Staff Profile

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Career Summary

Qualifications

  • PhD, University of Newcastle, 01/09/2005
  • Bachelor of Music (Honours), University of Sydney
  • Associate of the Royal College of Music, Royal College of Music

Research

Research keywords

  • Church music. Composition

Research expertise

My research has involved Australian church music and composition, especially in light of new liturgies over the past 20 years. The bulk of my research has been to develop a more identifiable Australian style of liturgical music, through both use of modern texts and through musical style. The compositions range from works suitable for performance in Cathedral or similar situations, through to some works suitable for parish worship. Eight settings of the Mass have been composed, ranging from simple cantor-style settings through to settings for choir, orchestra, organ, hand-bells and congregation. Similarly, I have written many works set to texts from "A Prayer Book for Australia". Many of these works include parts for congregation, whereby (as in the Mass settings) the choir part may be fairly substantial, whilst the congregation part remains as an integral part of the music, thus allowing the involvment of all present to actively be a part of music through worship.

Fields of Research

CodeDescriptionPercentage
190406Music Composition100

Administrative

Administrative expertise

Co-ordinator of "Creative and Analytical Studies in Music 3", overseeing students' progress through their academic studies at the Conservatorium. Chamber Choir- includes organising 4 overseas tours since 2000, and recording and manufacture of 5 compact disc recordings.

Teaching

Teaching keywords

  • Academics. Chamber Choir. Organ

Teaching expertise

In academic areas, specialise in teaching of harmony and aural, whilst also teaching music history and orchestration at various stages. Teaching also pipe organ to students of all levels. Also taking Chamber choir, which specialises in modern works, including a substantial amount of Australian works.

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Publications

No publications.

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Grants and Funding

Summary

Number of grants2
Total funding$6,700

For project grants received where the lead institution is other than the University of Newcastle, details are shown in italics.

- Indicates that the researcher may be seeking students for this project.

Click on a grant title below to expand the full details for that specific grant.

2008 (1 grants)

The Guild of Church Musicians 120th Anniversary Conference, Canterury University, UK, 2/5/2008 - 4/5/2008$1,700
Funding Body: University of Newcastle

Project Team
Doctor Philip Matthias
SchemeRole
Travel GrantChief Investigator
Total AmountFunding StartFunding Finish
$1,70020082008
GNo:G0188607

2002 (1 grants)

CD recording University of Newcastle Chamber Choir$5,000
Funding Body: Australia Council for the Arts

SchemeRole
Project GrantChief Investigator
Total AmountFunding StartFunding Finish
$5,00020022001
GNo:36460621
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Research Supervision

Number of current supervisions4
Total current UoN Masters EFTSL0.75
Total current UoN PhD EFTSL0.15

For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.

Current Supervision

CommencedProposed
Completion
ProgramSupervisor TypeResearch Title
20122014M Philosophy (Music)Principal SupervisorThe Development of the Viola as a Solo Instrument in England at the end of the 19th Century and the Beginning of the 20th Century
20112014M Philosophy (Music)Co-SupervisorThe Investigative Cellist and the Informed Audition
20092013PhD (Music)Co-SupervisorSynchronous and Asynchronous Online Learning: Developing New Music Teaching Strategies for Beginner to Advanced Pianists
20032011PhD (Music)Co-Supervisor"Out of the Shadows" The Anthems and Services of William Turner (c. 1651-1740): An Historical and Contextual Study with Critical Editions

Past Supervision

YearProgramSupervisor TypeResearch Title
2012PhD (Music)Principal SupervisorAn Investigation of Contrasting Approaches to Worship within Australian Baptist Churches to Explore the Role of Apollonian and Dionysian Concepts of Art Play in Understanding the Differences. A Case Study Approach
2007M Creative Arts (Music) [R]Sole SupervisorContext and Analysis of Organ Performances
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Dr Philip Matthias

Work Phone(02) 492 18928
Fax(02) 492 18958
Email
PositionSenior Lecturer
School of Creative Arts
Faculty of Education and Arts
The University of Newcastle, Australia
Focus AreaMusic
Office
CON315,
The Conservatorium of Music,
The Conservatorium
Cnr Laman and Auckland Street
Newcastle NSW 2300
Australia
URL:www.newcastle.edu.au/profile/philip-matthias
Link/Resources/Schools/Drama Fine Art and Music/Staff profiles/Matthias-Philip.pdf