Dr Hamish Ford
Senior Lecturer
School of Humanities, Creative Ind and Social Sci (Screen and Cultural Studies)
- Email:hamish.ford@newcastle.edu.au
- Phone:(02) 4921 7821
Career Summary
Biography
Dr. Hamish Ford is Senior Lecturer in, and discipline liaison for, Screen and Cultural Studies in the School of Humanities, Creative Industries, and Social Sciences at the University of Newcastle, Australia.
As a researcher, Hamish is globally known for his work on post-war European modernist cinema and the relationship between film and 20th Century European philosophy, via multiple scholarly book chapters and articles spanning two decades and the well-received 2012 book, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time. He is also known for publishing on contemporary world cinema and postcolonial film studies.
Recent publishing outputs include: co-editing with Daniel Humphrey (Texas A&M University, USA) a special journal issue on the global reception of Ingmar Bergman's cinema, featuring an extensive peer-reviewed introductory essay; refereed journal articles on famed Senegalese director and novelist Ousmane Sembène's final feature, Moolaadé (2007) and Jacques Rivette's long-mythic 1971 work, the 13-hour Out 1; and a substantial essay on the 'anti-Americanism' of famed French auteur Jean-Luc Godard's controversial 2001 film, Éloge de l’amour/In Praise of Love.
Hamish's most notable current research project is the co-editing, again with Daniel Humphrey, of The Companion to Ingmar Bergman, due for late 2024 publication by Wiley Blackwell. Featuring 32 new essays (including a chapter by the co-editors, plus a 50-plus page volume Introduction), including many by the world's premier Bergman scholars as well as new voices in the field, this will be the largest ever volume dedicated to the famed Swedish filmmaker.
Following the above volume, Hamish's own two-plus decade record as a Bergman scholar will be further confirmed by a sole-authored book on the director's peak modernist period, History, Power, and Negation in Ingmar Bergman's 1960s Chamber Film Series: 'The Interplay of Small and Immense Forces', under contract with Edinburgh University Press for 2025 publication as part of its ReFocus: The International Directors Series.
When it comes to new individual articles and chapters, Hamish is currently completing 'Regressive Postcolonial History and Unrealised Futures: Ousmane Sembene’s Xala' (C1) for submission to Jump Cut, another essay on Éloge de l’amour intended for Screening the Past (C1), and will soon commence work on his contribution to an upcoming edited volume on Rainer Werner Fassbinder, a chapter called ‘Screening Günther Kaufmann: Ambiguous Otherness’ (B2).
Following the above-cited Bergman-related volumes, Hamish is planning a very different large-scale project (the outline of which is already in place and select parts of which have already been published), in the form of a book on cinema's engagement with moments in revolutionary history.
When it comes to leadership roles, Hamish has been Deputy Head of School: Teaching and Learning for the School of Humanities, Creative Industries, and Social Sciences (2022-2023), and before that the School of Humanities and Social Science (2020-2021). He has also held the role of the convenor for the Bachelor of Arts (2016-2019), and head of discipline for Film, Media and Cultural Studies ( 2023-2016).
Hamish has been a key figure in the University of Newcastle's Bachelor of Arts Online, both in his capacity as former BA Program convenor and as an educator, having written and taught three online screen studies courses over many years on the FutureLearn platform. When it comes to face to face and online course creation, coordination, and teaching, since arriving at the University of Newcastle Hamish has substantively re-written and subsequently updated the film and screen studies curriculum, and consistently received excellent responses as indicated by Faculty, staff, and student originated feedback (including multiple nominations in the 'best lecturer' awards), receiving student satisfaction scores well above the School and University averages.
In addition to academic research in and around the area of film studies, Hamish is also the author of magazine, newspaper and online articles covering film, media, culture, and politics in local publications such as the Australian Book Review, The Age, Sydney Morning Herald, ABC Drum, Online Opinion, and New Matilda, plus Spiked! (UK) and ZNet (USA).
Research Expertise
- Post-war modernist cinema - Contemporary world cinema - Cinematic time and negativity - Cinema and postcolonialism - European philosophy and film studies - Cinema, the city and modernity.
Teaching Expertise
- Postcolonial and world cinema - Post-war European cinema - Screen authorship - Film and philosophy - Cinema and the city - Documentary film - Hollywood and cinema of the Americas - Media industries.
Administrative Expertise
- HDR and Honours supervision and completion - Deputy Head of School, Teaching and Learning (School of Humanities and Social Science, 2020–21; School of Humanities, Creative Industries, and Social Sciences, 2022–) - Program convenor, Bachelor of Arts (Faculty of Education and Arts, 2016–2019) - Head of Discipline, Film, Media and Cultural Studies (2012–2015).
Qualifications
- PhD, University of New South Wales
- Bachelor of Arts (Honours), University of Western Sydney
Keywords
- Cinema and postcolonialism
- Cinematic authorship
- Cultural studies
- Documentary cinema
- European cinema
- Film and Philosophy
- Film theory
- Iranian cinema
- Post-war film modernism
- World Cinema
Fields of Research
Code | Description | Percentage |
---|---|---|
360501 | Cinema studies | 100 |
Professional Experience
UON Appointment
Title | Organisation / Department |
---|---|
Senior Lecturer | University of Newcastle School of Humanities, Creative Ind and Social Sci Australia |
Academic appointment
Dates | Title | Organisation / Department |
---|---|---|
1/1/2012 - | Editorial Board - Journal of Humanistics and Social Science | Journal of Humanistics and Social Science Australia |
1/11/2010 - 1/12/2010 |
Invited Chair, Cinema, Modernity, and Modernism: The XVth Biennial Conference of the Film and History Association UNSW, November 30-3 december, 2010 |
The University of New South Wales Australia |
1/7/2009 - 2/7/2009 |
Invited chair, Second Annual Film and Philosophy Conference University of Dundee, Scotland, July 16-18, 2009. |
University of Dundee, Scotland United Kingdom |
1/7/2008 - 2/7/2008 |
Invited chair, Philosophy and Film/Film and Philosophy: A Multidisciplinary Conference University of West England (in association with the Arnolfini Arts Centre), Bristol, 4-6 July 2008. |
University of West England United Kingdom |
1/5/2008 - 2/5/2008 |
Invited chair, The Art of the Real conference University of Newcastle, 16-18 May 2008. |
University of Newcastle Australia |
1/10/2007 - 2/10/2007 |
Invited chair, 'Ta(l)king Pleasure in German Culture' symposium University of NSW (in partnership with the Goethe Institut, Sydney), 20 October 2007. |
The University of New South Wales Australia |
1/2/2007 - 1/11/2007 | Lecturer | University of Newcastle Film, Media and Cultural Studies Australia |
1/11/2006 - 2/11/2006 |
Invited chair, The XIIIth Biennial Conference of the Film and History Association RMIT/Monash University, Melbourne, 16-19 November, 2006. |
RMIT/Monash University Australia |
1/7/2006 - 1/11/2006 | Lecturer | The University of Sydney Department of Art History and Film Studies Australia |
1/7/2006 - 2/7/2006 |
Invited chair (two panels), Rethinking the Past: Experimental Histories in the Arts conference University of Technology, Sydney, 28-29 July 2006. |
University of Technology Sydney Australia |
1/2/2006 - 1/6/2006 | Lecturer | The University of New South Wales School of Theatre, Film and Dance Australia |
1/11/2005 - 2/11/2005 |
Conference co-cordinator, 'Imagining Iran' symposium School of Media, Film and Theatre, University of NSW, 18 November 2005. |
The University of New South Wales School of Media, Film and Theatre Australia |
Membership
Dates | Title | Organisation / Department |
---|---|---|
1/1/2011 - | Membership - Cinematic Thinking Network | Cinematic Thinking Network Australia |
Invitations
Distinguished Visitor
Year | Title / Rationale |
---|---|
2006 |
Dendy Short Film Awards Organisation: Sydney Film festival Description: Invited judge |
Speaker
Year | Title / Rationale |
---|---|
2008 |
Radio interview, 06/05/08 Organisation: ABC Radio, Newcastle Description: Invited presenter/interviewee, on the topic of cinema closures in newcastle and modes of access to film culture more generally. |
2008 |
10 x 10 exhibition Organisation: Anode festival, Sydney Description: Invited curator |
2007 |
Returning Negativity: The Striking Success of Michael Haneke and 'Hidden' Organisation: School of Humanities and Social Science, UoN Description: Invited presenter (paper), Cultural Institutions and Practices Research Centre seminar series |
2006 |
Jean-Pierre Melville forum Organisation: Sydney Film Festival Description: Invited presenter and panellist |
2004 |
Michelangelo Antonioni forum Organisation: Sydney Film Festival Description: Invited presenter and panellist |
1999 |
An Anxious Pause: Time and European Modernist Cinema of the 1960s Organisation: School of Film, Theatre and Dance seminar series, UNSW Description: Presenter (paper) |
Publications
For publications that are currently unpublished or in-press, details are shown in italics.
Book (1 outputs)
Year | Citation | Altmetrics | Link | ||
---|---|---|---|---|---|
2012 |
Ford HC, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time, Palgrave Macmillan, New York, 284 (2012) [A1]
|
Nova |
Chapter (9 outputs)
Year | Citation | Altmetrics | Link | ||
---|---|---|---|---|---|
2020 |
Ford H, ''Dancing with Death: Whity, a Singular Western'', Reframing Cult Westerns From The Magnificent Seven to The Hateful Eight, Bloomsbury Publishing USA, New York 111-129 (2020) [B1]
|
Nova | |||
2019 | Ford H, ''Andrei Rublev'', 100 Years of Soviet Cinema, Leda Tapes Organisation, Melbourne 105-108 (2019) | ||||
2015 | Ford HCM, 'Generative Apogee and Elegiac Expansion: European Film Modernism from Antonioni to Angelopoulos', The Cinema of Theo Angelopoulos, Edinburgh University Press, Edinburgh --45-63 (2015) [B1] | Nova | |||
2015 |
Ford HCM, 'The Porous Frame: Visual Style in Altman s 1970s Films', A Companion to Robert Altman, Wiley, Hoboken, NJ 119-145 (2015) [B1]
|
Nova | |||
2012 |
Ford HC, 'From otherness 'over there' to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden', Postcolonial Cinema Studies, Routledge, Abingdon 63-77 (2012) [B1]
|
Nova | |||
2011 |
Ford HC, 'Broken glass by the road: Adorno and a cinema of negativity', New Takes in Film-Philosophy, Palgrave Macmillan, Basingstoke 65-85 (2011) [B1]
|
Nova | |||
2008 |
Ford HC, 'Difficult relations: Film studies and continental European philosophy', The Sage Handbook of Film Studies, SAGE, Thousand Oaks 164-179 (2008) [B1]
|
Nova | |||
Show 6 more chapters |
Journal article (44 outputs)
Year | Citation | Altmetrics | Link | |||||
---|---|---|---|---|---|---|---|---|
2022 | Ford H, 'The Problem of "America" in 'Éloge de l amour'', Senses of Cinema, Janurary 2022 (2022) [C1] | Nova | ||||||
2021 |
Ford H, Humphrey D, 'Situating Ingmar Bergman and world cinema', Popular Communication, 19 66-79 (2021)
|
Nova | ||||||
2020 | Ford H, ''A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembène's "Moolaadé'', Metro, 205 96-103 (2020) [C1] | Nova | ||||||
2016 | Ford HCM, ''Producing Revolutionary History on Film: Henri Lefebvre s Urban Space and Peter Watkins "La Commune (Paris, 1871)"'', Jump Cut, 57 Online-Online (2016) [C1] | Nova | ||||||
2016 | Ford HCM, ''Charting the Web: At the Demonic, Utopian Heart of Rivette s 1970s Cinema'', Senses of Cinema, Online-Online (2016) [C1] | Nova | ||||||
2015 | Ford HCM, 'Hard Clarity, Vaporous Ambiguity: The Fusion of Realism and Modernism in Antonioni s early 1960s Films', Senses of Cinema, Online-Online (2015) [C1] | Nova | ||||||
2015 | Ford HCM, 'On Slippery Ground: Robert Altman, Beyond Hollywood or Modernism', Screening the Past, (2015) [C1] | Nova | ||||||
2015 | Ford HCM, 'The Round-Up (Miklós Jancsó, Hungary 1966)', Senses of Cinema, Online-Online (2015) [C3] | |||||||
2014 | Ford HCM, ''Shame'', Senses of Cinema, March 2014 Online (2014) [C2] | |||||||
2013 | Ford HCM, ''Lessons of Hope From an Impure Art' - Alain Badiou, Cinema', Australian Book Review, - 38-39 (2013) [C3] | Nova | ||||||
2013 | Ford HCM, 'Two or Three Things I Know About Her', Senses of Cinema, March 2013 (2013) [C1] | Nova | ||||||
2012 | Ford HC, 'Challenging realism in the early 1960s films', Cinemascope Independent Film Journal, (2012) [C2] | |||||||
2012 | Ford HC, 'The Lure of Antonioni: Italy's great film director remains as elusive as ever. Antonioni: Centenary Essays [Book Review]', Australian Book Review, 34-35 (2012) [C3] | |||||||
2012 | Ford HC, 'Three Crowns of the Sailor', Senses of Cinema, (2012) [C2] | |||||||
2012 | Ford HC, 'Driving into the void: Kiarostami's 'Taste of Cherry'', Journal of Humanistics And Social Sciences, 1 1-27 (2012) [C1] | Nova | ||||||
2011 |
Ford HC, 'The return of 1960s modernist cinema', Studies in Australasian Cinema, 5 155-170 (2011) [C1]
|
Nova | ||||||
2010 | Ford HC, 'Rocco and his brothers', Senses of Cinema, (2010) [C2] | |||||||
2009 | Ford HC, 'Screening the 'other' Deutschland', RealTime, - 23 (2009) [C2] | Nova | ||||||
2009 | Ford HC, 'The Silence', Senses of Cinema, 50 - (2009) [C2] | Nova | ||||||
2009 | Ford HC, 'Andrei Roublev', Senses of Cinema, 53 - (2009) [C2] | Nova | ||||||
2008 | Ford HC, 'Consistent pickings but few difficult pleasures (55th Sydney Film Festival)', Senses of Cinema, 48 1-9 (2008) [C2] | Nova | ||||||
2007 | Ford HC, 'Meditations and contradictions (Festival of German Films)', RealTime, 1-4 (2007) [C2] | |||||||
2007 | Ford HC, 'Sydney Film Festival's new face', RealTime, 1-3 (2007) [C2] | |||||||
2007 | Ford HC, 'A new gaze via remote control', RealTime, 1-3 (2007) [C2] | |||||||
2007 | Ford HC, 'A promising start to a rejuvenated festival: The 54th Sydney Film Festival 8-24 June 2007', Senses of Cinema, 1-4 (2007) [C2] | |||||||
2007 | Ford HC, 'Paris nous appartient/Paris belongs to us', Senses of Cinema, 1-4 (2007) [C2] | |||||||
Show 41 more journal articles |
Review (5 outputs)
Year | Citation | Altmetrics | Link |
---|---|---|---|
2017 | Ford HCM, ' Film Modernism , Screening the Past (2017) | ||
2005 | Ford HCM, 'Pop-Baroque: Neo-baroque Aesthetics & Contemporary Entertainment, by Angela Ndalianis', RealTime (2005) [D2] | ||
2004 | Ford HCM, 'What Cinema Does: The Cinema Effect, by Sean Cubitt', RealTime (2004) [D2] | ||
Show 2 more reviews |
Conference (27 outputs)
Year | Citation | Altmetrics | Link |
---|---|---|---|
2016 | Ford HCM, ''Destroy, it Said: History's Palimpsestic Space in Jia Zhanke's Early Films'', The Edwards, Newcastle West (2016) | ||
2016 | Ford HCM, ''The Politics of Reception: Kiarostami s Western Celebration and Configuring'', University of NSW, Sydney (2016) | ||
2016 | Ford HCM, ''Bergman s Modernism: Framing Negation'', Western Sydney University Writing and Society Research Centre, Bankstown campus (2016) | ||
2015 | Ford HCM, 'Screening Revolutionary History: La Commune (Paris 1871)', CMSA, University of NSW (2015) [E3] | ||
2014 | Ford HCM, ''Peter Watkins Untimely Provocations'', Film-Philosophy Conference 2014: A World of Cinemas, University of Glasgow (2014) [E3] | ||
2010 | Ford HC, 'Untimely 'pastness': The return of 1960s film modernism', FHAANZ Conference Programme, Sydney, NSW (2010) [E3] | ||
2010 | Ford HC, 'Driving into the void: Kiarostami's taste of cherry', Film Philosophy Conference 2010, Warwick, UK (2010) [E3] | ||
2009 | Ford HC, 'Devastating temporality, 'becoming' and the post-human: Challenging Deleuze through Antonioni's L'eclisse', Second Annual Film and Philosophy Conference: Programme & Abstracts, Dundee, Scotland (2009) [E3] | ||
2008 | Ford HC, 'Confronting Negativity: Cinema and Adorno', Philosophy and Film/Film and Philosophy Conference, Bristol, UK (2008) [E3] | ||
2008 | Ford HC, 'Guilty Whiteness and its others - the impossibility of 'Liberation' in the Cinema of Rainer Werner Fassbinder', Re-Orienting Whiteness Conference, Melbourne, VIC (2008) [E3] | ||
2008 | Ford HC, 'Untimely provocations, subjectivity and lived history in Peter Watkins' Reflexive Real', The Art of the Real: National Creative Non-Fiction Conference. Program, Newcastle, NSW (2008) [E3] | ||
2007 | Ford HC, 'History, intimate crisis, and possibility in Fassbinder's In a Year with 13 Moons', Ta(l)king Pleasure in German Culture - Conference Abstracts, Kensington, NSW (2007) [E3] | ||
Show 24 more conferences |
Creative Work (4 outputs)
Year | Citation | Altmetrics | Link | |
---|---|---|---|---|
2009 |
Ford HC, Terrible clarity: Women at the centre in Bergman's Brink of Life, Madman Entertainment, Collingwood, Vic, Australia (2009) [J2]
|
|||
2008 | Ford HCM, 'Fox and His Friends' (Rainer Werner Fassbinder, W. Germany, 1975) DVD audio essay (2008) | |||
2008 | Ford HCM, 'Sawdust and Tinsel' (Ingmar Bergman, Sweden, 1953) DVD audio essay (2008) | |||
Show 1 more creative work |
Other (15 outputs)
Year | Citation | Altmetrics | Link |
---|---|---|---|
2021 | 'Bergman World: Global Perspectives on the Iconic Swedish Filmmaker s Work', (Special Journal Issue) Bergman World: Global Perspectives on the Iconic Swedish Filmmaker s Work ( issue.2): Taylor & Francis (2021) | ||
2021 | 'Bergman World: Global Perspectives on the Iconic Swedish Filmmaker s Work', (Special Journal Issue) Bergman World: Global Perspectives on the Iconic Swedish Filmmaker s Work ( issue.2 pp.1-158) (2021) | ||
2011 | Ford HCM, 'A Sorry Tale, this King's Speech', . Sydney, NSW, Australia: ABC Online, The Drum Unleashed (2011) [O1] | ||
Show 12 more others |
Thesis / Dissertation (1 outputs)
Year | Citation | Altmetrics | Link | ||
---|---|---|---|---|---|
2014 |
Christensen J, Where in the world is Andy Lau? Putting the 'popular' back into studies of Hong Kong popular entertainment, University of Newcastle (2014)
|
Grants and Funding
Summary
Number of grants | 9 |
---|---|
Total funding | $28,700 |
Click on a grant title below to expand the full details for that specific grant.
20161 grants / $5,000
Film Meets Architecture: New Connections$5,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Scheme | FEDUA Strategic Networks and Pilot Projects Scheme |
Role | Lead |
Funding Start | 2016 |
Funding Finish | 2016 |
GNo | |
Type Of Funding | Internal |
Category | INTE |
UON | N |
20151 grants / $1,000
Film and History Association of Australia and New Zealand 2015 Conference (in association with the Screen Studies Association of Australia and Aotearoa/New Zealand SSAAANZ) Queensland 1-3 July$1,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2015 |
Funding Finish | 2015 |
GNo | G1500844 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20141 grants / $2,000
Film-Philosophy Conference 2014: a World of Cinemas, Glasgow United Kingdom, 2-4 July 2014$2,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2014 |
Funding Finish | 2014 |
GNo | G1400620 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20131 grants / $1,500
Film-Philosphy Conference 2013: Beyond Film, ASCA Amsterdam and EYE Film Institute Netherlands, 10-12 July 2013$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2013 |
Funding Finish | 2014 |
GNo | G1300816 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20102 grants / $11,500
Temporality, Post-war Space and Insidious Affect: the Films of Michelangelo Antonioni$10,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Early Career Researcher Grant |
Role | Lead |
Funding Start | 2010 |
Funding Finish | 2010 |
GNo | G1000589 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Film Philosophy III, Warwick University, UK, 15 - 17 July 2010$1,500
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2010 |
Funding Finish | 2011 |
GNo | G1000629 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20092 grants / $6,000
New Staff Grant 2009$5,000
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | New Staff Grant |
Role | Lead |
Funding Start | 2009 |
Funding Finish | 2009 |
GNo | G0190263 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Second Annual Conference of Film and Philosophy, Dundee, Scotland, 16-18 July 2009$1,000
Funding body: University of Newcastle - Faculty of Education and Arts
Funding body | University of Newcastle - Faculty of Education and Arts |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2009 |
Funding Finish | 2009 |
GNo | G0190432 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
20081 grants / $1,700
Philosophy and Film/Film and Philosophy: a Multidisciplinary Conference, UWE in association with the Arnolfini Arts Centre, Bristol, 4/7/2008 - 6/7/2008$1,700
Funding body: University of Newcastle
Funding body | University of Newcastle |
---|---|
Project Team | Doctor Hamish Ford |
Scheme | Travel Grant |
Role | Lead |
Funding Start | 2008 |
Funding Finish | 2008 |
GNo | G0189019 |
Type Of Funding | Internal |
Category | INTE |
UON | Y |
Research Supervision
Number of supervisions
Current Supervision
Commenced | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2023 | PhD | What Should We Watch?: The Evolution And Implications Of A Film Canon | PhD (Cultural Studies), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2023 | PhD | How Do We Remember the Past? How Do We Understand One’s Family History Through the Telling of Connected Traumatic Events? | PhD (Cultural Studies), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2022 | Masters | Lenses of an Imperial Past: Effect of Context on Filmic Portrayal of History | M Philosophy (History), College of Human and Social Futures, The University of Newcastle | Co-Supervisor |
2019 | PhD | The Creation and Effects of Mood and Atmosphere in Film upon the Viewing Experience | PhD (Cultural Studies), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
Past Supervision
Year | Level of Study | Research Title | Program | Supervisor Type |
---|---|---|---|---|
2019 | PhD | The Return of the 1920s: An Examination of the Twenty First Century Revival | PhD (Cultural Studies), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
2014 | PhD | Where in the World is Andy Lau? Putting the 'Popular' Back into Studies of Hong Kong Popular Entertainment | PhD (Cultural Studies), College of Human and Social Futures, The University of Newcastle | Principal Supervisor |
Dr Hamish Ford
Position
Senior Lecturer
School of Humanities, Creative Ind and Social Sci
College of Human and Social Futures
Focus area
Screen and Cultural Studies
Contact Details
hamish.ford@newcastle.edu.au | |
Phone | (02) 4921 7821 |
Fax | (02) 49821 6933 |
Office
Room | SR-167 |
---|---|
Building | Social Sciences Building |
Location | Callaghan University Drive Callaghan, NSW 2308 Australia |