Staff Profile
Career Summary
Qualifications
- PhD, University of Newcastle, 01/09/2005
- Bachelor of Music (Honours), University of Sydney
- Associate of the Royal College of Music, Royal College of Music
Research
Research keywords
- Church music. Composition
Research expertise
My research has involved Australian church music and composition, especially in light of new liturgies over the past 20 years. The bulk of my research has been to develop a more identifiable Australian style of liturgical music, through both use of modern texts and through musical style. The compositions range from works suitable for performance in Cathedral or similar situations, through to some works suitable for parish worship. Eight settings of the Mass have been composed, ranging from simple cantor-style settings through to settings for choir, orchestra, organ, hand-bells and congregation. Similarly, I have written many works set to texts from "A Prayer Book for Australia". Many of these works include parts for congregation, whereby (as in the Mass settings) the choir part may be fairly substantial, whilst the congregation part remains as an integral part of the music, thus allowing the involvment of all present to actively be a part of music through worship.
Fields of Research
| Code | Description | Percentage |
|---|---|---|
| 190406 | Music Composition | 100 |
Administrative
Administrative expertise
Co-ordinator of "Creative and Analytical Studies in Music 3", overseeing students' progress through their academic studies at the Conservatorium. Chamber Choir- includes organising 4 overseas tours since 2000, and recording and manufacture of 5 compact disc recordings.
Teaching
Teaching keywords
- Academics. Chamber Choir. Organ
Teaching expertise
In academic areas, specialise in teaching of harmony and aural, whilst also teaching music history and orchestration at various stages. Teaching also pipe organ to students of all levels. Also taking Chamber choir, which specialises in modern works, including a substantial amount of Australian works.
Grants and Funding
Summary
| Number of grants | 2 |
|---|---|
| Total funding | $6,700 |
For project grants received where the lead institution is other than the University of Newcastle, details are shown in italics.
Click on a grant title below to expand the full details for that specific grant.
2008 (1 grants)
The Guild of Church Musicians 120th Anniversary Conference, Canterury University, UK, 2/5/2008 - 4/5/2008$1,700
Funding Body: University of Newcastle
| Project Team | ||
|---|---|---|
| Doctor Philip Matthias | ||
| Scheme | Role | |
| Travel Grant | Chief Investigator | |
| Total Amount | Funding Start | Funding Finish |
| $1,700 | 2008 | 2008 |
| GNo:G0188607 | ||
2002 (1 grants)
CD recording University of Newcastle Chamber Choir$5,000
Funding Body: Australia Council for the Arts
| Scheme | Role | |
|---|---|---|
| Project Grant | Chief Investigator | |
| Total Amount | Funding Start | Funding Finish |
| $5,000 | 2002 | 2001 |
| GNo:36460621 | ||
Research Supervision
| Number of current supervisions | 4 |
|---|---|
| Total current UoN Masters EFTSL | 0.75 |
| Total current UoN PhD EFTSL | 0.15 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced | Proposed Completion | Program | Supervisor Type | Research Title |
|---|---|---|---|---|
| 2012 | 2014 | M Philosophy (Music) | Principal Supervisor | The Development of the Viola as a Solo Instrument in England at the end of the 19th Century and the Beginning of the 20th Century |
| 2011 | 2014 | M Philosophy (Music) | Co-Supervisor | The Investigative Cellist and the Informed Audition |
| 2009 | 2013 | PhD (Music) | Co-Supervisor | Synchronous and Asynchronous Online Learning: Developing New Music Teaching Strategies for Beginner to Advanced Pianists |
| 2003 | 2011 | PhD (Music) | Co-Supervisor | "Out of the Shadows" The Anthems and Services of William Turner (c. 1651-1740): An Historical and Contextual Study with Critical Editions |
Past Supervision
| Year | Program | Supervisor Type | Research Title |
|---|---|---|---|
| 2012 | PhD (Music) | Principal Supervisor | An Investigation of Contrasting Approaches to Worship within Australian Baptist Churches to Explore the Role of Apollonian and Dionysian Concepts of Art Play in Understanding the Differences. A Case Study Approach |
| 2007 | M Creative Arts (Music) [R] | Sole Supervisor | Context and Analysis of Organ Performances |
Dr Philip Matthias
| Work Phone | (02) 492 18928 |
|---|---|
| Fax | (02) 492 18958 |
| Philip.Matthias@newcastle.edu.au | |
| Position | Senior Lecturer School of Creative Arts Faculty of Education and Arts |
| Focus Area | Music |
| Office | CON315, The Conservatorium of Music, The Conservatorium Cnr Laman and Auckland Street Newcastle NSW 2300 Australia |
| URL: | www.newcastle.edu.au/profile/philip-matthias |
| Link | /Resources/Schools/Drama Fine Art and Music/Staff profiles/Matthias-Philip.pdf |


