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Dr Christian Messham-Muir

Work Phone(02) 4921 8664
Email

Research Supervision

Number of current supervisions5
Total current UoN Masters EFTSL0.7
Total current UoN PhD EFTSL2.35

For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.

Current Supervision

CommencedProposed
Completion
ProgramSupervisor TypeResearch Title
20132017PhD (Fine Art)Principal SupervisorAn Analysis of the Perception of Sculpture Within the Various Environmental Contexts
20132021PhD (Fine Art)Principal SupervisorDominion Over all the Earth: Visualising the Tensions of Science and Sustainability in Contemporary Art Practice
20112013M Philosophy (Fine Art)Principal SupervisorIf Art is a Reflection of Life, Then in a Modern World, Has Not Art With a Modern Machine Aesthetic Have its' Place in Contemporary Arts Practice
20112015PhD (Fine Art)Principal SupervisorMuseums, Networked Knowledge and the Online Collection
20092013PhD (Fine Art)Principal SupervisorThe Human Touch? What is the Value of the Artist/Sitter Relationship to Contemporary Portrait Painting?

Past Supervision

YearProgramSupervisor TypeResearch Title
2013M Philosophy (Fine Art)Principal SupervisorBeyond the Pale: Australia: the Studio as Site where Notions of Irish National Identity are Translated into Contemporary Works of Art
2012M Philosophy (Fine Art)Principal SupervisorConnections to the Earth
2011PhD (Fine Art)Principal SupervisorReconnection: An Exploration of Australian Landscape Beyond History and Myth
2011PhD (Fine Art)Principal SupervisorImages of Asian Identity: Asian Women as a Vision of Technological Utopia
2011PhD (Fine Art)Principal SupervisorPublic Works or Private Donations? The Impacts of Artistic and Economic Risk on the Working Practitioner
2010PhD (Fine Art)Principal SupervisorLandscape and Memory: An Archaic Narrative
2010PhD (Fine Art)Co-SupervisorA Punch in the Gut: Experiential Knowledge, Empathy, and Performance Art
2009M Fine Art [R]Principal SupervisorTerra Incognita: The Sublime, The Uncanny and Nostalgia in Painting the Landscape Australian