Associate Professor Rosalind Halton
Honorary Associate Professor
School of Humanities, Creative Ind and Social Sci (Music)
- Email:r.halton@newcastle.edu.au
- Phone:(02) 4921 8950
Career Summary
Biography
Harpsichordist and researcher, Associate Professor at the University of Newcastle, Australia; and an Honorary Fellow of the Australian Academy of the Humanities.
Research areas: Italian baroque music, Alessandro Scarlatti; research and performance; French harpsichord repertoire; historically based performance practice. Central to my work is the concept of implementing ideas developed during the research and performance processes.
Creative and research outputs. CD Recordings: The French Harpsichord, ABC Classics (winner of Soundscapes award, 1997); Louis Couperin and Friends, 2005; 3 CDs of newly edited works: Venere, Adone e Amore: Serenatas and Cantatas of Alessandro Scarlatti (ABC Classics, 2007).
Many solo and ensemble performances in Europe, Canada, Australia and New Zealand. Broadcasts for Sunday Live (ABC Classic FM), and in leading Australian Festivals including Barossa, Huntingdon, Melbourne Autumn Festival with ensembles including Elysium, His Majesty's Sagbutts and Cornetts, The Australian Chamber Orchestra, SSO, Sydney Philharmonia, Chacona, and Affetto (NZ).
Editions of Italian baroque music: two major volumes of previously unpublished works by Alessandro Scarlatti by A-R Editions (US). The Web Library of Seventeenth Century Music (WLSCM), a U.S. based peer-reviewed online edition: over 30 editions of individual works.
Published research papers. On music of the Scarlatti family, performance in the 17th-18th centuries, the Italian cantata genre, journals including Musicology Australia, Eighteenth-Century Music, Studi Musicali. Listed in academia.edu
Education: University of Otago (New Zealand); postgraduate studies at Oxford University (British Commonwealth Scholarship 1973-6); D.Phil. Oxford (analysis, music of Haydn) Harpsichord studies with David Ledbetter and Colin Tilney.
Research supervision: 7 completed Ph.D.s and 12 Masters in a range of topics including pedagogy, baroque performance practice and research with a creative component. I am frequently consulted as Ph.D. and Masters examiner for major Australian universities.
Research Expertise
My field of research is in the combined area of baroque performance and historical source study. I am a researcher/performer who has recorded solo harpsichord CDs, as well as directing newly edited works from the Italian Baroque repertoire, especially the music of Alessandro Scarlatti (1660-1725). Scarlatti's cantatas are said to be little known, thus the research undertaken by me contributes to primary knowledge of this repertoire area. I am widely experienced with source materials of the 17th-18th centuries, including autograph material of Scarlatti and his predecessor Alessandro Stradella. As a solo harpsichordist I have recorded works of the French baroque, from the 17th- first half of the 18th centuries.
Teaching Expertise
Teaching performance of baroque music to students across a wide range of instruments, from 1st year to Ph.D. level; especially ensembles of instruments and voice (s). Harpsichord teaching, and continuo playing; coaching singers in music of the 17th-18th centuries; editing from historical sources; history of performance practice and reception history. Music of the 17th-19th centuries (History and analysis). I have supervised numerous Ph.D., Masters and Honours candidates in a wide range of subjects with a creative/performance element, from baroque music to original composition work. Harpsichord tuition at undergraduate and postgraduate levels and examination of Ph.D. and Masters theses, mainly in areas of baroque performance and source studies for universities throughout Australia.
Administrative Expertise
Convenor of B. Music Honours program and Music Research Convenor (RHD) 2006-2011. Member of Research Committee for School of DFAM. Co-ordinator of Music electives, 'Performing Baroque Music', and 'Performing Classical Music' offered at 1st year to 3rd year levels. Previous position Senior Lecturer in Performance at U.N.E. (1986-1999) involved co-ordination of all performance programs to M.Mus.(Hons.) and regular service as Acting Head of Department.
Collaborations
2013-14 Collaborative article on instrumental music of Alessandro Scarlatti with Michael Talbot (Em. Professor of Music, University of Liverpool), published in Eighteenth-Century Music (U.K.) March 2015. -
2007-2011 Collaborative editorial project 'Solo Serenatas of Alessandro Scarlatti’, A-R Editions) with Dr. Marie-Louise Catsalis, Ph.D graduate of Newcastle University, and Lecturer at Stanford University, CA. The volume in the series ‘Recent Researches in Music of the Baroque Era’ (Middleton, Wisconsin) comprises the first modern editions of ten works, based on texts concerned with night themes. The work involved performances with students at the University of Newcastle, Stanford and Santa Clara Universities, CA. -
1999-2002 Recordings: 3-CD set released by ABC Classics in 2007 ‘Venere, Adone, e Amore’. Over 3 decades of researching unedited works from the Italian baroque cantata repertoire, my work involves collaboration with singers, literary scholars, fellow editors, performer-researchers, and recording producers. This collaborative activity mirrors the origins of the genre, built on the interaction of composer, singer, poet, copyist, player, and patron. Some of our leading graduates of Newcastle Conservatorium, including soprano Miriam Allan and cellist Jamie Hey (Australian Brandenburg Orchestra), have played a key role in this project. The 3 CD set was recorded over a period of four years from 1999-2002, involving the formation of the period instrument ensemble Chacona in collaboration with five outstanding Australian solo singers (four sopranos and one countertenor). The equal role of singers and instrumentalists is central to this repertoire. My paper ‘Explorations around Bass Parts and Key Schemes: Recording the Cantatas of Alessandro Scarlatti’ published in 2012, Performers’ Voices across Centuries and Cultures (ed. Anne Marshman, Imperial College Press) documents aspects of this collaborative process.
2011 New Zealand Musicology Society conference, 'Performance, Creativity, Collaboration' included the first modern performances of cantatas by two cellist-composers Lulier and Colombani with N.Z. soprano Rowena Simpson and cellist Polly Sussex, illustrated the role of collaborative performance in researching this repertoire, in my paper 'Collaboration and the Italian solo cantata'.
Qualifications
- Doctor of Philosophy, University of Oxford - UK
- Bachelor of Arts (Honours), University of Otago - New Zealand
Keywords
- Baroque and classical performance practice
- Harpsichord and fortepiano
- Italian baroque cantata
- Performance as research
Languages
- German (Fluent)
- French (Fluent)
- Italian (Fluent)
Professional Experience
Academic appointment
Dates | Title | Organisation / Department |
---|---|---|
1/11/2013 - | Honorary Fellow | Australian Academy of the Humanities |
1/1/2012 - | Membership - International Musicological Society (IMS) | International Musicological Society (IMS) Australia |
1/1/2012 - | Membership - Society for Seventeenth-Century Music | Society for Seventeenth-Century Music Australia |
1/6/2010 - | Associate Professor | University of Newcastle Department of Fine Art and Music Australia |
1/1/2007 - | Editorial Board - Journal of Music Research Online (JMRO) | Journal of Music Research Online (JMRO) Australia |
1/1/2006 - | Editorial Board - Musicology Australia (MA) | Musicology Australia (MA) Australia |
1/5/1999 - 1/6/2010 |
Senior Lecturer Music |
University of Newcastle School of Drama, Fine Art and Music Australia |
1/3/1991 - 1/4/1999 | Senior Lecturer | University of New England Department of Music |
1/1/1987 - | Membership - Musicological Society of Australia (MSA) | Musicological Society of Australia (MSA) Australia |
1/2/1986 - 1/5/1991 | Lecturer In Music Performance | University of New England Department of Music |
Awards
Recipient
Year | Award |
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1997 |
'The French Harpsichord', solo harpsichord cd ABC Classics Unknown |
Publications
For publications that are currently unpublished or in-press, details are shown in italics.
Highlighted Publications
Year | Citation | Altmetrics | Link |
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2020 | Halton R, 'From serenata to opera stage: Giovanni Bononcini's serenata Amor per Amore (Rome, August 1696) as inspiration and source material for Il Trionfo di Camilla (Naples, December 1696)', I Bononcini da Modena all'Europa (1666-1747), Libreria Musicale Italiana, Lucca 167-186 (2020) [B1] | Nova |
Book (6 outputs)
Year | Citation | Altmetrics | Link | ||
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2022 |
Della Libera L, The Roman. Sacred Music. of Alessandro Scarlatti, Routledge, London and New York (2022)
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2017 | Halton R, A voi che l'accendeste, settings by Giovanni Bononcini, Antonio Mangiarotti, Filippo Colinelli, and Alessandro Scarlatti, Society of Seventeenth-Century Music, 78 (2017) [A1] | Nova | |||
2017 | Halton R, A voi che l'accendeste, settings by Giovanni Bononcini, Antonio Mangiarotti, Filippo Colinelli, and Alessandro Scarlatti, Society of Seventeenth-Century Music, 78 (2017) [A1] | Nova | |||
2011 | Catsalis M-L, Halton R, Alessandro Scarlatti: Solo Serenatas, A-R Editions, Middleton, Wisconsin, 191 (2011) [A1] | Nova | |||
2009 | Halton R, Alessandro Scarlatti: Venere, Adone, et Amore: Original Version, Naples 1696 and Revised Version, Rome 1706, A-R Editions, Inc., Middleton, Wisconsin, 139 (2009) [A1] | Nova | |||
2004 |
Ewans MC, Halton R, Phillips JA, Music Research: New Directions for a New Century, Cambridge Scholars Press, Amersham, 451 (2004) [A3]
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Show 3 more books |
Chapter (10 outputs)
Year | Citation | Altmetrics | Link |
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2020 | Halton R, 'From serenata to opera stage: Giovanni Bononcini's serenata Amor per Amore (Rome, August 1696) as inspiration and source material for Il Trionfo di Camilla (Naples, December 1696)', I Bononcini da Modena all'Europa (1666-1747), Libreria Musicale Italiana, Lucca 167-186 (2020) [B1] | Nova | |
2013 | Halton R, 'Birthday tribute or cantata contest: Alessandro Scarlatti's 'A Voi Che L'Accendeste'', Devozione e Passione: Alessandro Scarlatti nel 350 anniversario della nascita, Rubbettino, Reggio Calabria 379-420 (2013) [B1] | Nova | |
2012 | Halton R, 'From Hailstones to Hallelujah: The first Handel commemoration', A World of Popular Entertainments: An Edited Volume of Critical Essays, Cambridge Scholars, Newcastle upon Tyne 192-206 (2012) [B1] | Nova | |
2012 | Halton R, 'From glee club to concert hall', Singing Emotions: Voices from History, Australian Research Council's Centre of Excellence for the History of Emotions (CHE) with Musica Viva, Sydney, NSW 32-37 (2012) [B2] | ||
2012 | Halton R, 'Explorations around bass parts and key schemes: Recording the cantatas of Alessandro Scarlatti', Performers' Voices across Centuries and Cultures: Selected Proceedings of the 2009 Performer's Voice International Symposium, Yang Siew Toh Conservatory of Music, National University of Singapore, Imperial College Press, London 85-102 (2012) [B1] | Nova | |
2011 | Halton R, 'Nicola Porpora and the Cantabile Cello', Nicola Porpora: Musicista Europeo: Le Corti, I Teatri, I Cantanti, I Librettisti, Laruffa Editore, Reggio Calabria 303-336 (2011) [B1] | Nova | |
2011 | Halton R, 'Serenata in flux: The two versions of Venere, Adone, et Amore by Alessandro Scarlatti', Responsabilita d'Autore e Collaborazione nell'opera dell'eta barocca: Il Pasticcio, Laruffa, Reggio Calabria 31-65 (2011) [B1] | Nova | |
2010 | Halton R, 'Scarlatti father and son: A musical relationship', Domenico Scarlatti Musica E Storia, Turchini Edizioni, Napoli, Italy 1-24 (2010) [B1] | Nova | |
2009 | Halton R, 'Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: A source study of the Serenata Venere, Adone et Amore (1696)', Identity and Locality in Early European Music, 1028-1740, Ashgate Publishing, Surrey 173-190 (2009) [B1] | Nova | |
2004 | Halton R, 'Night and Dreams: Text, Texture, and Night Themes in Cantatas by Alessandro Scarlatti', Music Research: New Directions for a New Century, Cambridge Scholars Press, Amersham, Bucks, UK 27-39 (2004) [B1] | Nova | |
Show 7 more chapters |
Journal article (9 outputs)
Year | Citation | Altmetrics | Link | |||||
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2015 | Halton R, ''Senza cimbalo al tavolino': Alessandro Scarlatti and his 4 Sonate a quattro', Studi Musicali, VI, 2015 97-130 (2015) [C1] | Nova | ||||||
2015 |
Halton R, Talbot M, ''Choice things of value': The mysterious genesis and character of the VI concertos in seven parts attributed to Alessandro Scarlatti', Eighteenth-Century Music, 12 9-32 (2015) [C1]
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Nova | ||||||
2012 | Halton R, 'Aspects of the secular cantata in late Baroque Italy', Musicology Australia, 34 121-124 (2012) [C3] | |||||||
2012 | Halton R, 'Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo', Web Library of Seventeenth Century Music, 23 (2012) [C1] | Nova | ||||||
2008 |
Halton R, 'Rhythmic inequality (John Byrt, 'Elements of rhythmic inequality in the arias of Alessandro Scarlatti and Handel')', Early Music, 36 350-351 (2008) [C2]
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Nova | ||||||
2008 | Halton R, 'Thomas Roseingrave: Complete keyboard music', Musicology, 30 97-99 (2008) [C3] | Nova | ||||||
2005 | Halton R, 'Stradella Serenata in Newcastle, Australia in 17th Century Music', the Newsletter of the Society for Seventeenth Century Music (USA), 15 16-17 (2005) [C3] | |||||||
2004 | Halton R, 'New Scarlatti Edition: Hor che graditi horrori, Cantata for soprano and continuo', Society for Seventeenth Century Music Newsletter, 14 12-13 (2004) [C2] | |||||||
2002 |
Halton R, 'Domenico Scarlatti and his cantabile sonatas', Musicology Australia, 25 22-47 (2002) [C1]
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Nova | ||||||
Show 6 more journal articles |
Review (3 outputs)
Year | Citation | Altmetrics | Link | ||
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2010 |
Halton R, Scarlatti A, 'Introduction', Alessandro Scarlatti: Il Giardino di Rose. La Santissima Vergine del Rosario: Oratorio for 5 voices and instruments (2010) [D2]
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2006 | Halton R, 'Review of Edward L Kottick, A History of the Harpsichord (Bloomington, Indiana University Press, 2003)', Musicology Australia (2006) [D2] | ||||
2006 | Halton R, 'Review of Thomas Tolley, Painting the Cannon's Road: Music, the Visual Arts and the Rise of an Attentive Public in the Age of Haydn, Ashgate Books, 2001', Musicology Australia (2006) [D2] |
Conference (12 outputs)
Year | Citation | Altmetrics | Link |
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2015 | Halton R, Allan M, 'A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voi che l accendeste by F. M. Paglia', Birmingham Conservatoire, U.K. (2015) [E3] | ||
2015 | Halton R, 'A secret dialogue of poetry and singing', Sydney (2015) [E3] | ||
2014 | Halton R, Sandstrom A, Smeulders N, 'Singing with the Nightingale: a Scarlattian Allegory for the Vocal Duet (co-Performers Anna Sandstrom and Nicole Smeulders)', The University of Sydney (2014) | ||
2013 | Halton R, 'A Renaissance bordering on Pop phenomenon: The Castrato Opera Repertoire recreated by German Soprano Simone Kermes', Another World of Popular Entertainments Proceedings, Newcastle, NSW (2013) [E3] | ||
2009 | Halton R, 'From hailstones to hallelujah: The first Handel commemoration', A World of Popular Entertainments Conference Proceedings, Callaghan, NSW (2009) [E3] | ||
2009 | Arrighi G, Emeljanow VE, Halton R, 'Conference editors', A World of Popular Entertainments Conference Proceedings, Callaghan, NSW (2009) [E4] | ||
2009 | Harper NL, Henriques T, Halton R, 'Performing proportion: Crux awareness in Scarlatti interpretation', Proceedings of the International Symposium on Performance Science 2009, Auckland, NZ (2009) [E1] | Nova | |
2009 | Halton R, 'Explorations round bass parts & key schemes: Recording the cantatas of Alessandro Scarlatii', The Performer's Voice. An International Forum for Music Performance and Scholarship. Abstracts, Yong Siew Toh Conservatory of Music, Singapore (2009) [E3] | ||
2003 | Halton R, 'Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706', Combined Conference of the Australian and New Zealand Musicological Societes, New Zealand (2003) [E1] | Nova | |
2001 | Halton R, 'Seven Angles on the solo cantata."A voi che l'accendeste, ca 1692', MSA Annual Conference, Uni of Melbourne (2001) [E2] | ||
Show 9 more conferences |
Creative Work (76 outputs)
Year | Citation | Altmetrics | Link | |
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2022 | Halton R, Sul margine d'un rio by Quirino Colombani, [Brisbane] (2022) | |||
2022 | Halton R, Sul margine d'un rio by Quirino Colombani, [Brisbane] (2022) | |||
2021 | Halton R, Dimmi, ingrato Mirtillo, Cantata for soprano, violoncello obbligato and continuo by Quirino Colombani (fl.1665-1735), Saraband Music, Australia (2021) | |||
2014 | Halton R, Halton R, Sandstrom A, Singing with the Nightingale: a Scarlattian allegory of the emotions, Rex Cramphorn Studio, University of Sydney; Mahratta Assembly Room, Warrawee. (2014) [J2] | |||
2014 | Halton R, Alessandro Scarlatti, Four Sonate a Quattro, Launton, Oxon, U.K., Launton, Oxon, U.K. (2014) [J1] | Nova | ||
2014 | Halton R, Alessandro Scarlatti, Four Sonate a Quattro, Launton, Oxon, U.K., Launton, Oxon, U.K. (2014) [J1] | Nova | ||
2013 |
Sandstrom A, Halton R, Sunday Live, Recital of italian Baroque Music, Harold Lobb Concert Hall, Newcastle, Sydney (2013) [J2]
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Nova | ||
2013 | Halton R, Allan C, Hoadley B, Walker S, Concert for a New Era: Monody by Claudio Saracini (1624); Vivaldi, Sonata for flute, bassoon, and basso continuo Christopher Allan (baritone); Sally Walker (flute); Ben Hoadley (bassoon); Rosalind Halton (harpsichord, editor of Saracini pieces), Harold Lobb Concert Hall, Newcastle, Newcastle (2013) [J2] | Nova | ||
2013 | Halton R, Blackburn H, Recorder and Harpsichord Recital by Alana Blackburn and Rosalind Halton At Lunch (University of Newcastle concert series, Conservatorium of Music), Harold Lobb Concert Hall, Newcastle (2013) [J2] | |||
2011 |
Halton R, Scarlatti A, Collaboration and the Italian solo cantata. Two works performed for the first time in modern times and edited by Rosalind Halton (also playing harpsichord continuo). 'A voi che l'accendeste' G. L. Lulier (1662-ca. 1700) 'Sul margine d'un rio' Quirino Colombani (1668-ca. 1735), -, Wellington, New Zealand (2011) [J2]
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Nova | ||
2010 | Halton R, Scarlatti A, Tormentatemi pur, furie d'amore: Cantata for soprano solo and basso continuo, -, Palermo, Italy (2010) [J2] | |||
2007 | Halton R, Venere, Adone e Amore: Serenatas and Cantatas by Alessandro Scarlatti, - (2007) [J1] | Nova | ||
2007 | Halton R, Quante sete per mi pigri, o momenti!. Cantata for Soprano and Basso Continuo, Duke University College of Arts and Sciences (2007) [J2] | Nova | ||
2006 | Halton R, Edition of A. Scarlatti 'Lucretia Romana' 1688, Web Library of Seventeenth Century Music, General Editor Alexander Silbiger, Duke University (Durham) NC USA (2006) [J2] | Nova | ||
2006 | Halton R, A Scarlatti, 'Cantata Notturna', Cantata Editions.com, London England (2006) [J2] | |||
2005 | Halton R, Alesssandro Scarlatti, La Primavera (Clori e Lidia Compagne): Cantata per Camera a due Soprani, - (2005) [J1] | |||
2005 | Halton R, Qual'ora io veggio la vezzosa Irene, - (2005) [J1] | |||
2005 | Clarke Z, Downer C, Halton R, Lyrical Passions: music from the French Baroque, Orpheus Music, Armidale (2005) [J2] | |||
2005 | Halton R, Colours of Night, Newcastle Conservatorium of Music, Newcastle (2005) [J2] | |||
2005 | Halton R, Alessandro Scarlatti, Qual'ora io veggio la vezzosa Irene: Cantata a voce sola con violini [cantata for high voice and violins], Cantata Editions, UK, London (2005) [J2] | |||
2005 | Halton R, Alessandro Scarlatti, Tu resti o mio bel nume: Cantata for bass, violins I & II & continuo, Cantata Editions, UK, London (2005) [J2] | |||
2005 | Halton R, Alessandro Scarlatti, Euridice dell'Inferno, Cantata for soprano and continuo1699, Cantata Editions, UK, London (2005) [J2] | |||
2005 | Halton R, Alessandro Scarlatti, La Fenice, cantata for soprano, 2 violins, and continuo, Cantata Editions, UK, London (2005) [J2] | |||
2004 | Halton R, 'La Fenice' Su l'ora appunto, - (2004) [J1] | |||
2004 | Halton R, Louis Couperin and Friends, - (2004) [J1] | Nova | ||
2004 | Miller T, Halton R, Italian Vocal Music from the 16th-18th centuries, Newcastle Conservatorium Concert Hall, Newcastle (2004) [J2] | |||
2004 | Allan M, Hey J, Halton R, The Roman Influence, Newcastle Conservatorium Concert Hall, Newcastle (2004) [J2] | |||
2003 | Halton R, 'Dove fuggi, o bella Clori, A. Scarlatti, ed. Halton, Cantata Editions, general editor James Sanderson, U.K. www.baroquecantata.com (2003) [J2] | |||
2003 | Halton R, Augellin vago e canoro, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, Lidio e Clori, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, Nel silentio commune di notte, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, Su'l margine d'un rio, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, O che mostro, o che furia, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, Anche i tronchi, Cantata Editions, London (2003) [J2] | |||
2003 | Halton R, Hor che di Febo ascosi, Cantata Editions, London (2003) [J2] | |||
2002 | Halton R, 'Bella Dama di nome Santa', A. Scarlatti, ed. Halton, Sydney (2002) [J1] | |||
2002 | Halton R, 'Amica, hora che Aprile', A. Scarlatti, ed. Halton, Cantata Editions, general editor James Sanderson, U.K. [ www.baroquecantata.com] (2002) [J2] | |||
2002 | Halton R, 'Augellin vago e canoro', 1699, Cantata Editions, general editor James Sanderson, U.K. (2002) [J2] | |||
2002 | Halton R, 'Quella pace gradita', A. Scarlatti, Cantata Editions, U.K., www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Imagini d'orrore' (1710) A. Scarlatti, ed. Halton, Cantata Editions, general editor James Sanderson, U.K. www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Il genio di Mitilde', A. Scarlatti, ed. Halton, Cantata Editions, U.K. www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Lontan dall'idol mio' (1699), A. Scarlatti, ed. Halton, Cantata Editions, U.K. www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Non so qual piu m?ingombra', Cantata Pastorale (1716), A. Scarlatti, ed. Halton, Cantata Editions, general editor James Sanderson, U.K. www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Poiche cessano', A. Scarlatti, ed. Halton, Cantata Editions, U.K. www.baroquecantata.com (2002) [J2] | |||
2002 | Halton R, 'Quanto dolce e quell?ardore?, Francesco Mancini, ed. Halton, Cantata Editions, general editor James Sanderson, U.K. www.baroquecantata.com (2002) [J2] | |||
2001 | Halton R, Olimpia: Cantatas of Alessandro Scarlatti (2001) [J1] | |||
2001 | Halton R, Piano Studies and Baroque Works, AMEB Publications, Sydney (2001) [J2] | |||
2001 | Halton R, Carissimi: Filli non t'amo piu, Chacona, Web Site (2001) [J2] | |||
2001 | Halton R, Scarlatti: E come Dio, Chacona, web site (2001) [J2] | |||
2001 | Halton R, Scarlatti: Liberta del mio cor, Chacona, Web Site (2001) [J2] | |||
2001 | Halton R, Scarlatti: Notte cara, Chacona, web site (2001) [J2] | |||
2001 | Halton R, Scarlatti: Peno,e del mio penar, Chacona, Web Site (2001) [J2] | |||
2001 | Halton R, Scarlatti: Sotto l'ombra d'un faggio, Chacona, web site (2001) [J2] | |||
2000 | Halton R, Music by various Spanish and South American composers, UNE, NEGS Armidale (2000) [J2] | |||
2000 | Halton R, Music of Volkhardt,Dikmens, Lacey,, UNE, Lazenby Hall, Armidale (2000) [J2] | |||
2000 | Halton R, 17th century Spanish Music, University, St John's Church, Cooks Hill (2000) [J2] | |||
2000 | Halton R, French Baroque Music, Paddington Baroque Series, Sydney (2000) [J2] | |||
2000 | Halton R, "Tous les matins du monde", French Consul General, Noumea, Noumea (2000) [J2] | |||
2000 | Halton R, Music by Saraceni,Porpora, A Scarlatti, University, Conservatorium (2000) [J2] | |||
2000 | Halton R, Music by Arne, Vivaldi, and A Scarlatti, University, Conservatorium (2000) [J2] | |||
2000 | Halton R, Music by Monteverdi and Purcell, Cathedral Festival, Christ Church Cathedral (2000) [J2] | |||
2000 | Halton R, Dido and Anaeas by Purcell, University, Conservatorium (2000) [J2] | |||
2000 | Halton R, Music of Bach's sons, Historic Houses Trust Concert Series, Sydney (2000) [J2] | |||
1999 | Halton R, Recital of Bach, Couperin and Handel, International Flute Convention Principal Artist (1999) [J1] | |||
1999 | Halton R, Music of Telemann and Mehul, Facultry of Music, University of Newcastle (1999) [J2] | |||
1999 | Halton R, Music of Bach, Bohm,Coupewrin, Byrd, France Festival of Chateau de Bagnols (1999) [J1] | |||
1999 | Halton R, Figaro's Wedding (Opera), Faculty of Music, University of Newcastle (1999) [J2] | |||
Show 73 more creative works |
Other (1 outputs)
Year | Citation | Altmetrics | Link |
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2004 | Halton R, 'Alessandro Scrarlatti, Hor che graditi horrori, Cantana for Soprano and Basso Continuo', The Web Library of Seventeenth-Century Music ( issue.5 pp.1-3). World Wide Web: Society of Seventeenth-Century Music (2004) [O1] |
Grants and Funding
Summary
Number of grants | 13 |
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Total funding | $68,013 |
Click on a grant title below to expand the full details for that specific grant.
20151 grants / $2,000
Music in Translation: Changing Styles and Approaches in the Mid-Baroque (1650-1710), Birmingham City UK, 2-3 July 2015$2,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
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Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | G1500696 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20141 grants / $2,000
XXI Annual Conference of SIdM, Verona, Italy, 17 - 19 October 2014$2,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
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Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2014 |
Funding Finish | 2014 |
GNo | G1401149 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20131 grants / $275
Another World of Popular Entertainments, Newcastle, Australia, 12-13 June 2103$275
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2013 |
Funding Finish | 2013 |
GNo | G1300905 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20091 grants / $1,500
Responsabilita d'autore e collaborazione nell'opera dell'Eta barocca: il 'Pasticcio, Reggio Calabria, Italy, 2-3 October 2009$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2009 |
Funding Finish | 2009 |
GNo | G0190516 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20081 grants / $2,500
Nicola Porpora musicista europeo, Reggio Calabria, 3/10/2008 - 4/10/2008$2,500
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2008 |
Funding Finish | 2008 |
GNo | G0189401 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20071 grants / $2,500
Performa Conference, Aveiro, Portugal, 10/5/2007 - 12/5/2007$2,500
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2007 |
Funding Finish | 2007 |
GNo | G0187707 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20061 grants / $283
Music as Local tradition and Regional Practice, Armidale, UNE, 27/9/2006 - 1/10/2006$283
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2006 |
Funding Finish | 2006 |
GNo | G0186997 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20051 grants / $4,000
Italian influences on the French cantata 1680-1720$4,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Project Grant |
Role | Lead |
Funding Start | 2005 |
Funding Finish | 2005 |
GNo | G0184784 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20041 grants / $10,000
From the hexachord system to structure tonal designs: Key choice and affect in text based structures of Italian secular music, 1620-1720$10,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Project Grant |
Role | Lead |
Funding Start | 2004 |
Funding Finish | 2004 |
GNo | G0183454 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20032 grants / $17,455
Instrumental innovation, vocal tradition - rediscovering some late 17th century Roman predecessors of Alessandro Scarlatti:Stradella, Carissimi, Lonati$17,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Project Grant |
Role | Lead |
Funding Start | 2003 |
Funding Finish | 2003 |
GNo | G0182333 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Combined Conference of the New Zealand Musicology Society and the Musicology Society of Australia Theme: 'Music and Locality' 27 to 30 November 2003$455
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2003 |
Funding Finish | 2003 |
GNo | G0183697 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20011 grants / $14,000
Performance Practice and Imagery in the Secular Cantatas of Alessandro Scarlatti (1660-1725): an editing and recording project.$14,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | Project Grant |
Role | Lead |
Funding Start | 2001 |
Funding Finish | 2001 |
GNo | G0180047 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20001 grants / $11,500
The secular cantatas of Alessandro Scarlatti (1660-1725): from source studies to performance research and CD recording.$11,500
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Associate Professor Rosalind Halton |
Scheme | New Staff Grant |
Role | Lead |
Funding Start | 2000 |
Funding Finish | 2000 |
GNo | G0179191 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Research Supervision
Number of supervisions
Past Supervision
Year | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2022 | PhD | Il Demetrio (1779) by Josef Myslivecek (1737-1781): a Critical Edition | PhD (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2018 | Masters | An Identification of Past Influences and Current Trends in Australian Piano Pedagogy | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2017 | Masters | Musical Accent in Action: Expressive Accent and Auditory-Biography in Live Music Performance | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2016 | Masters | The Investigative Cellist and the Informed Audition | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Co-Supervisor |
2015 | Masters | Rhetorical Concepts and Mozart: Elements of Classical Oratory in His Drammi per Musica | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2015 | PhD | Harmonisation with Nature: Enhancing Health Education Through Empathetic Ecomusication | PhD (Education), College of Human and Social Futures, The University of Newcastle | Co-Supervisor |
2014 | PhD | "Out of the Shadows": A Biographical Study of William Turner (c.1651-1740), With Critical Editions of His Anthems and Services | PhD (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2013 | Masters | "Playing Heavy Metal": A Comparative Study of the Role of the Tuba in the Orchestra, Brass Band and Wind Ensemble | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2013 | Masters | Performance Fitness: Physiological Benefits of Aerobic Exercise for Performing Singers | M Philosophy (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2012 | PhD | Baroque performance practice pedagogy and the 21st century practitioner: the tenor repertoire of George Frideric Handel | Music, University of Queensland | Consultant Supervisor |
2011 | PhD | Exploring the Value of Aural and Kinaesthetic Feedback Using Speech Quality as Catalyst for Vocal Development in the Training of Tertiary Voice Students | PhD (Music), College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2010 | Masters | Performing Flute Music of the French Baroque: An Approach for the Modern Flautists | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2009 | Masters | The Flute and Mythology | M Creative Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2007 | Masters | French Baroque Vocal Music: A Performer's Guide | M Creative Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2006 | PhD | Domenico Scarlatti: A Contribution to Our Understanding of His Sonatas Through Performance and Research | PhD (Music), College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2006 | PhD | Improvisation as a Catalyst for Collaborative Musical Thinking and Composition | PhD (Music), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2006 | PhD | The Design and Development of Materials of Music: Four Computer-Based Music Theory Lessons for First Year University Level Music Students | PhD (Music), College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2005 | Masters | The Purposeful Flautist: Technique to Interpretation | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2005 | Masters | Understanding the Group Violin Program: The early stages, 6-9 years of age | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2005 | Masters | Extending the Solo Bassoon Repertoire Through Arrangement and Transcription | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2005 | PhD | The Serenata and Alessandro Scarlatti: a genre study, with six editions | PhD (Music), College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2003 | Masters | "MUSIC THEORY IS FUN" A new approach to teaching music theory to beginners | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2002 | Masters | Exploring Interpretive Aspects in the Text and in Recorded Performances of Mozart's Piano Sonata K.332: A Pedagogical Perspective. | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
2002 | Masters | The Sacred Road to Mozart. A Study of Early Music Techniques from East and West and the Transition to Baroque and Classical Period Repertoire | M Creative Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Co-Supervisor |
2002 | Masters | 'William Turner - the fourth man': Critical editions of verse anthems by William Turner (1651-1740) | M Arts (Music) [R], College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2001 | PhD | A Description of the Creative Process of Journey to the Otherworld | PhD (Music), College of Human and Social Futures, The University of Newcastle | Sole Supervisor |
News
News • 28 Nov 2013
Humanities Academy
University of Newcastle Associate Professor Rosalind Halton has been elected as a new Honorary Fellow to the Australian Academy of the Humanities, one of the highest honours available for achievement in the humanities in Australia.
Associate Professor Rosalind Halton
Position
Honorary Associate Professor
School of Humanities, Creative Ind and Social Sci
College of Human and Social Futures
Focus area
Music
Contact Details
r.halton@newcastle.edu.au | |
Phone | (02) 4921 8950 |
Fax | (02) 4921 8958 |
Office
Room | CON101 |
---|---|
Building | The Conservatorium of Music |
Location | The Conservatorium Cnr Laman and Auckland Street Newcastle, NSW 2300 Australia |