Research Supervision
| Number of current supervisions |
3 |
| Total current UoN Masters EFTSL |
0.25 |
| Total current UoN PhD EFTSL |
0.45 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced |
Proposed
Completion |
Program |
Supervisor Type |
Research Title |
| 2013 |
2017 |
PhD (Fine Art) |
Co-Supervisor |
ORI* on Aesthetics and Language of Folding and Technology |
| 2012 |
2015 |
M Philosophy (Fine Art) |
Co-Supervisor |
What is the Relevance of a Crafted Art Object in Our Current Digitally Dominated Social Environment? Can These Objects Communicate Effectively Within a Contemporary Audience Context? |
| 2009 |
2011 |
PhD (Fine Art) |
Co-Supervisor |
Lotus Trace III - Cultual Hybrid Identity - A place to call home |
Past Supervision
| Year |
Program |
Supervisor Type |
Research Title |
| 2010 |
PhD (Fine Art) |
Co-Supervisor |
Activating Gay Place: Contexts Associated with the Use of Ultraviolet Lighting and Fibre/Textiles in Immersive Installation |
| 2009 |
M Philosophy (Fine Art) |
Principal Supervisor |
Footprints in the Forest: A Visual Exploration of the Tall Timber Forests of Northern New South Wales |
| 2006 |
M Fine Art [R] |
Sole Supervisor |
Dissecting the Prosthetic |
| 2002 |
M Fine Art [R] |
Principal Supervisor |
Peregrination: A speculation on gender and the environment,as a crucial element In the genesis of personal visual imagery |
|
|
M Fine Art [R] |
Co-Supervisor |
Memory and Landscape. An eclectic subconscious journey reflected in the symbolism of the cone |
|
|
M Fine Art [R] |
Co-Supervisor |
DRAWN THREADS: Placement and Skill as an Integral Part of Visual Expression with particular reference to Family Resonances |
|
|
M Fine Art [R] |
Co-Supervisor |
A Privileged Journey |
