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Dr Hamish Ford

Senior Lecturer

School of Humanities and Social Science (Film, Media and Cultural Studies)

Career Summary

Biography

Dr. Hamish Ford is Senior Lecturer in Film, Media and Cultural Studies (FMCS) at UoN. As of November 2012 he has also been FMCS head of discipline. His teaching is primarily based within the area of film studies.

As a researcher, Hamish is best known for work on post-war European modernist cinema, the relationship between film and 20th Century European philosophy, and more recently contemporary world cinema and postcolonial film studies. In late 2012 his first sole-authored book, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time, was published by Palgrave Macmillan. Since gaining a PhD at UNSW in 2005 (with a thesis combining film studies and select philosophy) he has regularly published in prominent local and international journals and contributed chapters to high-profile scholarly books. When it comes to teaching, course creation and coordination, subsequent to first being appointed as a Lecturer at UoN in 2008, Hamish has substantively re-written the film studies curriculum and consistently received excellent responses from students as indicated by Faculty, staff, and student originated feedback mechanisms (including being nominated in the 'best lecturer' awards every year). Prior to his arrival at Newcastle, he taught at multiple different universities in Sydney (University of NSW; University of Sydney; University of Western Sydney; and University of Technology). .

Hamish's research currently due for publication during 2015 includes: a book chapter on visual style in the 1970s films of Robert Altman (A Companion to Robert Altman, Wiley/Blackwell); a chapter charting the development of modernist European cinema from Michelangelo Antonioni to Theo Angelopoulos (The Cinema of Theo Angelopoulos, University of Edinburgh Press); a refereed journal article for Senses of Cinema on modernism and realism in Antonioni's early 1960s films; and a refereed journal article in SubStance on Peter Watkins' film La commune (Paris, 1871) and Henri Lefebvre's theoretical work on space. In the wake of of Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time's publication, Hamish is now also working on three book projects in various stages of preparation due for completion in the next five years. The first is a collaborative work on film and architecture, based around the theme of different films' presentation of revolutionary moments in history, co-authored with A/Prof. Michael Chapman (UoN, School of Architecture and Built Environment). The remaining projects both take in extensive completed international archive and library research (funded through UoN internal grants). These two monographs will respectively address in close-up select films by Ingmar Bergman and Michelangelo Antonioni. He is also planning, along with co-conveners A/Prof. Chapman and Dr. Sam Spurr (College of Fine Arts, UNSW) to develop a research nexus and conference event on film and architecture, to be held in Newcastle in late 2015.

In addition to academic research in and around the area of film studies, Hamish is also the author of magazine, newspaper and online articles covering film, media, culture, and politics in local publications such as Australian Book Review, The Age, the Sydney Morning Herald, ABC Drum, Online Opinion, and New Matilda, plus Spiked! (UK) and ZNet (USA). 

Research Expertise
- Post-war modernist cinema (especially Antonioni, Bergman, Godard, Resnais) - Contemporary world cinema (especially European, Iranian, East Asian) - Cinematic time and negativity - Affect theory - Cinema and postcolonialism - European philosophy and film studies (especially Frankfurt School, phenomenology, Deleuze) - Cinema, the city and modernity

Teaching Expertise
- Contemporary postcolonial and world cinema - Post-war European cinema - Cinema and authorship - Film and philosophy - Cinema, the city and modernity - Documentary film - Cultural studies

Administrative Expertise
- RhD and Honours supervision - Acting head of discipline (semester 2, 2009) - Member, indiginous working group

Collaborations
My current primary collaborative project is a book on the relationship between film and architecture. This is being researched and co-written together with Dr Michael Chapman from the University of Newcastle's School of Architecture and Built Environment. This is due to publication in 2014.

Qualifications

  • PhD, University of New South Wales
  • Bachelor of Arts (Honours), University of Western Sydney

Keywords

  • Cinema and postcolonialism
  • Cinematic authorship
  • Cultural studies
  • Documentary cinema
  • European cinema
  • Film and Philosophy
  • Film theory
  • Iranian cinema
  • Post-war film modernism
  • World Cinema

Fields of Research

Code Description Percentage
190201 Cinema Studies 100

Professional Experience

UON Appointment

Title Organisation / Department
Senior Lecturer University of Newcastle
School of Humanities and Social Science
Australia

Academic appointment

Dates Title Organisation / Department
1/01/2012 -  Editorial Board - Journal of Humanistics and Social Science Journal of Humanistics and Social Science
Australia
1/11/2010 - 1/12/2010 Invited Chair, Cinema, Modernity, and Modernism: The XVth Biennial Conference of the Film and History Association

UNSW, November 30-3 december, 2010

The University of New South Wales
Australia
1/07/2009 - 2/07/2009 Invited chair, Second Annual Film and Philosophy Conference

University of Dundee, Scotland, July 16-18, 2009.

University of Dundee, Scotland
United Kingdom
1/07/2008 - 2/07/2008 Invited chair, Philosophy and Film/Film and Philosophy: A Multidisciplinary Conference

University of West England (in association with the Arnolfini Arts Centre), Bristol, 4-6 July 2008.

University of West England
United Kingdom
1/05/2008 - 2/05/2008 Invited chair, The Art of the Real conference

University of Newcastle, 16-18 May 2008.

University of Newcastle
Australia
1/10/2007 - 2/10/2007 Invited chair, 'Ta(l)king Pleasure in German Culture' symposium

University of NSW (in partnership with the Goethe Institut, Sydney), 20 October 2007.

The University of New South Wales
Australia
1/02/2007 - 1/11/2007 Lecturer University of Newcastle
Film, Media and Cultural Studies
Australia
1/11/2006 - 2/11/2006 Invited chair, The XIIIth Biennial Conference of the Film and History Association

RMIT/Monash University, Melbourne, 16-19 November, 2006.

RMIT/Monash University
Australia
1/07/2006 - 1/11/2006 Lecturer The University of Sydney
Department of Art History and Film Studies
Australia
1/07/2006 - 2/07/2006 Invited chair (two panels), Rethinking the Past: Experimental Histories in the Arts conference

University of Technology, Sydney, 28-29 July 2006.

University of Technology, Sydney
Australia
1/02/2006 - 1/06/2006 Lecturer The University of New South Wales
School of Theatre, Film and Dance
Australia
1/11/2005 - 2/11/2005 Conference co-cordinator, 'Imagining Iran' symposium

School of Media, Film and Theatre, University of NSW, 18 November 2005.

The University of New South Wales
School of Media, Film and Theatre
Australia

Membership

Dates Title Organisation / Department
1/01/2011 -  Membership - Cinematic Thinking Network Cinematic Thinking Network
Australia

Invitations

Distinguished Visitor

Year Title / Rationale
2006 Dendy Short Film Awards
Organisation: Sydney Film festival Description: Invited judge

Speaker

Year Title / Rationale
2008 Radio interview, 06/05/08
Organisation: ABC Radio, Newcastle Description: Invited presenter/interviewee, on the topic of cinema closures in newcastle and modes of access to film culture more generally.
2008 10 x 10 exhibition
Organisation: Anode festival, Sydney Description: Invited curator
2007 Returning Negativity: The Striking Success of Michael Haneke and 'Hidden'
Organisation: School of Humanities and Social Science, UoN Description: Invited presenter (paper), Cultural Institutions and Practices Research Centre seminar series
2006 Jean-Pierre Melville forum
Organisation: Sydney Film Festival Description: Invited presenter and panellist
2004 Michelangelo Antonioni forum
Organisation: Sydney Film Festival Description: Invited presenter and panellist
1999 An Anxious Pause: Time and European Modernist Cinema of the 1960s
Organisation: School of Film, Theatre and Dance seminar series, UNSW Description: Presenter (paper)
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Publications

For publications that are currently unpublished or in-press, details are shown in italics.


Book (1 outputs)

Year Citation Altmetrics Link
2012 Ford HC, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time, Palgrave Macmillan, New York, 284 (2012) [A1]

Chapter (5 outputs)

Year Citation Altmetrics Link
2015 Ford HCM, 'European Modernism¿s Non-Linear Trajectory, From Antonioni to Angelopoulos', The Cinema of Theo Angelopoulos, Edinburgh University Press, Edinburgh -- (2015)
2015 Ford HCM, ''The Porous Frame: Visual Style in Altman¿s 1970s Films'', The Robert Altman Companion, Wiley-Blackwell, Hoboken, New Jersey -- (2015)
2012 Ford HC, 'From otherness 'over there' to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden', Postcolonial Cinema Studies, Routledge, Abingdon 63-77 (2012) [B1]
2011 Ford HC, 'Broken glass by the road: Adorno and a cinema of negativity', New Takes in Film-Philosophy, Palgrave Macmillan, Basingstoke 65-85 (2011) [B1]
2008 Ford HC, 'Difficult relations: Film studies and continental European philosophy', The Sage Handbook of Film Studies, SAGE, Thousand Oaks 164-179 (2008) [B1]
Show 2 more chapters

Journal article (30 outputs)

Year Citation Altmetrics Link
2014 Ford HCM, ''Shame'', Senses of Cinema, March 2014 Online (2014) [C2]
2013 Ford HCM, ''Lessons of Hope From an Impure Art' - Alain Badiou, Cinema', Australian Book Review, - 38-39 (2013) [C3]
2013 Ford HCM, 'Two or Three Things I Know About Her', Senses of Cinema, March 2013 (2013) [C1]
2012 Ford HC, 'Challenging realism in the early 1960s films', Cinemascope Independent Film Journal, (2012) [C2]
2012 Ford HC, 'The Lure of Antonioni: Italy's great film director remains as elusive as ever. Antonioni: Centenary Essays [Book Review]', Australian Book Review, 34-35 (2012) [C3]
2012 Ford HC, 'Three Crowns of the Sailor', Senses of Cinema, (2012) [C2]
2012 Ford HC, 'Driving into the void: Kiarostami's 'Taste of Cherry'', Journal of Humanistics And Social Sciences, 1 1-27 (2012) [C1]
2011 Ford HC, 'The return of 1960s modernist cinema', Studies in Australasian Cinema, 5 155-170 (2011) [C1]
2010 Ford HC, 'Rocco and his brothers', Senses of Cinema, (2010) [C2]
2009 Ford HC, 'Screening the 'other' Deutschland', RealTime, - 23 (2009) [C2]
2009 Ford HC, 'The Silence', Senses of Cinema, 50 - (2009) [C2]
2009 Ford HC, 'Andrei Roublev', Senses of Cinema, 53 - (2009) [C2]
2008 Ford HC, 'Consistent pickings but few difficult pleasures (55th Sydney Film Festival)', Senses of Cinema, 48 1-9 (2008) [C2]
2007 Ford HC, 'Meditations and contradictions (Festival of German Films)', RealTime, 1-4 (2007) [C2]
2007 Ford HC, 'Sydney Film Festival's new face', RealTime, 1-3 (2007) [C2]
2007 Ford HC, 'A new gaze via remote control', RealTime, 1-3 (2007) [C2]
2007 Ford HC, 'A promising start to a rejuvenated festival: The 54th Sydney Film Festival 8-24 June 2007', Senses of Cinema, 1-4 (2007) [C2]
2007 Ford HC, 'Paris nous appartient/Paris belongs to us', Senses of Cinema, 1-4 (2007) [C2]
2006 Ford HCM, 'Hidden: a Film for our Time', RealTime, October-November 2006 18-18 (2006) [C2]
2006 Ford HCM, 'Disputed Models for Better Films', RealTime, April-May 2006 (2006) [C2]
2006 Ford HCM, 'The Cinema of Abbas Kiarostami, by Aberto Elena', Senses of Cinema, January-March 2006 (2006) [C2]
2006 Ford HCM, Dawkins R, ''Film Theory'', The Year s Work in Critical and Cultural Theory, 14 323-335 (2006) [C1]
2005 Ford HCM, 'A Diminishing Vision', RealTime, October-November 2005 (2005) [C2]
2005 Ford HCM, 'Face to Face with History: Downfall and Heimat 3', RealTime, April-May 2005 (2005) [C2]
2005 Ford HCM, 'The Ister: Search for the Source', RealTime, December 2004-January 2005 (2005) [C2]
2005 Ford HCM, 'Some Gems in a Modest Program (52nd Sydney Film Festival)', Senses of Cinema, October-November 2005 (2005) [C2]
2004 Ford HCM, 'Antonioni's Radical Space-Time', RealTime, June-July 2004 (2004) [C2]
2003 Ford HCM, 'Antonioni's L'avventura and Deleuze's Time-Image', Senses of Cinema, July-August 2003 (2003) [C1]
2003 Ford HCM, 'Summer with Monika', Senses of Cinema, March-April 2003 (2003) [C2]
2002 Ford HCM, 'The Radical Intimacy of Bergman', Senses of Cinema, November-December 2002 (2002) [C1]
Show 27 more journal articles

Review (4 outputs)

Year Citation Altmetrics Link
2005 Ford HCM, 'Pop-Baroque: Neo-baroque Aesthetics & Contemporary Entertainment, by Angela Ndalianis', RealTime (2005) [D2]
2004 Ford HCM, 'What Cinema Does: The Cinema Effect, by Sean Cubitt', RealTime (2004) [D2]
2003 Ford HCM, 'The Magdalene Sisters', Blitz (2003) [D2]
2003 Ford HCM, 'Making Venus', Blitz (2003) [D2]
Show 1 more review

Conference (20 outputs)

Year Citation Altmetrics Link
2014 Ford HCM, ''Peter Watkins¿ Untimely Provocations'', Film-Philosophy Conference 2014: A World of Cinemas, University of Glasgow (2014) [E3]
2013 Ford HCM, ''Ethical Dissatisfaction, Virtual Utopia and Despair: Imag(in)ing Revolution with Cinema and Lefebvre'', Conference Program, University of NSW, Sydney (2013) [E3]
2013 Ford HCM, ''Kiarostami¿s Abstract Provocation'', Conference program, ASCA (Amsterdam) and EYE Film Institute Netherlands (2013) [E3]
2013 Ford HCM, ''Cinema Meets Lefebvre: Staging Revolutionary Space'', Conference program, ASCA (Amsterdam) and EYE Film Institute Netherlands (2013) [E3]
2012 Ford HCM, ''Staging Revolutionary Space'', Conference program, Victoria University, La Trobe University and the Australian Centre for the Moving Image (ACMI), Melbourne (2012) [E3]
2011 Ford HCM, ''World Cinema and "the World" at the Crossroads: The Case of Jia Zhangke'', Conference Program abstracts, Monash University, Melbourne (2011) [E3]
2010 Ford HCM, ''Untimely "Pastness": The Return of 1960s Film Modernism'', Conference program, University of New South Wales (2010) [E3]
2010 Ford HC, 'Untimely 'pastness': The return of 1960s film modernism', FHAANZ Conference Programme, Sydney, NSW (2010) [E3]
2010 Ford HC, 'Driving into the void: Kiarostami's taste of cherry', Film Philosophy Conference 2010, Warwick, UK (2010) [E3]
2009 Ford HC, 'Devastating temporality, 'becoming' and the post-human: Challenging Deleuze through Antonioni's L'eclisse', Second Annual Film and Philosophy Conference: Programme & Abstracts, Dundee, Scotland (2009) [E3]
2008 Ford HC, 'Confronting Negativity: Cinema and Adorno', Philosophy and Film/Film and Philosophy Conference, Bristol, UK (2008) [E3]
2008 Ford HC, 'Guilty Whiteness and its others - the impossibility of 'Liberation' in the Cinema of Rainer Werner Fassbinder', Re-Orienting Whiteness Conference, Melbourne, VIC (2008) [E3]
2008 Ford HC, 'Untimely provocations, subjectivity and lived history in Peter Watkins' Reflexive Real', The Art of the Real: National Creative Non-Fiction Conference. Program, Newcastle, NSW (2008) [E3]
2007 Ford HC, 'History, intimate crisis, and possibility in Fassbinder's In a Year with 13 Moons', Ta(l)king Pleasure in German Culture - Conference Abstracts, Kensington, NSW (2007) [E3]
2006 Ford HCM, 'Another Look: The Withering Gaze of Bergman's Modernism', The XIIIth Biennial Australian & New Zealand Film and History Association Conference: Programme & Abstracts, RMIT & Monash Universities, Melbourne, Australia (2006) [E1]
2005 Ford HCM, 'Into the Void: the Dark Side of Kiarostami's Taste of Cherry', Imagining Iran: A Symposium on Iranian Cinema: Programme & Abstracts, University of New South Wales (2005) [E1]
2005 Ford HCM, 'Challenging Time: Deleuze and Last Year at Marienbad', Sensorium: Philosophy and Aesthetics conference: Programme & Abstracts, University of Melbourne, Australia (2005) [E3]
2005 Ford HMC, 'Imagining Iran: A Symposium on Iranian Cinema', Conference program and abstracts, University of NSW, Australia (2005)
2002 Ford HCM, 'The Time-Image and Antonioni's L'avventura', Considering Deleuze Symposium: Programme & Abstracts, University of NSW, Australia (2002) [E1]
1999 Ford HCM, 'Hitchcock and European Modernism', Hitchcock Centenary Conference: Programme & Abstracts, New York University, New York City (1999) [E3]
Show 17 more conferences

Creative Work (4 outputs)

Year Citation Altmetrics Link
2009 Ford HC, Terrible clarity: Women at the centre in Bergman's Brink of Life, Madman Entertainment, Collingwood, Vic, Australia (2009) [J2]
Supanova
2008 Ford HCM, 'Fox and His Friends' (Rainer Werner Fassbinder, W. Germany, 1975) DVD audio essay (2008)
2008 Ford HCM, 'Sawdust and Tinsel' (Ingmar Bergman, Sweden, 1953) DVD audio essay (2008)
2007 Ford HCM, 'Funny Games' (Michael Haneke, Germany/France/Italy, 1997) DVD audio essay (2007)
Show 1 more creative work

Other (13 outputs)

Year Citation Altmetrics Link
2011 Ford HCM, 'A Sorry Tale, this King's Speech', . Sydney, NSW, Australia: ABC Online, The Drum Unleashed (2011) [O1]
2011 Ford HCM, 'The King's Speech: It Doesn't Speak for Me', . London, UK: Spiked online (2011) [O1]
2011 Ford HCM, 'Our Orgy of Vanity over Libya', . Sydney, NSW, Australia: ABC Drum Online (2011) [O1]
2011 Ford HCM, 'The Greens should hang tough to prosper at democracy crunch-time', . Sydney, NSW, Australia: On Line Opinion (2011) [O1]
2010 Ford HCM, 'WikiLeaks gives old media a shot in the arm', . Melbourne (online), Victoria, Australia: The Age, Fairfax Media (2010) [O1]
2010 Ford HCM, 'Questions Hillary wasn't asked on her date with Australia', . Melbourne (online), Victoria, Australia: The Age, Fairfax Media (2010) [O1]
2010 Ford HCM, 'Furious Agreement on Your ABC', . Melbourne (online), Victoria, Australia: The Age, Fairfax Media (2010) [O1]
2010 Ford HCM, 'Labor attack on Greens reveals entitlement thinking', . Melbourne (online), Victoria, Australia: The Age, Fairfax Media (2010) [O1]
2010 Ford HCM, 'Avatar's left-wing agenda is a fallacy', . Melbourne (online), Victoria, Australia: The Age, Fairfax Media (2010) [O1]
2003 Ford HCM, 'A Fragmenting Western World: the Geo-Politics of the Iraq War (Blitz Magazine)', . Randwick, Sydney, NSW, Australia: University of New South Wales Student Union (2003) [O1]
2000 Ford HCM, 'The Changing Bouquet of our Century's Favourite Visual Feast', . Sydney, NSW, Australia: Funnel (2000) [O1]
1999 Ford HCM, 'Millennial Anxiety and the Event-film: Deep Impact and The X-Files Movie', . Saturn Press, Sydney, NSW, Australia: Abbadon, Issue 2 (1999) [O1]
1998 Ford HCM, 'Ulysses is Computer: The Dialectics of Science-fiction', . Saturn Press, Sydney, NSW, Australia: Abaddon Magazine, Issue 1 (1998) [O1]
Show 10 more others
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Grants and Funding

Summary

Number of grants 9
Total funding $25,700

Click on a grant title below to expand the full details for that specific grant.


20152 grants / $3,000

Film-Philosophy Conference 2015: The Evaluation of Form, Oxford UK, 20-22 July 2015$2,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2015
Funding Finish 2015
GNo G1500687
Type Of Funding Internal
Category INTE
UON Y

Film and History Association of Australia and New Zealand 2015 Conference (in association with the Screen Studies Association of Australia and Aotearoa/New Zealand SSAAANZ) Queensland 1-3 July$1,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2015
Funding Finish 2015
GNo G1500844
Type Of Funding Internal
Category INTE
UON Y

20141 grants / $2,000

Film-Philosophy Conference 2014: a World of Cinemas, Glasgow United Kingdom, 2-4 July 2014$2,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2014
Funding Finish 2014
GNo G1400620
Type Of Funding Internal
Category INTE
UON Y

20131 grants / $1,500

Film-Philosphy Conference 2013: Beyond Film, ASCA Amsterdam and EYE Film Institute Netherlands, 10-12 July 2013$1,500

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2013
Funding Finish 2013
GNo G1300816
Type Of Funding Internal
Category INTE
UON Y

20102 grants / $11,500

Temporality, Post-war Space and Insidious Affect: the Films of Michelangelo Antonioni$10,000

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Doctor Hamish Ford
Scheme Early Career Researcher Grant
Role Lead
Funding Start 2010
Funding Finish 2010
GNo G1000589
Type Of Funding Internal
Category INTE
UON Y

Film Philosophy III, Warwick University, UK, 15 - 17 July 2010$1,500

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2010
Funding Finish 2010
GNo G1000629
Type Of Funding Internal
Category INTE
UON Y

20092 grants / $6,000

New Staff Grant 2009$5,000

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Doctor Hamish Ford
Scheme New Staff Grant
Role Lead
Funding Start 2009
Funding Finish 2009
GNo G0190263
Type Of Funding Internal
Category INTE
UON Y

Second Annual Conference of Film and Philosophy, Dundee, Scotland, 16-18 July 2009$1,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2009
Funding Finish 2009
GNo G0190432
Type Of Funding Internal
Category INTE
UON Y

20081 grants / $1,700

Philosophy and Film/Film and Philosophy: a Multidisciplinary Conference, UWE in association with the Arnolfini Arts Centre, Bristol, 4/7/2008 - 6/7/2008$1,700

Funding body: University of Newcastle

Funding body University of Newcastle
Project Team Doctor Hamish Ford
Scheme Travel Grant
Role Lead
Funding Start 2008
Funding Finish 2008
GNo G0189019
Type Of Funding Internal
Category INTE
UON Y
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Research Supervision

Current Supervision

Commenced Research Title / Program / Supervisor Type
2013 Architecture and Future Noir: An Investigation of the Spatial Dimensions of Science Fiction Films From the 1970's
Architecture, Faculty of Engineering and Built Environment
Co-Supervisor
2013 The Return of the 1920s
Studies In Human Society N.E.C, Faculty of Education and Arts
Principal Supervisor
2012 Contesting the 'Obsolete': An Investigation of Small-Scale Music Practitioners in Australia
Studies In Human Society N.E.C, Faculty of Education and Arts
Co-Supervisor

Past Supervision

Year Research Title / Program / Supervisor Type
2014 Where in the World is Andy Lau? Putting the 'Popular' Back into Studies of Hong Kong Popular Entertainment
Studies In Human Society N.E.C, Faculty of Education and Arts
Principal Supervisor
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Dr Hamish Ford

Position

Senior Lecturer
School of Humanities and Social Science
Faculty of Education and Arts

Focus area

Film, Media and Cultural Studies

Contact Details

Email hamish.ford@newcastle.edu.au
Phone (02) 4921 7821
Fax (02) 49821 6933

Office

Room GP2.25
Building General Purpose
Location Callaghan
University Drive
Callaghan, NSW 2308
Australia
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