Dr Andre Brodyk
| Work Phone | (02) 4921 6110 |
|---|---|
| Andre.Brodyk@newcastle.edu.au | |
| Office | AT 27, At Building |
Research Supervision
| Number of current supervisions | 8 |
|---|---|
| Total current UoN Masters EFTSL | 0.6 |
| Total current UoN PhD EFTSL | 2.1 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced | Proposed Completion |
Program | Supervisor Type | Research Title |
|---|---|---|---|---|
| 2012 | 2015 | M Philosophy (Fine Art) | Principal Supervisor | What is the Relevance of a Crafted Art Object in Our Current Digitally Dominated Social Environment? Can These Objects Communicate Effectively Within a Contemporary Audience Context? |
| 2011 | 2015 | M Philosophy (Fine Art) | Principal Supervisor | An Exploration of the Impacts and Parallels of Clement Greenberg's Precepts of Formalism in the Emergence of General and Personal Contemporary Visual Arts Practice |
| 2011 | 2014 | PhD (Fine Art) | Principal Supervisor | The Shock of Shape; Embodied Responses to Shaped and Non-Rectilinear Painting |
| 2010 | 2010 | Honours Fine Arts University of Newcastle |
Sole Supervisor | Shadows of Reciprocity |
| 2010 | 2010 | Honours Fine Arts University of Newcastle |
Sole Supervisor | Landscape and Memory |
| 2008 | 2016 | PhD (Fine Art) | Principal Supervisor | Material Poetry: an Investigation of Materiality in Contemporary Sculpture |
| 2007 | 2010 | PhD (Fine Art) | Principal Supervisor | The Stutter of Recognition: Painting and the Pictorial Logic of the Lens |
| 2004 | 2007 | Honours Fine Arts University of Newcastle |
Co-Supervisor | The Art of Memory |
Past Supervision
| Year | Program | Supervisor Type | Research Title |
|---|---|---|---|
| 2013 | PhD (Fine Art) | Co-Supervisor | Between the Interior and the Exterior, Between the Finite and the Infinite |
| 2012 | M Philosophy (Fine Art) | Co-Supervisor | Connections to the Earth |
| 2010 | PhD (Fine Art) | Co-Supervisor | Nomad Strategies; Artists, Travel and Personal Transformation |
| 2009 | M Fine Art [R] | Co-Supervisor | Terra Incognita: The Sublime, The Uncanny and Nostalgia in Painting the Landscape Australian |
| 2007 | PHD Fine Arts University of Newcastle |
Co-Supervisor | Greg Shackelton in Baliboa and the archeology of the modernist picture frame |
| 2006 | Honours Fine Arts University of Newcastle |
Co-Supervisor | Flashback/Backlash Art and the Image in Abortion Politics |
| 2003 | Honours Fine Arts University of Newcastle |
Co-Supervisor | Fragmented Portraits Mother and Memory |
| 1950 | Honours Fine Arts University of Newcastle |
Principal Supervisor | Painting: Calamitous landscape |
| 1950 | Honours Fine Arts University of Newcastle |
Co-Supervisor | Abscence of presence |
| 1950 | Honours Fine Arts University of Newcastle |
Co-Supervisor | Prophetic Art |
| 1950 | PHD Fine Arts University of Newcastle |
Co-Supervisor | Contemporaray Art Practice in the Designed Urban Public Space |