Associate Professor  Craig Hight

Associate Professor Craig Hight

Associate Professor

School of Humanities, Creative Ind and Social Sci

Making sense of media

Associate Professor Craig Hight’s research is helping audiences spot misinformation and fake news in an increasingly confusing media environment.

Image of Craig Hight

In this age of ‘fake news’, mis-reporting and mis-information it’s becoming increasingly difficult for audiences to make sense of the huge amount of information that flows into our sphere on a daily basis. Associate Professor Craig Hight is doing research that helps us distil this to ensure we are receiving accurate information.

He says we have entered an age where there is increasing distrust in institutions and a range of factual based media.

“It’s become quite a challenging environment for practitioners to create media that is effective at communicating and is engaging in a democratic way. It’s also challenging for audiences to decide what is authentic and real and what are the agendas that are driving media. It’s a very fraught environment for all stakeholders,” he said.

Hight researches the complexity of sources people use to get their news and information. “In the non-fiction realm this news is essential for how people make political decisions and inform themselves, which is a fundamental concern for the healthiness of democratic debate and decision making,” he said.

Entertainment is another strand of research Hight is involved in, looking at the impact of the opening up of access to a range of experiences and how they give meaning to our lives and provide culture and identity forming opportunities.

“Cinematic experiences help us make sense of the world and give us common touch points. However these experiences are becoming more complicated in a more fractured media landscape where it’s harder to find widespread commonalities around media engagement,” he said.

“The days of millions of people all sitting around watching pivotal moments on television at the same time, such as the Olympics, are gone. So what does that mean for us as humans and how does that help or hinder us from making sense of the world?”

Media Doctor

One project that Hight is involved in is focused on assisting people to assess the validity and integrity of health information as it’s reported through the news.

The project, known as Media Doctor, is a collaboration with Hight’s colleague in nursing and midwifery, Dr Amanda Wilson. The goal of Media Doctor is to solve the problem of ‘Health Misinformation’ in the media.

“For example, stories linking the measles vaccine to hazardous side effects, such as autism, are directly responsible for the highest number of measles cases and deaths in Europe in a decade. Despite irrefutable evidence debunking links between vaccines and autism, persistent false information raises doubt and fear in many people,” Associate Professor Hight said.

The rise of the blogger, citizen journalism and so-called ‘fake news’ provides conflicting information and makes it hard to know which sources to trust. Social media has replaced traditional media as the main source of news for most people, even when the source of the information is undetermined. Hight says this has transformed availability and accessibility of health information but fosters a confusing and dangerous environment for consumers.

“Poor health information is eternally recycled causing anxiety and panic, poor health choices, unnecessary costs and possibly even death.”

“This project aims to develop a resource that will allow everyday users to test out news stories around health they have encountered and to have confidence about what is credible and reliable information.”

Media Doctor will be an online, open access resource, where people can learn to assess and rate the quality of health information. The site will publish the health articles with a star rating of their quality so anyone can judge their relative value.

“The people who come across these articles are often people at their most vulnerable who are desperately seeking reliable, high quality information. Instead, they often find false hope and a waste of precious time and resources,” Hight said. “Media Doctor teaches these people to quickly assess the worth of material they are reading as well as current, easy to access (star-ratings) assessments of the quality of the articles.”

“We want to use our research in a meaningful way to respond to the increase in fake news and a range of emerging media which are making things increasingly confusing.”

Future proofing the cinema industry

As technology evolves so too has the way we seek out our entertainment. At the click of a button on our phone, tablet or television we can access hundreds of movies and programs via streaming services. Naturally this increase in accessibility to entertainment has had an impact on more traditional forms of entertainment, like the cinema industry.

Associate Professor Hight is part of the Cinema Industry Research Network and is and is working with colleague Dr Simon Weaving to help to future proof the cinema industry. The network is made up of University of Newcastle researchers and film industry stakeholders from the distribution and exhibition sectors.

“We are researching people’s perception of the cinema industry, so the industry can re-think the way they appeal to the community,” Hight said. “I’m wanting to get a richer understanding of what people think they are gaining from entertainment experience’s and how that is shifting and what it means for businesses.”

“The audience is in transition and a number of sectors are being disrupted by new ways people can connect with content. It is a challenging time for the cinema so they need to understand in a more concrete way how they fit in the broader perspective of the entertainment industry.”

The qualitative research seeks to understand how consumers differentiate between entertainment/leisure experiences, how they determine investment decisions, and how they value specific rituals associated with cinema and competing experiences.

Hight said the research will produce a knowledge base that will provide insights and inputs that can be used to develop and trial industry initiatives that enhance the customer journey through the cinema experience.

“Through this research we want to find ways to help the cinema industry become more relevant to younger consumers who are more used to a user experience connected world.”

Image of Craig Hight

Making sense of media

Associate Professor Craig Hight’s research is helping audiences spot misinformation and fake news in an increasingly confusing media environment.In this age of ‘fake news’, mis-reporting and mis-information it’s becoming increasingly difficult for audiences to make sense of the huge amount…

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Career Summary

Biography

Formerly of the University of Waikato, I was appointed Associate Professor in Creative Industries in January 2016.

I am a member of the School of Creative Industries’ FASTLab: https://fastlab.soci.org.au/

Since December 2017 I have been serving as co-editor of Studies in Documentary Film (with Assoc. Prof. Kate Nash, Leeds University)

From December 2017 I served as co-editor for Media International Australia (with Assoc. Prof. Adrian Athique, Institute for Advanced Studies in the Humanities, University of Queensland),

I am currently serving as the program convenor for the Master of Creative Industries.

SUPERVISION

I am happy to be contacted by prospective higher degree students in communications, media and creative industries. I have supervised projects in the areas of

  • documentary practice and theory (including online documentary and AR/MR/VR with nonfiction components)
  • audience research across a wide spectrum of media,
  • software studies and its application to contemporary mediation
  • practice-based research across photography, interactive media, VR, low budgte film production, visual art, script-writing, short film making, activist video, mobile media, FPS game sound, music video,

CURRENT PROJECTS

Media Entertainment Research Centre (MERCury) with Dr Simon Weaving. A research program currently focused on audience research into Australian cinema distribution and exhibition, with industry partners. This includes Pilot research under the CINEMA 2030: future-proofing the cinema-going experience.

  • Dendy/Icon  
  • Motion Picture Distributors Association of Australia (MPDAA)
  • National Association of Cinema Owners (NACO)
  • Australian Independent Distributors Association (AIDA)
  • Independent Cinema Association (ICA)
  • Event Cinemas
  • Hoyts Cinemas
  • Village Entertainment
  • Reading Entertainment

Newcastle City Night-Space Activation, a collaboration with Newcastle Council, Design Anthology, Newie Ventures, and colleagues from FASTLab.

SmartPlay, exploring the possibilities of ‘bringing data to life’, in collaboration with Newie Ventures. This is a collective generated in response to the Newcastle Smart City Strategy

RECENT RESEARCH

My research has been cross-disciplinary, drawing from a background of study and research in the fields of computer science, political science and media studies - and exploring media practices, textual construction and audience reception.

Digital documentary:

My main research strand operates in the emerging field of digital documentary, which focuses on the manner in which digital technologies are reshaping and transforming existing forms of documentary practice. I have completed a project investigating online documentary video funded by the Royal Society of New Zealand (a NZ$440,000 Marsden grant awarded 2010-2014 for a project titled UOW1008 ‘Playing with reality? Online documentary culture and its users’), in collaboration with Professor Ramaswami Harindranath (The University of New South Wales).

This project supported Master of Arts and Doctoral projects, a number of conference and journal publications, and inspired two edited books. Kate Nash (Leeds University), Catherine Summerhayes (Australian National University) and I co-edited New Documentary Ecologies (2014) which explores new conceptualisations and practice in this field. A symposium attached to the project led to another co-edited book, in collaboration with Ramaswami Harindranath, titled Studying Digital Media Audiences: Perspectives From Australasia (Routledge, 2017) which brings together concepts, methodologies and debates relevant to investigating global media platforms.

Software literacy:

Part of the Marsden project outlined above was developed as an educational research project focused on exploring the notion of software literacy within tertiary environments, in collaboration with researchers from the Wilf Malcolm Institute for Educational Research (WMIER). Titled ‘Copy, cut and paste: How does this shape what we know?’, this attracted $124,000 from the New Zealand government's Teaching and Learning Research Initiative (TLRI). This project developed a framework for investigating ‘software literacy’, and the research team have written a detailed discussion from its findings as a monograph: Software Literacy: Education and Beyond (Routledge, 2017 - you are also able to download chapters here).

Audience research:

Cross-media news repertoires as democratic resources: A cross-cultural audience research project (see http://www.cost-transforming-audiences.eu/node/1489). Led by Hanna Adoni (Hebrew University of Jerusalem), Hillel Nossek (Kinneret College on the Sea of Galilee) and Kim C. Schrøder (Roskilde University) the project uses Q methodology to investigate cross-national patterns in news consumption across 10 countries.

Hobbit Audience Project (see http://www.waikato.ac.nz/fass/research/centres-units/aru/research-projects/hobbit-audience-project). This is a transnational mixed-method longitudinal study of audience responses to Sir Peter Jackson’s The Hobbit blockbuster trilogy, involving researchers across 6 universities. Findings have been developed as a final book publication: Fans, Blockbusterisation, and the Transformation of Cinematic Desire: Global Receptions of The Hobbit Film Trilogy (Palgrave MacMillan, 2018).

Documentary theory

My broader research activity has been in areas of documentary theory; exploring the variety of discourses associated with the mediation of reality, including the documentary genre and associated documentary hybrids (drama-documentary, nature documentary, docusoap, reality TV, reality gameshows). Jane Roscoe (currently heading the London Film School) and I co-authored the first major study of mockumentary (Faking It: Mock-documentary and the subversion of documentary, Manchester University Press, 2001). In 2010 I completed a follow-up book, also published by MUP, entitled Television Mockumentary: reflexivity, satire and a call to play which discusses the emergence of a number of television mockumentary series as evidence of a naturalisation of mockumentary discourse within the medium.


Qualifications

  • Doctor of Philosophy, University of Waikato - New Zealand

Keywords

  • audience research
  • digital documentary
  • documentary theory
  • mockumentary
  • practice-led research
  • software literacy
  • software studies

Fields of Research

Code Description Percentage
470214 Screen and media culture 50
360504 Interactive media 25
360505 Screen media 25

Professional Experience

UON Appointment

Title Organisation / Department
Associate Professor University of Newcastle
School of Creative Industries
Australia
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Publications

For publications that are currently unpublished or in-press, details are shown in italics.


Book (10 outputs)

Year Citation Altmetrics Link
2021 Hight C, Minichiello M, The Elephant s Leg : Adventures in the Creative Industries, Common Ground Research Networks (2021)
DOI 10.18848/978-1-86335-244-4/cgp
Co-authors Mark Roxburgh
2021 Hight C, Minichiello M, The Elephant s Leg : Adventures in the Creative Industries, Common Ground Research Networks (2021)
DOI 10.18848/978-1-86335-244-4/cgp
Co-authors Mark Roxburgh
2017 Khoo E, Hight C, Torrens R, Cowie B, Software Literacy Education and Beyond, Springer, Singapore, 101 (2017) [A1]
2017 Michelle C, Davis CH, Hardy AL, Hight C, Fans, Blockbusterisation, and the Transformation of Cinematic Desire Global Receptions of The Hobbit Film Trilogy, Springer, 344 (2017) [A1]
Citations Scopus - 3
2017 Hight C, Harindranath R, Studying Digital Media Audiences Perspectives from Australasia, Routledge, 214 (2017)
2014 Nash K, Hight C, Summerhayes C, New Documentary Ecologies: Emerging Platforms, Practices and Discourses, Palgrave Macmillan, United Kingdom, 254 (2014)
DOI 10.1057/9781137310491
Citations Scopus - 36
2014 Nash K, Hight C, Summerhayes C, New Documentary Ecologies: Emerging Platforms, Practices and Discourses, Palgrave Macmillan, United Kingdom, 254 (2014)
DOI 10.1057/9781137310491
Citations Scopus - 36
2010 Hight C, Television mockumentary: Reflexivity, satire and a call to play, Manchester University Press, Manchester and New York (2010)
2010 Hight C, Television mockumentary: Reflexivity, satire and a call to play, Manchester University Press, Manchester and New York (2010)
2001 Roscoe JA, Hight CA, Faking it: Mock-documentary and the subversion of factuality, Manchester University Press, Manchester and New York (2001)
Show 7 more books

Chapter (39 outputs)

Year Citation Altmetrics Link
2021 Hight C, 'Fake news, synthetic media, misinformation, disinformation and a collapse in trust in everything: now what?', The Elephant s Leg : Adventures in the Creative Industries, Common Ground, Champaign, IL 241-255 (2021)
DOI 10.18848/978-1-86335-244-4/CGP
2021 Drabsch B, 'Artefacts and Insights: A reflective account of an archaeological illustrator', The Elephant's Leg: Adventures in the Creative Industries, Common Ground, Champaign, IL 144-165 (2021) [B1]
2021 Hight C, 'Fake news, synthetic media, misinformation, disinformation and a collapse in trust in everything: now what?', The Elephant s Leg : Adventures in the Creative Industries, Common Ground, Champaign, IL 241-255 (2021)
DOI 10.18848/978-1-86335-244-4/CGP
2021 Roxburgh M, 'I developed an interest in photography', The Elephant's Leg: Adventures in the Creative Industries, Common Ground, Champaign, Il 256-275 (2021) [B1]
DOI 10.18848/978-1-86335-244-4/CGP
Co-authors Mark Roxburgh
2021 Matthews B, 'Future Creative Industries: media work in the Orgnet', The Elephant's Leg: Adventures in the Creative Industries, Common Ground, Champaign, IL 67-88 (2021) [B1]
Co-authors Ben Matthews
2021 Meany M, 'The Making and the Made: The Intersection of Theory and Practice in the Creative Industries', The Elephant's Leg Adventures in the Creative Industries, Common Ground Publishing, Champaign, Illinois 345-359 (2021) [B1]
Co-authors Michael Meany
2021 English H, 'Possible Technology Selves: The conflicts for female students in considering music careers', The Elephant's Leg Adventures in the Creative Industries, Common Ground, Champaign, Ill. (2021)
Co-authors Helen English
2021 Weaving S, 'Black Swan, Red Line. A cinematic trip to the underworld (and back).', The Elephant's Leg: Adventures in the Creative Industries, Common Ground Research Networks, Australia 49-66 (2021) [B1]
Co-authors Simon Weaving
2021 Biggins F, 'Journalism, A Love Story', The Elephant s Leg: Adventures in the Creative Industries, Common Ground, Champaign, IL 276-289 (2021) [B1]
Co-authors Felicity Biggins
2021 Egglestone P, 'Imagine Better', The Elephant's Leg: Adventures in the Creative Industries, Common Ground, Champaign, Illinois 27-48 (2021) [B1]
Co-authors Paul Egglestone
2021 Carson S, 'Doctoral Research of a female professional crossover singer - the journey to somatic processes', The Elephant's Leg: Adventures in the Creative Industries, Common Ground Publishing, Champaign, Illinois 305-322 (2021)
Co-authors Susan Carson
2020 Hight C, Khoo E, 'Software Literacy as a Vital Digital Literacy in a Software-Saturated World', Encyclopedia of Information Science and Technology, Fifth Edition 1648-1661 (2020)
DOI 10.4018/978-1-7998-3479-3.ch113
2018 Hight C, 'Indexicality in the age of the sensor and metadata', Critical Distance in Documentary Media, Palgrave Macmillan, Cham, Switzerland 23-44 (2018) [B1]
DOI 10.1007/978-3-319-96767-7
Citations Scopus - 1
2018 Hight C, Khoo E, 'Software Literacy', Advanced Methodologies and Technologies in Network Architecture, Mobile Computing, and Data Analytics, Information Resources Management Association, Hershey, PA 1521-1531 (2018)
2018 Hight CA, Khoo E, 'Software Literacy', Encyclopedia of Information Science and Technology, IGI Global, Hershey PA 7539-7548 (2018)
DOI 10.4018/978-1-5225-2255-3.ch656
2017 Hight CA, 'Software as co-creator in Interactive Documentary', i-docs: the evolving pratices of interactive documentary, Wallflower Press, New York 82-96 (2017) [B1]
2017 Hight C, '6. Software as co-creator in interactive documentary', I-Docs, Columbia University Press 82-96 (2017)
DOI 10.7312/asto18122-011
2017 Hight CA, 'The challenges of using YouTube as a data resource', Studying Digital Media Audiences Perspectives from Australasia, Routledge, New York 98-98 (2017) [B1]
2017 Hight CA, 'The challenges of using YouTube as a data resource', Studying Digital Media Audiences Perspectives from Australasia, Routledge, New York 98-115 (2017) [B1]
Citations Scopus - 1
2017 Hight CA, 'The challenges of using YouTube as a data resource', Studying Digital Media Audiences Perspectives from Australasia, Routledge, New York 98-98 (2017) [B1]
2017 Hight CA, 'The challenges of using YouTube as a data resource', Studying Digital Media Audiences Perspectives from Australasia, Routledge, New York 98-115 (2017) [B1]
Citations Scopus - 1
2015 Hight C, 'Software studies and the new audiencehood of the digital ecology', Revitalising Audience Research: Innovations in European Audience Research, Routledge, New York, NY 62-79 (2015) [B1]
Citations Scopus - 3
2014 Nash K, Hight C, Summerhayes C, 'Introduction: New documentary ecologies: Emerging platforms, practices and discourses', New Documentary Ecologies: Emerging Platforms, Practices and Discourses, Palgrave Macmillan, Basingstoke, UK 1-7 (2014) [B1]
Citations Scopus - 9
2014 Hight C, 'Mockumentary', Encyclopedia of Humor Studies, Sage Publications Inc., Thousand Oaks, California 515-516 (2014)
2014 Hight C, 'Shoot, edit, share: Cultural software and user-generated documentary practice', New Documentary Ecologies: Emerging Platforms, Practices and Discourses, Palgrave Macmillan, Basingstoke, United Kingdom 219-236 (2014) [B1]
Citations Scopus - 6
2013 Hight C, 'Beyond sobriety: Documentary diversions', The Documentary Film Book, Palgrave Macmillan, United Kingdom 198-205 (2013) [B1]
Citations Scopus - 1
2013 Hight C, 'Mocking the news: The Day Today and Brass Eye as mockumentary news satire', No Known Cure: The Comedy of Chris Morris, Palgrave Macmillan, London, UK 53-66 (2013) [B1]
2012 Hight C, 'Experiments in parody and satire: Short-form mockumentary series', Too Bold for the Box Office: The Mockumentary from Big Screen to Small, Scarecrow Press, Lanham, MD 73-89 (2012) [B1]
2012 Hight C, 'Forgotten Silver', Making Film and Television Histories: Australia and New Zealand, I.B. Tauris, London 269-274 (2012) [B1]
2009 Hight C, 'Reflexivo, subjetivo e hÍbrido. el uso estratégico del humor en el documental', La Risa Oblicua: Tangentes, Paralelismos E Intersecciones Entre Documental Y Humor, Ocho Y Medio, Libros De Cine 95-115 (2009)
2008 Hight C, 'Mockumentary. A call to play', Rethinking Documentary: New Perspectives. New Practices, Open University Press 204-216 (2008)
2008 Hight C, 'One (special extended edition) disc to rule them all', Studying the Event Film: The Lord of the Rings, Manchester University Press 32-39 (2008)
2007 HIGHT C, 'AMERICAN SPLENDOR', Film and Comic Books, University Press of Mississippi 180-198 (2007)
DOI 10.2307/j.ctt2tvg67.13
2007 Hight C, 'American Splendor: Translating comic autobiography into drama-documentary', Film and Comic Books, University Press of Mississippi, United States 180-198 (2007)
2006 Hight C, Roscoe J, 'Forgotten Silver: A New Zealand television hoax and its audience', F Is For Phony. Fake Documentary and Truth s Undoing, University of Minnesota Press 171-186 (2006)
2005 Roscoe JA, Hight CA, 'Building a mock-documentary schema', New Challenges for Documentary, Manchester University Press, United Kingdom (2005)
2005 Roscoe J, Hight C, 'Silver Magic', Peter Jackson From Gore to Mordor, Plexus, London 91-101 (2005)
2004 Hight CA, ' It isn t always Shakespeare, but it s genuine : Cinema s commentary on documentary hybrids', Understanding Reality Television, Routledge, London, United Kingdom 233-251 (2004)
Hight C, 'The field of digital documentary: a challenge to documentary theorists', Ten Years of Studies in Documentary Film, Routledge 19-23
DOI 10.4324/9781315101989-2
Show 36 more chapters

Journal article (35 outputs)

Year Citation Altmetrics Link
2023 Hight C, Minichiello M, Egglestone P, O'Callaghan S, Drummond J, Irvine C, Cassin A, 'The Playable City: Collaborative Workflows for Innovative Urban Social Design', Design Principles and Practices: An International Journal Annual Review, 16 97-107 (2023) [C1]
DOI 10.18848/1833-1874/cgp/v16i01/97-107
Co-authors Andrea Cassin, Simone Ocallaghan, Paul Egglestone, Jon Drummond
2022 Hight C, 'Deepfakes and documentary practice in an age of misinformation', Continuum, 36 393-410 (2022) [C1]

The emergence of deepfakes is the latest form to prompt anxieties over the wider implications of misinformation. This chapter explores possibilities for how these technologies ext... [more]

The emergence of deepfakes is the latest form to prompt anxieties over the wider implications of misinformation. This chapter explores possibilities for how these technologies extend the repertoire of modalities available for documentary makers. While these ¿synthetic media¿ offer a disruption of the documentary genre, they are also a continuation of long-standing trends within software culture and also clearly augment practices which are deeply embedded within the documentary genre. This discussion draws upon Wardle and Derakhshan¿s ¿misinformation¿ and ¿disinformation¿ framework to highlight the increasing complexity of documentary¿s forms and the challenges they pose to audiences. The limited experiments in integrating synthetic media into documentary media in a productive way suggest especially the possibilities for using these to develop more openly reflexive content. The proliferation of synthetic media forms prompt a wider need within documentary practitioners for critical data practices, software literacy, and ethical practices embedded within a broader understanding of automated, networked and entangled media systems. And they challenge documentary designers to strategise the nature of their content, and engage more directly with their audiences on questions around evidence, trust, authenticity and the nature of documentary media within an era of misinformation.

DOI 10.1080/10304312.2021.2003756
Citations Scopus - 8Web of Science - 3
2021 Khoo E, Cowie B, Torrens R, Hight C, 'Software literacy in shaping what we know in a software-saturated society', New Zealand Annual Review of Education, 26 43-51 (2021) [C1]
DOI 10.26686/nzaroe.v26.6857
2021 Hight C, 'Introduction: extraordinary issue II: coronavirus, crisis and communication', MEDIA INTERNATIONAL AUSTRALIA, 178 3-7 (2021)
DOI 10.1177/1329878X20969949
Citations Scopus - 1
2020 Weaving S, Hight C, Nobes K, Pasvolsky C, 'Working with the Australian cinema industry to understand the movie-going experience', Studies in Australasian Cinema, 14 80-94 (2020) [C1]

Although box office receipts for the theatrical release of movies have remained consistently high over the past decade, this tends to mask a slow erosion in the frequency of movie... [more]

Although box office receipts for the theatrical release of movies have remained consistently high over the past decade, this tends to mask a slow erosion in the frequency of movie-going among the Australia population. Australians, it appears, are gradually losing the habit of going to the movies. This decline sits in marked contrast to increasing numbers of audiences preferring to engage with cinematic content through VOD and other digital platforms. Our engagement with industry stakeholders highlights the concerns of the Australian distribution and exhibition sectors of the industry about competition from a range of competing leisure and entertainment opportunities for Australian consumers. In this paper we argue that it is vital for the local industry to revise its current model of movie-going audiences, in order to better understand what consumers think about the ¿cinematic experience¿ and how they value this experience in relation to the variety of competition from other leisure and entertainment experiences. We outline the opportunities to draw from insights across multiple disciplinary fields, in particular to explore the implications of applying ¿the customer journey¿ to understanding the variety of social and material factors which may be in play in informing the decision-making of movie-going audiences.

DOI 10.1080/17503175.2020.1810459
Citations Scopus - 1Web of Science - 1
Co-authors Simon Weaving
2020 See ZS, Matthews B, Goodman L, Jones D, Hight C, Egglestone P, et al., 'Extended Reality Interactive Wall: User Experience Design Research-Creation', Virtual Creativity, 10 163-174 (2020) [C1]
DOI 10.1386/vcr_00030_1
Citations Scopus - 1
Co-authors Ben Matthews, Zisiang See, Paul Egglestone
2019 Roscoe J, Hight C, 'Faking it (2019)
DOI 10.7765/9781526141378
2019 See ZS, Goodman L, Hight C, Sunar MS, Dey A, Yen Kaow N, Billinghurst M, 'Creating High Fidelity 360° Degree Virtual Reality with High Dynamic Range Spherical Panorama Images', Virtual Creativity, 9 73-109 (2019) [C1]
DOI 10.1386/vcr_00006_1
Citations Scopus - 9
Co-authors Zisiang See
2018 Hight C, Michelle C, Davis CH, Hardy A, 'Response to Martin Barker s Rise of the Qualiquants ', Participations: journal of audience and reception studies, 15 376-399 (2018)
2018 Hight C, Athique A, 'Editorial', MEDIA INTERNATIONAL AUSTRALIA, 169 3-4 (2018)
DOI 10.1177/1329878X18803685
2017 Michelle C, Davis CH, Hight C, Hardy AL, 'The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film', Convergence: The International Journal of Research into New Media Technologies, 23 229-250 (2017) [C1]
DOI 10.1177/1354856515584880
Citations Scopus - 7Web of Science - 1
2017 Michelle C, Davis CH, Hardy AL, Hight C, 'Pleasure, disaffection, conversion or rejection? The (limited) role of prefiguration in shaping audience engagement and response', International Journal of Cultural Studies, 20 65-82 (2017) [C1]
DOI 10.1177/1367877915571407
Citations Scopus - 2Web of Science - 1
2017 Hight CA, Lenzner B, 'The challenges of human rights video making in the global network: the case of WITNESS', Wi: Journal of Mobile Media, 11 1-27 (2017) [C1]
2017 Hight CA, Zalipour A, 'Shopping in a narrow field: Cross - media news repertories in New Zealand', Participations, 14 416-436 (2017) [C1]
2016 Davis CH, Michelle C, Hardy A, Hight C, 'Making global audiences for a Hollywood blockbuster feature film: Marketability, playability and The Hobbit: An Unexpected Journey (2012)', The Journal of Fandom Studies, 4 105-125 (2016) [C1]
DOI 10.1386/jfs.4.1.105_1
2014 Davis CH, Michelle C, Hardy A, Hight C, 'Framing audience prefigurations of The Hobbit: An Unexpected Journey: The roles of fandom, politics and idealised intertexts', Participations: Journal of Audience & Reception Studies, 11 50-87 (2014) [C1]
2014 Hight C, 'Automation within digital videography: from the Ken Burns effect to meaning-making engines', Studies in Documentary Film, 8 235-250 (2014) [C1]
DOI 10.1080/17503280.2014.961632
Citations Scopus - 8Web of Science - 6
2014 Hight C, Harindranath R, 'Editorial: Documentary as sense-making', Studies in Documentary Film, 8 177-178 (2014)
DOI 10.1080/17503280.2014.964950
Citations Scopus - 2
2014 Michelle C, Hardy AL, Davis CH, Hight C, 'An unexpected controversy in Middle-earth: audience encounters with the dark side of transnational film production', Transnational Cinemas, -online 1-18 (2014)
DOI 10.1080/20403526.2014.941185
Citations Scopus - 5
2014 Khoo EGL, Hight C, Cowie B, Torrens R, Ferrarelli L, 'Software literacy and student learning in the tertiary environment: PowerPoint and beyond', Journal of Open, Flexible and Distance Learning, 18 30-45 (2014) [C1]
2011 Hight C, Hardy A, Michelle C, Athique A, 'Editors introduction: Approaching the online audience: New practices, new thinking', Participations: Journal of Audience & Reception Studies, 8 554-558 (2011)
2011 Hardy A, Hight C, Michelle C, 'Reservoir Hill and audiences for online interactive drama', Participations: Journal of Audience & Reception Studies, 8 616-643 (2011) [C1]
2011 Johnson EM, Cowie B, De Lange W, Falloon G, Hight C, Khoo E, 'Adoption of innovative e-learning support for teaching: A multiple case study at the University of Waikato', AUSTRALASIAN JOURNAL OF EDUCATIONAL TECHNOLOGY, 27 499-513 (2011)
Citations Scopus - 8Web of Science - 6
2008 Hight C, 'The field of digital documentary: a challenge to documentary theorists', Studies in Documentary Film, 2 3-7 (2008)
Citations Scopus - 22Web of Science - 12
2008 Hight C, 'Primetime digital documentary animation: the photographic and graphic within play', Studies in Documentary Film, 2 9-31 (2008)
Citations Scopus - 19Web of Science - 13
2007 Hight C, 'El falso documental multiplataforma: un llamamiento ludico', Archivos de la Filmoteca: Revista de estudios históricos sobre la imagen, 2 176-195 (2007)
2006 Hight C, Coleborne C, 'Robert Winston's superhuman: Spectacle, surveillance and patient narrative', Journal of Health Psychology, 11 233-245 (2006)

Health psychologists are being challenged by researchers to consider interdisciplinary approaches to health research, particularly around media representations. This article argue... [more]

Health psychologists are being challenged by researchers to consider interdisciplinary approaches to health research, particularly around media representations. This article argues that the praxis and research of health psychology might benefit from strategic and interdisciplinary readings of media texts. It argues that insights from current documentary theory are important because they show us how documentary texts are structured and how medical documentary deploys techniques from medicine itself in order to effect certain persuasive discursive shifts in our wider culture. The article takes the BBC documentary series Superhuman as its example and explores this text as it involves media spectacle, medical surveillance of the body and of patients and the positioning of patient narratives of personal experiences with medical intervention. Copyright © 2006 SAGE Publications.

DOI 10.1177/1359105306061184
Citations Scopus - 3Web of Science - 2
Co-authors Catharine Coleborne
2005 Hight C, 'Making-of documentaries on DVD: The Lord of the Rings trilogy and special editions', The Velvet Light Trap, 56 4-17 (2005)
2002 Hight CA, 'Mediating Reality: Dear America: Letters Home from Vietnam', Australian Screen Education, 29 174-178 (2002)
2001 Hight C, 'Debating Reality-TV', Continuum, 15 389-395 (2001)
DOI 10.1080/10304310120086867
2001 Hight CA, 'Webcam sites: The documentary genre moves online?', Media International Australia, 100 81-93 (2001)
2001 Hight CA, 'Debating reality-TV [Review of Freakshow: First person media and factual television, J Izod and R Kilborn (eds) From Grierson to the docu-soap: Breaking the boundaries and S Bruzzi, New documentary: A critical introduction by J Dovey]', Continuum: Australian Journal of Media and Cultural Studies, 15 389-395 (2001)
2000 Hight CA, Perrott L, 'Audience research and The New Zealand Wars ', English in Aotearoa, 41 37-40 (2000)
1997 Hight C, Roscoe J, 'Discovering Forgotten Silver: an exercise in deconstructing documentaries', Metro, . 29-37 (1997)
1997 Roscoe J, Hight C, 'Mocking silver: re-inventing the documentary project (or, Grierson lies bleeding)', Continuum: Australian Journal of Media and Cultural Studies, 11 67-82 (1997)
Show 32 more journal articles

Review (38 outputs)

Year Citation Altmetrics Link
2016 Hight C, 'Cinematic Appeals: The Experience of New Movie Technologies.', MEDIA INTERNATIONAL AUSTRALIA (2016)
DOI 10.1177/1329878X15622081e
2016 Hight C, 'Looking for Marshall McLuhan in Afghanistan: iProbes and Hipstamatic iPhone Photographs', MEDIA INTERNATIONAL AUSTRALIA (2016)
DOI 10.1177/1329878X15622081d
2015 Hight C, 'The Sports Film: Games People Play', MEDIA INTERNATIONAL AUSTRALIA (2015) [C3]
2015 Hight C, 'Review of Digital media ethics, by Charles Ess', Media International Australia (2015) [C3]
2014 Hight C, 'Watching Films: New Perspectives on Movie-Going, Exhibition and Reception', MEDIA INTERNATIONAL AUSTRALIA (2014)
2014 Hight C, 'Memory Machines: The Evolution of Hypertext', MEDIA INTERNATIONAL AUSTRALIA (2014)
2013 Hight C, 'Good Faith Collaboration: The Culture of Wikipedia', MEDIA INTERNATIONAL AUSTRALIA (2013)
2012 Hight C, 'Understanding Digital Culture', MEDIA INTERNATIONAL AUSTRALIA (2012)
2012 Hight C, '[Review of Understanding digital culture by Vincent Miller]', Media International Australia: Incorporating Culture and Policy (2012)
2012 Hight C, 'The Secret War Between Downloading and Uploading: Tales of the Computer as Culture Machine', MEDIA INTERNATIONAL AUSTRALIA (2012)
2012 Hight C, 'Delete: The Virtue of Forgetting in the Digital Age', MEDIA INTERNATIONAL AUSTRALIA (2012)
2011 Hight C, 'DOCUMENTARY SUPERSTARS: HOW TODAY'S FILMMAKERS ARE REINVENTING THE FORM', STUDIES IN DOCUMENTARY FILM (2011)
2011 Hight C, 'DOCUMENTARY DISPLAY: RE-VIEWING NONFICTION FILM AND VIDEO', STUDIES IN DOCUMENTARY FILM (2011)
2011 Hight C, 'Covering Disaster: Lessons from Media Coverage of Katrina and Rita', MEDIA INTERNATIONAL AUSTRALIA (2011)
2011 Hight C, 'Bring on the Books for Everybody: How Literary Culture Became Popular Culture', MEDIA INTERNATIONAL AUSTRALIA (2011)
2011 Hight C, 'From A to
2011 Hight C, 'Women for President: Media Bias in Nine Campaigns', MEDIA INTERNATIONAL AUSTRALIA (2011)
2010 Hight C, '[Review of Word bytes: Writing in the information society by Carolyne Lee]', MIA: Media International Australia (2010)
2010 Hight C, '[Review of Issues in contemporary documentary by Jane Chapman]', MIA: Media International Australia (2010)
2010 Hight C, '[Review of Ch vez: The revolution will not be televised: A case study of politics and the media by Rod Stoneman]', MIA: Media International Australia (2010)
2010 Hight C, '[Review of Audience-citizens: The media, public knowledge and interpretive practice by Ramaswami Harindranath]', MIA: Media International Australia (2010)
2009 Hight C, 'New media: A critical introduction, 2nd edition', MEDIA INTERNATIONAL AUSTRALIA (2009)
2009 Hight C, 'Interface:vertical bar vertical bar Culture: The World Wide Web as Political Resource and Aesthetic Form', MEDIA INTERNATIONAL AUSTRALIA (2009)
2009 Hight C, 'Ambivalence Towards Convergence: Digitalization and Media Change', MEDIA INTERNATIONAL AUSTRALIA (2009)
2009 Hight C, '[Review of Culture: the world wide web as political resource and aesthetic form by Klaus Bruhn Jensen (ed.)]', MIA: Australian Media Reception Histories (2009)
2009 Hight C, '[Review of Ambivalence towards convergence: digitalization and media change by Tanja Storsul & Dagny Stuedahl (eds)]', MIA: Australian Media Reception Histories (2009)
2009 Hight C, '[Review of Satire TV: Politics and comedy in the post-network era by Jonathan Jones, P. Jeffrey and Ethan Thompson (eds)]', Media International Australia (2009)
2009 Hight C, '[Review of New media: A critical introduction by Martin Lister, Jon Dovey, Seth Giddings, Ian Grant, Kelly Kieran]', Media International Australia (2009)
2007 Hight C, 'The Subject of Documentary, vol 16', STUDIES IN DOCUMENTARY FILM (2007)
DOI 10.1386/sdf.1.2.189_4
2007 Hight C, '[Review of Documentary screens: Nonfiction film and television by Keith Beattie]', Media International Australia (MIA) (2007)
2007 Hight C, '[Review of The subject of documentary by Michael Renov]', Studies in Documentary Film (2007)
2006 Hight C, '[Review of Television after TV: Essays on a medium in transition by Lynn Spigel & Jan Olssen]', Media International Australia Incorporating Culture and Policy (2006)
2004 Hight CA, 'Discipline and Liberty: Television and Governance, MUP, 2003 [Review of Discipline and Liberty: Television and Governance, MUP, 2003 by Palmer]', Media International, Australia (2004)
2003 Hight CA, '[Review of Real Emotional Logic: Film and Television Docudrama as Persuasive Practice by Steven N. Lipkin]', Media International Australia (2003)
2002 Hight CA, '[Review of The Making of American Audiences: From Stage to Television, 1750-190 by Richard Butsch]', Media International Australia incorporating Culture and Policy (2002)
2002 Hight CA, '[Review of Measuring Bias on Television by Barrie Gunter]', Media International Australia incorporating Culture and Policy (2002)
2001 Hight CA, '[Review of Cultural Studies: Theory and Practice by Chris Barker]', Media International Australia (2001)
2000 Hight CA, '[Review of Wildlife Films by Derek Bouse]', Media International Australia Incorporating Culture and Policy (2000)
Show 35 more reviews

Conference (42 outputs)

Year Citation Altmetrics Link
2024 Hight C, Minichiello M, Egglestone P, O'Callaghan S, Drummond J, Irvine C, Cassin A, 'The Playable City: Refashioning Spaces Within Urban Social Design', Peer Review Proceedings of the Sixteenth International Conference on Design Principles & Practices, Newcastle, N.S.W (Virtual) (2024)
DOI 10.18848/978-1-963049-18-3/CGP
Co-authors Simone Ocallaghan, Andrea Cassin, Jon Drummond, Paul Egglestone
2015 Khoo EGL, HIght C, Torrens R, Ranger G, 'Tracing software learning and application from formal into informal workplace learning of CAD software', Proceedings of the 26th Annual Conference of the Australasian Association for Engineering Education (AAEE2015), Conference held at Deakin University, Geelong, Victoria, Australia (2015)
2015 Davis CH, Michelle C, Hardy A, Hight C, 'Making global audiences for a Hollywood blockbuster : marketability, playability, and The Hobbit: an Unexpected Journey (2012)', Proceedings of the 11th World Media Economics and Management Conference, Conference held at Rio de Janiero, Brazil (2015)
2015 Hardy A, Michelle C, Davis CH, Hight C, ' If this is Tolkien, I do not want it. Take it away please! Why does it hurt so much? Understanding pleasure and disaffection among viewers of The Hobbit film trilogy', Conference held at Queenstown, New Zealand (2015)
2015 Hardy AL, Davis CH, Michelle C, Hight C, 'Still a spiritual journey? Changing audience reactions to The Hobbit film trilogy', Conference held at Massey University Campus, Welliington, New Zealand (2015)
2015 Michelle C, Davis C, Hardy AL, Hight C, 'Audience engagements with The Hobbit film trilogy: Findings from a longitudinal investigation', Conference held at University of Southern Denmark, Odense, Denmark (2015)
2015 Hight C, Torrens R, Khoo E, Cowie B, 'Software literacy within tertiary education: Findings from a 2-year project', Conference held at The University of Waikato, Hamilton, New Zealand (2015)
2014 Hight C, 'The challenges of using YouTube as a data resource', Conference held at University of Waikato, Hamilton, New Zealand (2014)
Citations Scopus - 1
2014 Hight CA, Khoo E, Cowie B, Torrens R, 'Software literacies in the tertiary environment', Rhetoric and Reality: Critical perspectives on educational technology. Proceedings ascilite Dunedin 2014, Conference held at Dunedin, New Zealand (2014)
Citations Scopus - 1
2014 Khoo E, Hight C, Torrens R, Duke M, ' It runs slow and crashes often : Exploring engineering students software literacy of CAD software', Proceedings of the AAEE2014 Conference, Wellington, New Zealand (2014)
2014 Khoo E, Hight C, Cowie B, Torrens R, 'Copy, cut and paste: How does this shape up with what we know?', Brisbane, Australia (2014)
2014 Michelle C, Davis CH, Hardy A, Hight C, 'Pleasure, disaffection, conversion and defection: theorising the relationship between pre- and post-viewing responses to The Hobbit: An Unexpected Journey', Conference held at University of Ljubljana, Slovenia (2014)
2014 Khoo E, Hight C, Cowie B, Torrens R, 'Software literacy as part of pedagogy: How does PowerPoint shape what you do and does it matter?', Conference held at University of Waikato, Hamilton, New Zealand (2014)
2014 Hardy A, Davis CH, Michelle C, Hight C, 'Moved by the spirit of The Hobbit?', Conference held at University of Kent, Canterbury, United Kingdom (2014)
2014 Hight C, Khoo E, Cowie B, Torrens R, 'Copy, cut and paste: how does this shape what we know?', Conference held at Wellington, New Zealand (2014)
2014 Hight C, Khoo E, Cowie B, Torrens R, 'Is software literacy reshaping the digital divide ?', Conference held at Centre for Croatian Studies, Zagreb University (2014)
2013 Hardy A, Michelle C, Davis CH, Hight C, 'Shire Politics: Local factors in the international prefiguration of Peter Jackson s The Hobbit', Refereed Proceedings of the Australian and New Zealand Communication Association conference: Global Networks-Global Divides: Bridging New and Traditional Communication Challenges, Conference held at Freemantle, Western Australia (2013)
2013 Hight C, Khoo E, Cowie B, Torrens R, '"The slides are part of the cake": PowerPoint, software literacy and tertiary education', Electric Dreams: 30th ascilite Conference 2013 Proceedings, Conference held at Macquerie University, Sydney (2013)
2013 Davis CH, Michelle C, Hight C, Hardy A, 'Varieties of prefigurative engagement within The Hobbit s global audience', Conference held at Dublin, Ireland (2013)
2013 Hight C, 'The programming of editing practices within the digital video ecology', Conference held at Stockholm, Sweden (2013)
2013 Hight C, 'Editing practices within software culture: networked users, automation and meaning-making engines ', Conference held at AUT University, Auckland, New Zealand (2013)
2012 Hight C, 'From docusoap to mockusoap: performance, authenticity and a call to play', Conference held at Boston, Massachusetts (2012)
2012 Hight C, 'Automation, software and the ecology of online video', Conference held at Canberra, Australia (2012)
2012 Hight C, 'Digital videography as coded practice: agency within software culture', Conference held at Massey University, Wellington, New Zealand (2012)
2011 Torrens R, De Lange W, Hight C, 'Teaching software to first-year students: Experiences across three disciplines', Conference held at University of Waikato, Hamilton, New Zealand (2011)
2011 Hight C, 'Shoot, edit, share: Cultural software and user-generated documentary practice', Conference held at Auckland University of Technology, Auckland, New Zealand (2011)
2010 Hight C, 'Cultural software and the shaping of online documentary practice', Conference held at Bogazici University, Istanbul, Turkey (2010)
2010 Johnson EM, Cowie B, Hight C, De Lange W, Falloon G, Strang P, 'Cross-discipline approaches to pedagogical change in technology-supported tertiary teaching', Conference held at Wellington, New Zealand (2010)
2010 Hight C, 'Cultural software and the shaping of online documentary practice', Conference held at Auckland University of Technology (AUT), Auckland, New Zealand (2010)
2010 Hardy A, Hight C, Michelle C, 'Reservoir Hill and audiences for interactive online drama', Conference held at University of Waikato, Hamilton, New Zealand (2010)
2010 Hardy A, Hight C, Michelle C, 'Come on in! - Reservoir Hill and audiences for interactive online drama', Conference held at Canberra, Australia (2010)
2010 Johnson EM, Cowie B, Hight C, De Lange W, Falloon G, Strang P, 'Innovations online: Cross-discipline studies of new approaches to eLearning', Conference held at University of Waikato, Hamilton, New Zealand (2010)
2009 Johnson EM, Cowie B, De Lange W, Hight C, 'Leveling the playing field: Exploiting technology to enhance tertiary learning', Proc of ascilite Auckland 26th Conference: Same places, different spaces, Conference held at Auckland, New Zealand (2009)
Citations Scopus - 1
2009 Hight C, 'Cultural software, user performance and documentary practice: examining online documentary culture', Conference held at Los Angeles, United States (2009)
2007 Hight C, 'Documentary CGI: the indexical within play', Conference held at Victoria University, Wellington, New Zealand (2007)
2006 Hight C, 'A call to play: Hybridised documentary for a post-documentary culture ', Conference held at Wellington, New Zealand (2006)
2005 Hight CA, 'Mock-documentary discourse within television', Conference held at Concordia University, Canada (2005)
2001 Coleborne C, Hight C, 'Superhuman: medical science, chaotic naturalism and spectacle', Conference held at Queensland (2001)
Co-authors Catharine Coleborne
2000 Roscoe J, Hight C, 'Open all hours: webcam sites and the performance of the real', Conference held at Utrecht University (2000)
2000 Roscoe JA, Hight CA, 'Reality TV: Ideology, Voyeurism and the New Audience', Conference held at The University of Auckland, Auckland (2000)
1999 Hight C, Roscoe J, 'So, you want to be a mock-documentary', Conference held at UCLA (1999)
1998 Roscoe J, Hight C, '"I can t believe it s not real!" The strange fruit of drama-documentary and mock-documentary', Conference held at San Francisco (1998)
Show 39 more conferences

Other (3 outputs)

Year Citation Altmetrics Link
2015 Johnson E, Khoo EGL, Hight C, Forbes D, Torrens R, 'Exploring eLearning practices across the disciplines in a university', (2015)
2015 Hight CA, 'Software and videography', (2015)
2001 Hight CA, 'Constructing history: The 1981 Springbok Tour on New Zealand television', (2001)

Report (3 outputs)

Year Citation Altmetrics Link
2015 Khoo EGL, Hight C, Torrens R, Cowie B, 'Copy, cut and paste: How does this shape what we know?', Teaching and Learning Research Initiative, 18 (2015)
2010 Hardy A, Hight C, Michelle C, 'Reservoir Hill Online Survey: Overview of findings' (2010)
1999 Norris P, Pauling B, Lealand G, Huijser H, Hight C, 'Local content and diversity', New Zealand on Air (1999)

Thesis / Dissertation (1 outputs)

Year Citation Altmetrics Link
1997 Hight CA, Shifts in the political ideologies of film treatments of political protest in New Zealand, University of Waikato (1997)
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Grants and Funding

Summary

Number of grants 13
Total funding $731,302

Click on a grant title below to expand the full details for that specific grant.


20211 grants / $168,000

Newcastle City Night-Space Activation$168,000

Funding body: Newcastle City Council

Funding body Newcastle City Council
Project Team Professor Paul Egglestone, Associate Professor Craig Hight, Doctor Andrea Cassin, Doctor Simone O'Callaghan, Associate Professor Jon Drummond, Professor Mario Minichiello, Doctor Clare Irvine, Dr Bavinton Nathaniel
Scheme Research Grant
Role Investigator
Funding Start 2021
Funding Finish 2021
GNo G2100573
Type Of Funding C2400 – Aust StateTerritoryLocal – Other
Category 2400
UON Y

20203 grants / $81,541

Media and Entertainment Research Centre (MERCury) establishment program$70,000

Funding body: Faculty of Education and Arts, The University of Newcastle, Australia

Funding body Faculty of Education and Arts, The University of Newcastle, Australia
Project Team

Dr Simon Weaving (Lead); A/Prof Craig Hight; Dr Simone O'Callaghan; Dr Jane Shadbolt; Dr Ben Matthews; Dr Stuart McBRatney; Mr Jack McGrath; Dr Zi Siang See; Claire Pasvolsky; Karen Nobes; Prof Richard Vella.

Scheme Research Programs Pilot Scheme
Role Investigator
Funding Start 2020
Funding Finish 2021
GNo
Type Of Funding Internal
Category INTE
UON N

Biodiversity Education and Engagement Network$10,000

Funding body: Faculty of Education and Arts, University of Newcastle

Funding body Faculty of Education and Arts, University of Newcastle
Project Team

A/Prof Craig Hight (Lead), Dr Bernadette Drabsch, Dr Simone O'Callaghan, A/Prof Matthew Hayward, Dr Andrea Griffin, Dr Kaya Klop-Toker and Dr Alexandra Callen

Scheme Strategic Network and Pilot Project Grants Scheme
Role Lead
Funding Start 2020
Funding Finish 2020
GNo
Type Of Funding Internal
Category INTE
UON N

i-Docs Symposium, 17 - 25 March 2020, United Kingdom$1,541

Funding body: Faculty of Education and Arts, University of Newcastle

Funding body Faculty of Education and Arts, University of Newcastle
Scheme FEDUA Conference Travel Grant
Role Lead
Funding Start 2020
Funding Finish 2020
GNo
Type Of Funding Internal
Category INTE
UON N

20195 grants / $10,361

CINEMA 2030: future-proofing the cinema-going experience$5,300

Funding body: Motion Picture Distributors Association of Australia

Funding body Motion Picture Distributors Association of Australia
Project Team Doctor Simon Weaving, Associate Professor Craig Hight
Scheme Research Grant
Role Investigator
Funding Start 2019
Funding Finish 2019
GNo G1901053
Type Of Funding C3100 – Aust For Profit
Category 3100
UON Y

CINEMA 2030: future-proofing the cinema-going experience$1,500

Funding body: Independent Cinema Association

Funding body Independent Cinema Association
Project Team Doctor Simon Weaving, Associate Professor Craig Hight
Scheme Research Grant
Role Investigator
Funding Start 2019
Funding Finish 2019
GNo G1901058
Type Of Funding C3100 – Aust For Profit
Category 3100
UON Y

CINEMA 2030: future-proofing the cinema-going experience $1,187

Funding body: Event Cinema

Funding body Event Cinema
Project Team Doctor Simon Weaving, Associate Professor Craig Hight
Scheme Research Grant
Role Investigator
Funding Start 2019
Funding Finish 2019
GNo G1901054
Type Of Funding C3100 – Aust For Profit
Category 3100
UON Y

CINEMA 2030: future-proofing the cinema-going experience$1,187

Funding body: Hoyts Cinema

Funding body Hoyts Cinema
Project Team Doctor Simon Weaving, Associate Professor Craig Hight
Scheme Research Grant
Role Investigator
Funding Start 2019
Funding Finish 2019
GNo G1901056
Type Of Funding C3100 – Aust For Profit
Category 3100
UON Y

CINEMA 2030: future-proofing the cinema-going experience$1,187

Funding body: Village Entertainment

Funding body Village Entertainment
Project Team Doctor Simon Weaving, Associate Professor Craig Hight
Scheme Research Grant
Role Investigator
Funding Start 2019
Funding Finish 2019
GNo G1901057
Type Of Funding C3100 – Aust For Profit
Category 3100
UON Y

20182 grants / $17,000

Cinema Industry Research Network$15,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team

Associate Professor Craig Hight and Dr Simon Weaving

Scheme FEDUA Strategic Networks and Pilot Projects (SNaPP)
Role Lead
Funding Start 2018
Funding Finish 2018
GNo
Type Of Funding Internal
Category INTE
UON N

i-Docs, University of Western England, 21-23 March 2018$2,000

Funding body: University of Newcastle - Faculty of Education and Arts

Funding body University of Newcastle - Faculty of Education and Arts
Project Team

Associate Professor Craig Hight

Scheme Travel Grant
Role Lead
Funding Start 2018
Funding Finish 2018
GNo
Type Of Funding Internal
Category INTE
UON N

20131 grants / $111,400

Copy, cut and paste: How does this shape what we know?$111,400

Software is not neutral. It comes with social and cultural assumptions that afford particular actions while constraining others. This project investigated the notion of software literacy, how it develops and impacts on the teaching, learning and student experience of knowledge generation, communication, critique and use in engineering and media studies.  


Funding body: National Centre for Tertiary Teaching Excellence

Funding body National Centre for Tertiary Teaching Excellence
Project Team

Dr. Elaine Khoo, Assoc Prof Craig Hight, Dr Rob Torrens and Prof Bronwen Cowie

Scheme The Teaching and Learning Research Initiative (TLRI)
Role Investigator
Funding Start 2013
Funding Finish 2015
GNo
Type Of Funding International - Competitive
Category 3IFA
UON N

20101 grants / $343,000

Playing with reality? Online documentary culture and its users$343,000

This project researched online video practices relevant to documentary, using a 3-part methodology, focusing on analysing widely available software tools related to digital video, analysing an archive of downloaded documentary-related video material and audience research involving practitioners and online users.

Funding body: Marsden Fund, Royal Society of New Zealand

Funding body Marsden Fund, Royal Society of New Zealand
Project Team

Assoc. Prof. Craig Hight (University of Waikato), Prof Ramaswami Harindranath (UNSW), Ben Lenzner (PhD), Hollie Jackson (MA)

Scheme Marsden Fund
Role Lead
Funding Start 2010
Funding Finish 2014
GNo
Type Of Funding International - Competitive
Category 3IFA
UON N
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Research Supervision

Number of supervisions

Completed30
Current9

Current Supervision

Commenced Level of Study Research Title Program Supervisor Type
2023 PhD The Pursuit of the Ecstatic Truth: A Qualitative Practice-Based Enquiry of a Feature-Length Film PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2022 PhD HEAD2ART PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD Technology Developments are Deliberately Starting to Interfere with Human Nature by Design. PhD (Design), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD Stories We Tell Ourselves: Counter Memory and the Family Album PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2022 Masters What’s Happening to the Frogs in my Backyard? An Arts-Based Citizen Scientist Journey of Discovery M Philosophy (Fine Art), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD Exploring the Influence of Strategic Messaging on People’s Climate Change Perceptions: An Australian Mixed Methods Case-Study PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2020 PhD Arts Practice in Postcolonial Australia PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2019 PhD Visuals to Extinction: Exploring the Socio-Cultural Frameworks of Biodiversity and Conservation Through Historic and Contemporary Visualisations of Australian Endangered Animals PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2017 PhD You Are Here: A System Thinking Approach to Navigating an Uncertain Future PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Principal Supervisor

Past Supervision

Year Level of Study Research Title Program Supervisor Type
2024 PhD Modern Emirati Women: Exploring identity and creative expression through photographic art PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2023 PhD There’s Something about Stalking PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD The ¿43 Group and its Legacy in Sri Lanka PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD Examining Cultivation Second Order Effects in Digital Media: A Case Study on The NSW Police Force Facebook Page PhD (Comm & Media Arts), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2022 PhD The Tangible Image: Understanding What Materiality Means for Photographic Practice PhD (Fine Art), College of Human and Social Futures, The University of Newcastle Co-Supervisor
2020 PhD Creating High Dynamic Range Spherical Panorama Images for High Fidelity 360 Degree Virtual Reality PhD (Design), College of Human and Social Futures, The University of Newcastle Principal Supervisor
2019 PhD River Ride: Examining the Social-Cultural significance of Te Awa Pathway Education Not Elswr Classified, University of Waikato Co-Supervisor
2018 Masters Online Heroines: Exploring the Experiences of Contemporary New Zealand Filmmakers Communication & Media Studies, University of Waikato Principal Supervisor
2018 PhD Danger? What Danger? Street level bureaucracy and occupational therapy practices in Aotearoa New Zealand. A genealogical critique Sociology, University of Waikato Co-Supervisor
2015 Masters The Hobbit: The Desolation of Smaug - A New Era of Realism? Communication & Media Studies, University of Waikato Principal Supervisor
2015 PhD Meaningful Witnessing in the United States, India & New Zealand: The Possibility Space for Digital Video Within Human Rights, Protest Movements and Activist Practices Communication & Media Studies, University of Waikato Principal Supervisor
2015 PhD Parsing Technology-entanglement for Thick-things: The Complication or Complexity of Media and Technologies Communication & Media Studies, University of Waikato Co-Supervisor
2013 Masters A Village in my Hand Communication & Media Studies, University of Waikato Principal Supervisor
2013 Masters A Collective Documentary? A case study of audio-visual UGC surrounding the Christchurch earthquakes Communication & Media Studies, University of Waikato Principal Supervisor
2010 Masters Anime: Fear and Anxiety in Texhnolyzed Worlds Communication & Media Studies, University of Waikato Co-Supervisor
2010 Masters A necessary fiction: The ritualisation of stakeholder practices in New Zealand cinema Communication & Media Studies, University of Waikato Principal Supervisor
2010 PhD Chinese Reality TV- A Case Study of GDTV’s 'The Great Challenge for Survival' Communication & Media Studies, University of Waikato Principal Supervisor
2009 PhD Spontaneous Communities of Learning: Cooperative Learning Ecosystems Surrounding Virtual Worlds Communication & Media Studies, University of Waikato Co-Supervisor
2008 Masters From 'Ambiguously Gay Duos' to Homosexual Superheroes: The Implications for Media Fandom Practices Communication & Media Studies, University of Waikato Co-Supervisor
2007 PhD The Acoustic Ecology of the First-Person Shooter Communication & Media Studies, University of Waikato Co-Supervisor
2007 Masters Paradoxical Performances of Subjectivities, Spaces and Art Gallery Postcards Communication & Media Studies, University of Waikato Principal Supervisor
2006 PhD ICTs for whose development? A critical analysis of the discourses surrounding an ICT for Development Initiative for a group of microenterprise entrepreneurs operating in the Jamaican tourism industry: Towards the development of methodologies and analytical tools for understanding and explaining the ICT for Development Phenomenon Sociology, University of Waikato Co-Supervisor
2006 PhD The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory Communication & Media Studies, University of Waikato Principal Supervisor
2005 Masters Creative Innovation in Music Video Production Practice Communication & Media Studies, University of Waikato Principal Supervisor
2004 Masters Propaganda within New Zealand Communication & Media Studies, University of Waikato Principal Supervisor
2003 PhD Sites of Value: Discourses of Religion and Spirituality in the Production of a New Zealand Film and Television Series Communication & Media Studies, University of Waikato Co-Supervisor
2003 Masters Wrestling the 'Net: An Investigation into the Issues of Identity and Community Facing Pro-Wrestling Fans in Cyberspace Communication & Media Studies, University of Waikato Co-Supervisor
2003 Masters Eating Disorders and the Media: Interrogating Discourses through Audience Research Communication & Media Studies, University of Waikato Principal Supervisor
2002 Masters He Taonga Te Moko. Reimaging / Reimagining the Moko: examining current representations of ta moko Communication & Media Studies, University of Waikato Co-Supervisor
2002 PhD Voices on the Margins: The Role of New Zealand Cinema in the Construction of National and Cultural Identity Communication & Media Studies, University of Waikato Co-Supervisor
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Associate Professor Craig Hight

Position

Associate Professor
Creative Industries
School of Humanities, Creative Ind and Social Sci
College of Human and Social Futures

Contact Details

Email craig.hight@newcastle.edu.au
Phone (02) 4921 5002
Fax (02) 4921 8958

Office

Room X-433
Building NeW Space
Location City Campus

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