The Loading Dock
installation
“Nationalities want to pursue their own goals, not to blend”
-Albert Einstein
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L-R D.I.A.S.P.O.R.A. (detail) installation in Loading Zone; images 2 and 3 details of D.I.A.S.P.O.R.A.installation in Loading Dock all materials plaster, egg shell, paper, PVA glue
The Long Room and Media Space
Where in his 1965 writings Kosuth was concerned with a discarding of aesthetic values in lieu of cerebral rewards, I see the possibilities now of an idealism saluting the integration of property into the equation, where notions of ownership can but only taint art’s resolve. Where art’s expectations are to transcend the day to day, money/power paradigms are not easily relenting.
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L-R Property Detail of installation in Long Room, image of Charlestown Reserve on video; details of installation in Long Room, TV, bubbble wrap, cotton tape, tent poles and pegs; Improv: detail of date projection in Media Space
My recent work combines elements of the every day and the sublime. Through my work I am interested in exploring Photography and its role in influencing our perception of the world.
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L- R Reflection 29 (detail) archival inkjet print; Reflection 33 (detail) archival inkjet print; Reflection 41 (detail) archival inkjet print
drawing
I Doubt It’s A Drought is a series of twenty drawings based around a poem I composed whilst living in drought stricken northern New South Wales. Being from the city, I had never really thought too much about drought. Whilst living in the country, new meaning came to me of what drought was and how it affected people living on the land. My story is about hope; all the heartache and despair will be washed away if only it would rain.
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L-R Just a plane flying past, going where I couldn't say (detail) pastel on paper; I doubt it's a drought I saw the reins today (detail) oil pastel on paper; Steering a horse on a bright sunny day (detail) oil pastel on paper
Roger Smith and Robyn Bell have joined together to exhibit their paintings in the Pit Gallery. Roger’s works use banksias as the theme, and he depicts this native flora in a very oriental way and uses a background of brilliant colours. Robyn’s paintings use the landscape, specifically the colours and vast expanses of the top end.
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L-R Robyn Bell The Top End (detail) acrylic on canvas; Robyn Bell Sunset at Katharine (detail) acrylic on canvas
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L-R Roger Smith Banksia Nut (detail) oil on board; Roger Smith Banksia Tryptich (detail) oil on board