Dr. Angela Philp, Lecturer in Fine Art Theory at the University of Newcastle, will open the shows on Thursday 9 August at 6.30pm.
The Loading Dock
mixed media
Drawn From Nature is a collection of works by five friends studying Natural History Illustration. Each exhibiting artist brings their own unique interpretation of the natural world and does this through varied media. This exhibition provides us with the opportunity to impart our own personal ways of representing the natural world with out being tied to a particular discipline. Sarah Falzon
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L - R Olivia Parsonage Barnacles (detail) fabric, thread, paint, found natural objects, Nicole Maloney Ocean Grasses (detail) dye and thread on silk scarf, Sarah Falzon Feather's Raven pen on paper
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L - R Riona Tindal Banksia's old seed pod (detail) coloured pencil on paper
The Long Room and The Pit
painting, photography, printmaking
Four young artists are here to demonstrate to you what it is like to be human, and at that, a little lost. As first time exhibitors at Watt Space, they describe themselves as virgins. Emerging from behind the easel and into the big wide world, they present “Like a Virgin.” Through gesture style drawings and paintings, Hugh Doyle explores the emotions and faces of those who surround him everyday. Dan Lovegrove explores his identity as an artist through mixed media printmaking: wood cut, perspex and lino. The many mediums represent the many faceted aspects of himself and the big questions in life yet to be answered. Jessany Trotter illustrates a wild, temperate planet Earth at the birth of time and creation. Her series “Red Planet” depicts the forming of gasses, atmosphere, life and a new planet establishing orbit. A little something to break the winter chill. Erin Woodgate documents the on-going drama of the dance floor: The sights, the fights, the lights, break-ups, get-togethers, new found love and friendships. Not everything on the dance floor glitters like a mirror ball. It’s dynasty with a disco ball. Hugh Doyle, Dan Lovegrove, Jessany Trotter and Erin Woodgate
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L - R Erin Woodgate Lovers in the spotlight colour photograph, Dan Lovegrove Self Portrait monoprint
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L - R Hugh Doyle she'll be alright (detail) oil on canvas, Jessany Trotter Heatscape 6 acrylic on canvas
The Locker Room
photomedia
Step back, can you remember? What can you see? Is what you see, someone else's vision? What really belongs to you? Has it been done before? Memories from a dissipated past, envisioned by the future. Simone Sheridan
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L - R Simone Sheridan Inspiration for Baths Study colour slide film circa 1950 scanned and printed digitally; On the Horizon (detail) etching; Sections of Bath Study : Part II & III (detail) etching
The Hoist
painting
My art essentially combines both abstract figurative and landscape. They integrate in harmony on an abstract level and aesthetically the multi layers enhance the textual evolution. Robin Skerly
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The Media Space
installation
I have been questioning memory and recollection for several years, since a statement from a family member led to an emotional and physical estrangement. Remembering seems to be a process of selection and using that selection to move forward, positively or negatively. What I remember, subconsciously or not, reflects my personality and shapes my life. Or maybe my personality dictates what I choose to remember. In this exhibition I Recall I explore childhood memories and recent recollections and have created Art Objects recalling A Dream, A Face and A Fragmented Memory Collection. Sharyn Walker
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