Patricia Adams
| Work Phone | (02) 4921 6263 |
|---|---|
| Fax | (02) 4921 6909 |
| Patricia.Wilson-Adams@newcastle.edu.au | |
| Office | AT29, Art |
Research Supervision
| Number of current supervisions | 8 |
|---|---|
| Total current UoN PhD EFTSL | 0.2 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced | Proposed Completion | Program | Supervisor Type | Research Title |
|---|---|---|---|---|
| 2011 | 2014 | PhD (Fine Art) | Co-Supervisor | Riparian Life: A Visual Navigation of the Changing Nature of the Hunter River Estuary |
| 2007 | 2010 | Fine Arts University of Newcastle | Co-Supervisor | Power, passion and pardon |
| 2007 | 2010 | Fine Arts University of Newcastle | Co-Supervisor | The conjunction of minimilism and contemporary theories of beauty - spatial and experiential implications |
| 2006 | 2008 | Fine Arts University of Newcastle | Co-Supervisor | Long to belong: an examination of non-indigenous responses to landscape |
| 2004 | 2009 | Fine Arts University of Newcastle | Co-Supervisor | Eirene Mort: women's work and early 20th century Australian decorative arts |
| 2002 | 2009 | Fine Arts University of Newcastle | Principal Supervisor | The relationship of traditional printmaking to digital technology |
| 2001 | 2008 | Fine Arts University of Newcastle | Co-Supervisor | Haeccity - family, object and memory |
| 2001 | 2008 | Fine Arts University of Newcastle | Co-Supervisor | The aesthetic domestic interior - the interior space and the inner mind |
Past Supervision
| Year | Program | Supervisor Type | Research Title |
|---|---|---|---|
| 2013 | M Philosophy (Fine Art) | Co-Supervisor | Dig a Bit Deeper - Connection and Contemporary Landscape Art |
| 2012 | M Fine Art [R] | Sole Supervisor | The Hybrid Craft Designer: An Examination of Traditional Printmaking Techniques and the use of Digital Technologies Relative to Current Studio Production |
| 2012 | PhD (Fine Art) | Sole Supervisor | The Minimal and the Beautiful: a Convergent Theoretical Proposition of Experiential Implication for Contemporary Painting |
| 2011 | PhD (Fine Art) | Co-Supervisor | Power, Passion and Pardon: The Importance of Graffiti and the Written Word in the Context of Those Who Have Suffered Through Injustice, Imprisonment and Discrimination in Poland During the World War II Period |
| 2010 | M Fine Art [R] | Principal Supervisor | Haecceity - Family, Object and Memory |
| 2009 | PhD (Fine Art) | Co-Supervisor | Long to Belong: Contemporary Narratives of Place Stories in Landscape Painting From a Non-Indigenous Perspective |
| 2008 | PhD (Fine Art) | Co-Supervisor | A Charting of Memory, Interior Space and the Ship |
| 2007 | Fine Arts University of Newcastle | Co-Supervisor | The eclectic bibliotheque |
| 2007 | PhD (Fine Art) | Principal Supervisor | Constructing the Eclectic Biblioth¿que |
| 2006 | M Fine Art [R] | Co-Supervisor | The Dark Side of the White Crystal |
| 2005 | Fine Arts University of Newcastle | Co-Supervisor | The privilidged journey |
| 2004 | M Fine Art [R] | Principal Supervisor | A Privileged Journey |