producers and Directors Guild of Australia (1987-95). These activities were all conducted while I held a full-time position at the university. Nevertheless, the demands of the creative output were extremely onerous and totally different from those of the academic researcher. Initially, the requirements of the tertiary sector did not suggest a sympathetic attitude toward what has latterly been identified as practice-as-research. Indeed creative efforts were simply regarded as spare time activities; the real scholarly endeavours were identified with the conventional norms of academic outputs - books, articles and the like. I would have appreciated the developments in performance studies that have taken place in the last 10 to 15 years. Nevertheless, in my scholarly output I attempted to relate my interests as a theatre director to publications: my book on Chekhov (Routledge 1981) and my articles on the career of the Russian director Komisarjevsky ("Theatre Notebook", 1983, 1987) substantiate this. These are all regarded as seminal works: the book which captures the reactions to Chekhov in the English-speaking world from 1909 to 1945; the articles as the first scholarly investigation of a highly influential director in is life outside Russia. The consequence in terms of my own career has been to try to maintain credibility along two parallel lines that might have benefited from intersections.

When I was appointed to the chair at the University of Newcastle I was asked to develop a sense of theatrical professionalism as well as lead by example in scholarly endeavours, a bifurcation which continued a career path I had commenced in 1965. I was also very aware of the fact that Drama at the university in the Newcastle context had emerged as a result of direct community pressure so that highly visible productions were expected. As a consequence, over the last 20 years I have attempted to maintain a professional visibility in the community while addressing the matters of academic rigour in publication and international recognition. This has proved extremely demanding: a dedication to focussed academic outcomes without the pressures of creative outputs would have been so much easier. It has, however, involved a juggling act which has precluded me from producing the volume of research work that I might otherwise have achieved. That said, I am particularly pleased with the recognition that I have received at a local level for my directorial efforts (four City of Newcastle Awards for Professional Excellence) and the fact that my research into popular theatre, especially into theatre audiences, has met with international favour. I regularly am asked to give papers at international conferences (International Federation for Theatre Research; the American Society for Theatre Research) and serve on the editorial advisory board of the premier British theatre journal New Theatre Quarterly. I also convene a Working Group of the International Federation for Theatre Research on "Popular entertainments: variety, circus and the allied arts", which meets annually. Equally important has been the invitation to direct plays over the years in other countries:

Research Expertise

In Drama and Theatre Studies my interests lie in the rise and development of the director from the 19th century onward, Chekhov on the English stage, the emergence of melodrama as a popular form from the 19th century and its persistence in today's media, modernist developments in dramatic forms and theatrical technology especially in the Victorian and Edwardian periods and finally, the role of the live theatre audience especially its responses to the creation of dramatic meaning. Theatrical autobiography and biography as historiographical artifacts are not only significant in themselves but also parallel my interests in the use of musical and dramatic performances in prisoner of war camps during both World Wars where auto/biographical documents provide the evidence.

Teaching Expertise
I have taught widely across the Drama and Theatre studies spectrum from year 1 tutorials to post-graduate supervision. My teaching is informed by my professional practice as a theatre director and by my research interests especially into popular theatre forms. Similarly my background as an actor allows me to understand the process of personal creativity and development as well as to inculcate best practices in inter-personal communication.

Administrative Expertise
My expertise goes back to my employment at the University of NSW where I was Head of Department from 1979-1982. From 1986 to 2001 I was Head of the Department of Drama at the University of Newcastle and additionally was Dean of the Faculty of Arts from 1987 to 1990 when I chaired the Faculty Board. In these capacities I served on all the major university committees including Promotions, Research and Research Training, Since 2002 I have continued to serve on the university's Promotions Committee. Also I have been the Faculty of Education and Arts Assistant Dean (Community Relations) and am currently the Research and Research Training Convenor for the School of Drama, Fine Arts and Music.

Collaborations
I am the General editor of the international, peer-reviewed e-journal "Popular Entertainment Studies." This is published twice a year and complements my work with their IFTR's Popular Entertainments Working Group. I have a particular interest in late-Victorian and Edwardian theatre.

Qualifications

  • PhD, Stanford University
  • Master of Arts, University of New Zealand

Keywords

  • 19th century popular theatre
  • Chekhov
  • Victorian and Edwardian popular theatre
  • audience composition and reception
  • audience research
  • directing for the stage
  • employment of children in theatre
  • farce
  • melodrama
  • popular theatre forms
  • prisoner of war entertainment
  • theatre directors

Fields of Research

Code Description Percentage
190404 Drama, Theatre and Performance Studies 100

Professional Experience

Academic appointment

Dates Title Organisation / Department
Contributing Editor - Popular Entertainment Studies Popular Entertainment Studies
Australia
1/01/1965 - 1/11/1985 Associate Professor The University of New South Wales
Department of Theatre Studies
Australia

Awards

Distinction

Year Award
2010 Emeritus Professor of Drama
University of Newcastle
1993 Lansdowne Visitor
University of Victoria

Recipient

Year Award
2002 Annual Book Award
British Society for Theatre Research

Recognition

Year Award
2008 CONDA
City of Newcastle
2006 City of Newcastle Drama Award (CONDA)
Unknown
2003 City of Newcastle Drama Award
Newcastle City Council
2000 CONDA
Newcastle City Council

Invitations

External Reviewer - Programs

Year Title / Rationale
2009 Esternal Review, Master of Aviation Management
Organisation: University of Newcastle Description: Chair of External Review of Master of Aviation Management, Faculty of Science and Information Technology, University of Newcastle
2007 New South Wales Vice-Chancellors' Specialist Representative, Accreditation Review Panel
Organisation: DEST Description: Invited to be the specialist reviewer of the Wesley Institute program in the performing arts as representing the NSW Vice-Chancellors.
2005 JMC Academy Program Accreditation review
Organisation: DEST Description: I was invited to represent the NSW Vice Chancellors as a specialist adviser on the accreditation of the JMC Academy's music program
2005 JMC Academy review
Organisation: DEST Description: Invited to be an external reviewer of the program in music education offered by the JMC Academy, Sydney. Appointed as specialist representative of the NSW Vice-Chancellors Committee
2002 Australian College of Physical Education review
Organisation: DEST Description: I was appointed as external reviewer of the dance program offered by the Australian College of Physical Education. I was the specialist appointee of the NSW Vice-Chancellors Committee

Participant

Year Title / Rationale
2007 "Performances behind the Wire"
Organisation: University of Warwick Description: I was invited to give a guest lecture to staff and postgraduate students with the title "Performances behind the Wire"
Edit

Publications

For publications that are currently unpublished or in-press, details are shown in italics.


Book (5 outputs)

Year Citation Altmetrics Link
2014 Arrighi GA, Emeljanow VE, Entertaining Children: the participation of youth in the entertainment industry, Palgrave Macmillan, New York, 250 (2014) [A3]
Co-authors Gillian Arrighi
2012 Arrighi G, Emeljanow VE, A World of Popular Entertainments: An Edited Volume of Critical Essays, Cambridge Scholars, Newcastle upon Tyne, 279 (2012) [A3]
Co-authors Gillian Arrighi
2012 Emeljanow VE, Herbert Beerbohm Tree, Pickering & Chatto, London, 411 (2012) [A3]
2003 Emeljanow VE, Roy D, Richards K, Richards L, Romantic and Revolutionary Theatre, 1789-1860, Cambridge University Press, Cambridge, 558 (2003) [A2]
2001 Emeljanow VE, Davis J, Reflecting the Audience: London Theatregoing 1840-1880, Iowa Press, USA (2001) [A2]
Show 2 more books

Chapter (8 outputs)

Year Citation Altmetrics Link
2015 Emeljanow VE, 'Popular Entertainments as survival strategies in prisoner-of-war camps during World War II', Trauma and Public Memory, Palgrave Macmillan, Houndmills, Basingstoke 174-192 (2015)
2014 Emeljanow VE, Emeljanow VE, 'Erasing the Spectator: Observations on Nineteenth Century Lighting', European Theatre Performance Practice, 1750-1900, Ashgate, Farnham, UK 347-356 (2014) [O1]
2014 Davis J, Emeljanow VE, 'New views on cheap theatres: on constructing the nineteenth century audience', European Theatre Performance Practice 1750-1900, Ashgate, Farnham, Surrey, UK 485-504 (2014) [O1]
2014 Arrighi GA, Emeljanow VE, 'Setting the Scene: An Introduction', Entertaining Children: the participation of youth in the entertainment industry, Palgrave Macmillan, New York 1-11 (2014) [B1]
Co-authors Gillian Arrighi
2014 Arrighi GA, Emeljanow VE, 'Children and Youth of the Empire: tales of transgression and accommodation', Entertaining Children: the participation of youth in the entertainment industry, Palgrave Macmillan, New York 51-71 (2014) [B1]
Co-authors Gillian Arrighi
2011 Emeljanow VE, 'Staging the pirate: The ambiguities of representation and the significance of convention', Pirates and Mutineers of the Nineteenth Century : Swashbucklers and Swindlers, Ashgate, Farnham, England 223-242 (2011) [B1]
2008 Emeljanow VE, 'Victorian theatre posters', Found Treasures, University of Newcastle, Callaghan, NSW 40-43 (2008) [B2]
2004 Emeljanow VE, Davis J, 'Victorian and Edwardian Audiences', The Cambridge Companion to Victorian and Edwardian Theatre, Cambridge University Press, Cambridge 93-108 (2004) [B1]
Show 5 more chapters

Journal article (21 outputs)

Year Citation Altmetrics Link
2015 Emeljanow V, 'Challenging Space and Time: Popular Theatregoing and the Anxieties of Modernity', Nineteenth Century Theatre and Film, 1-14 (2015)
DOI 10.7227/NCTF.0003
2015 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 6 1-4 (2015)
2013 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 4 1-5 (2013) [C3]
2012 Arrighi G, Emeljanow VE, 'Entertaining children: An exploration of the business and politics of childhood', New Theatre Quarterly, 28 41-55 (2012) [C1]
Citations Scopus - 1Web of Science - 1
Co-authors Gillian Arrighi
2012 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 3 1-6 (2012) [C3]
2012 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 3 1-3 (2012) [C3]
2011 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 2 1-4 (2011) [C3]
2011 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 2 1-4 (2011) [C3]
2011 Emeljanow VE, 'Victorian Pantomime: A collection of critical essays, ed. Jim Davis', Australasian Drama Studies, 58 247-250 (2011) [C3]
2011 Emeljanow VE, 'Review of Victorian Pantomime: A collection of critical essays, ed. Jim Davis', Australasian Drama Studies, 58 247-250 (2011) [C3]
2010 Emeljanow VE, 'Editorial', Popular Entertainment Studies, 1 1-5 (2010) [C3]
2010 Emeljanow VE, 'Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s [Book Review]', Australasian Drama Studies, 233-236 (2010) [C3]
2008 Emeljanow VE, 'Toby Wilsher, The Mask handbook: A practical guide', Australasian Drama Studies, 52 221-223 (2008) [C3]
2005 Emeljanow VE, 'Review of Alice May, Gilbert and Sullivan's First Prima Donna', Australasian Drama Studies, 46 145-147 (2005) [C3]
2005 Emeljanow VE, 'McCormick, John, 'The Victorian Marionette Theatre'', Modern Drama, 48 850-852 (2005) [C3]
2005 Emeljanow VE, 'Review of Theatre and Social Change', Baylor Journal of Theatre and Performance, 2 73-76 (2005) [C3]
2004 Emeljanow VE, 'Vallillo, Stephen and Chach, Maryann (eds) 'Pleasure Gardens/Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives.' 'Performing Arts Resource'', Theatre Survey, 45 133-135 (2004) [C3]
2003 Emeljanow VE, 'The Events of June 1848: the Monte Cristo riots and the politics of protest', New Theatre Quarterly, 19, Part 1 23-32 (2003) [C1]
DOI 10.1017/S0266464X02000039
2001 Emeljanow VE, Davis J, ''Wistful Rememberancer': the historiographical problem of Macqueen Popery', New Theatre Quarterly, XVII, 4 299-309 (2001) [C3]
1998 Emeljanow VE, 'Erasing the Spectator: observations on nineteenth century lighting', Theatre History Studies, 18 107-116 (1998) [C1]
1998 Emeljanow VE, Davis J, 'New Views of Cheap Theatres: reconstructing the nineteenth-century audience', Theatre Survey, 39 53-72 (1998) [C1]
Show 18 more journal articles

Review (7 outputs)

Year Citation Altmetrics Link
2005 Emeljanow VE, 'Wilson Barrett', The New Dictionary of National Biography (2005) [D2]
2005 Emeljanow VE, 'Charles Dillon', The New Dictionary of National Biography (2005) [D2]
2005 Emeljanow VE, 'Stanley Houghton', The New Dictionary of National Biography (2005) [D2]
2005 Emeljanow VE, 'Clement Scott', The New Dictionary of National Biography (2005) [D2]
2005 Emeljanow VE, 'Lewis Waller', The New Dictionary of National Biography (2005) [D2]
2005 Emeljanow VE, 'Genevieve Ward', The New Dictionary of National Biography (2005) [D2]
1998 Emeljanow VE, 'Victorian drama and theatre', Year's Work in English Studies (1998) [D1]
Show 4 more reviews

Conference (8 outputs)

Year Citation Altmetrics Link
2014 Emeljanow VE, 'Pierrots and Pierrettes: an Excursion into Concert Parties and their Female Impersonators during World War 1', Book of Abstracts. 2014 FIRT-IFTR World Congress, University of Warwick, Coventry, UK (2014) [E3]
2013 Halton R, 'A Renaissance bordering on Pop phenomenon: The Castrato Opera Repertoire recreated by German Soprano Simone Kermes', Another World of Popular Entertainments Proceedings, Newcastle, NSW (2013) [E3]
Co-authors R Halton
2012 Emeljanow VE, 'Palliative pantomimes: Some excursions into the role of popular entertainments in prisoner of war camps during World War I', Book of Abstracts. IRT/IFTR Annual Conference, Santiago, Chile (2012) [E3]
2011 Emeljanow VE, Arrighi G, 'Children of the Empire: Tales of transgression and accommodation', Collected abstracts: Politics, Performance and Popular Culture in Nineteenth-Century Britain, Lancaster, UK (2011) [E3]
Co-authors Gillian Arrighi
2009 Arrighi G, Emeljanow VE, 'Entertaining children: Aspects of the employment of children in the entertainment industry in Britain and Australia 1879-1921', ADSA Conference Programme, Perth, WA (2009) [E3]
Co-authors Gillian Arrighi
2009 Arrighi G, Emeljanow VE, Halton R, 'Conference editors', A World of Popular Entertainments Conference Proceedings, Callaghan, NSW (2009) [E4]
Co-authors Gillian Arrighi, R Halton
2009 Arrighi G, Emeljanow VE, 'Entertaining children: Aspects of the employment of children in the entertainment industry in Britain, Australia and New Zealand 1879-1921', Silent Voices, Forbidden Lives: Censorship and Performance: Abstracts, Lisbon, Portugal (2009) [E3]
Co-authors Gillian Arrighi
2009 Emeljanow VE, Davis J, 'The theatrical life and death of Wych Street', Sites of Performance: Mapping/Theatre/History Conference: Abstracts, Nottingham, UK (2009) [E3]
Show 5 more conferences
Edit

Grants and Funding

Summary

Number of grants 14
Total funding $124,664

Click on a grant title below to expand the full details for that specific grant.


20083 grants / $18,366

Development of peer reviewed rich media annotation and publishing environment for the creative and performing arts$10,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team
Scheme Research Support Scheme
Role Investigator
Funding Start 2008
Funding Finish 2008
GNo
Type Of Funding Internal
Category INTE
UON Y

Entertaining children: a fundamental investigation into children's employment in the entertainment industry in Australia, Britain and New Zealand 1885-1920$6,666

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow, Doctor Gillian Arrighi
Scheme Pilot Grant
Role Lead
Funding Start 2008
Funding Finish 2008
GNo G0189011
Type Of Funding Internal
Category INTE
UON Y

IFTR/FIRT Annual Conference, Chung-Ang University, Seol, South Korea, 14/7/2008 - 19/7/2008$1,700

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 2008
Funding Finish 2008
GNo G0189133
Type Of Funding Internal
Category INTE
UON Y

20071 grants / $1,700

International Federation for Theatre Research, Stellenbosch University SA, 10/7/2007 - 14/7/2007$1,700

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 2007
Funding Finish 2007
GNo G0187770
Type Of Funding Internal
Category INTE
UON Y

20061 grants / $1,500

FIRT World Congress August 7 - 11 2006$1,500

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 2006
Funding Finish 2006
GNo G0186487
Type Of Funding Internal
Category INTE
UON Y

20041 grants / $2,065

American Society for Theatre Research, 18-21 November 2004, USA$2,065

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 2004
Funding Finish 2004
GNo G0184836
Type Of Funding Internal
Category INTE
UON Y

20031 grants / $10,000

Popular theatregoing in England 1880-1918$10,000

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Project Grant
Role Lead
Funding Start 2003
Funding Finish 2003
GNo G0182370
Type Of Funding Internal
Category INTE
UON Y

20001 grants / $2,500

American Society for Theatre Research, USA 10-12 November 2000$2,500

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 2000
Funding Finish 2000
GNo G0179855
Type Of Funding Internal
Category INTE
UON Y

19991 grants / $1,468

Nineteenth Century Studies Association Conference Philadelphia, USA.$1,468

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 1999
Funding Finish 1999
GNo G0179081
Type Of Funding Internal
Category INTE
UON Y

19981 grants / $1,344

IFTR XIIIth World Congress, UK 6-12 July 1998$1,344

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 1998
Funding Finish 1998
GNo G0179788
Type Of Funding Internal
Category INTE
UON Y

19971 grants / $1,321

Mid-America Theatre Conference, Chicago, USA, 13-16 March 1997$1,321

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Travel Grant
Role Lead
Funding Start 1997
Funding Finish 1997
GNo G0179457
Type Of Funding Internal
Category INTE
UON Y

19953 grants / $84,400

London Theatre Audiences: 1840-1878$71,000

Funding body: ARC (Australian Research Council)

Funding body ARC (Australian Research Council)
Project Team Emeritus Professor Victor Emeljanow, Assoc. Prof J Davis
Scheme Large Grant
Role Lead
Funding Start 1995
Funding Finish 1995
GNo G0175401
Type Of Funding Aust Competitive - Commonwealth
Category 1CS
UON Y

95 APP Visual Programming for Dramatic Arts$8,000

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow, Conjoint Professor Peter Eades
Scheme Project Grant
Role Lead
Funding Start 1995
Funding Finish 1995
GNo G0175223
Type Of Funding Internal
Category INTE
UON Y

Development of an Interactive CD Encyclopaedia of the Theatre$5,400

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Emeritus Professor Victor Emeljanow
Scheme Teaching Committee Teaching Grants
Role Lead
Funding Start 1995
Funding Finish 1995
GNo G0175877
Type Of Funding Internal
Category INTE
UON Y
Edit

Research Supervision

Number of supervisions

Completed10
Current5

Total current UON EFTSL

Masters1
PhD0.75

Current Supervision

Commenced Level of Study Research Title / Program / Supervisor Type
2014 PhD The Camera Close-Up: Its Challenges for the Actor and its Relationship to intimate Space Violations
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor
2013 Masters Small-Scale Puppets within Australia
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor
2012 Masters Evreinov and the Questions of Theatricality
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor
2012 Masters Evreinov and the Questions of Theatricality
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Principal Supervisor
2011 PhD Australian Physical Theatre
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor

Past Supervision

Year Level of Study Research Title / Program / Supervisor Type
2011 Masters Randai as a Contemporary Dramaturgy: Obstacles and Insights from an Intercultural Transposition
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor
2011 PhD The Processes of Dramatic Adaptation: Three Playscripts with Commentaries and Annotations
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Sole Supervisor
2008 PhD "Relating to Country": Listening, Reflecting and Relating to Contemporary Aboriginal Stories From Won:arua Country in the Hunter Valley
Fine Arts, Faculty of Education and Arts, The University of Newcastle
Co-Supervisor
2007 PhD A Circus and its Context: The Fitzgerald Brothers' Circus in Australia and New Zealand, 1888 - 1906
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Sole Supervisor
2006 Masters Going to the Theatre. An investigation of factors affecting theatre attendance in Sydney's entertainment district from 1896 to 1920
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Sole Supervisor
2004 PhD Deviance and Disloyalty: Historiographical Discourses in Representations of the Cambridge Spies
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Sole Supervisor
2004 Masters The Neutral Mask
Performing Arts Not Elswr Clas, University of Newcastle
Sole Supervisor
2003 Masters The neutral mask
Drama & Theatre Studies, University of Newcastle
Sole Supervisor
2002 Masters Kelver Hartley (A Life in Progress). Researching the Eccentric
Drama & Theatre Studies, Faculty of Education and Arts, The University of Newcastle
Sole Supervisor
2001 Masters Kelver Hartley: a life in progress
Drama & Theatre Studies, University of Newcastle
Sole Supervisor
Edit

Emeritus Professor Victor Emeljanow

Positions

Conjoint Professor
School of Creative Arts
Faculty of Education and Arts

Emeritus Professor
Faculty of Education and Arts

Focus area

Drama

Contact Details

Email victor.emeljanow@newcastle.edu.au
Phone (02) 4921 5002
Fax (02) 4921 6927

Office

Room SRR203A
Building Social Sciences
Location Callaghan
University Drive
Callaghan, NSW 2308
Australia
Edit