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MUSI2701

Sound Engineering

10 Units 2000 Level Course

Not available in 2013

Previously offered in 2012, 2010, 2009, 2008, 2007, 2006, 2005, 2004

This course serves as an introduction to music recording and editing using digital technology. Students will gain a good comprehension of the fundamentals of sound engineering enabling them to operate a small to medium sized recording configuration. The development of aural perception is a focus in addition to the fostering of good editing technique. Recording a range of musical instruments (across a variety of contemporary and traditional musical styles) is addressed with the focus on producing quality audio recordings. Students from across the University may enrol in this course as an elective.

Objectives By the end of this course the student will be expected to:

- understand the operation and function of audio recording equipment (including audio recording software). Particular attention is applied to signal flow and the recortding process. Skills in this area are essential for the development of good, well-balanced recordings, reproducing the instrument as closely as possible.

- use and identify microphone types, pickup patterns and placement on various musical instruments. This is important so as to obtain a natural reproduction. The student will also develop their understanding on the characteristics of various music instruments.

- employ digital editing techniques (through software). This is a relevant topic as digital recording technology becomes increasingly prevalent and accessible.
Content Course content may include (but is not limited to):

- Signal flow
- Audio recording/editing software
- Computer audio interfaces
- Portable recording equipment
- Fundamental sound theory
- Acoustic principles
- Mixing techniques
- Effects processors
- Equalisation
- Microphones and miking techniques
Replacing Course(s) NA
Transition NA
Industrial Experience 0
Assumed Knowledge Nil
Modes of Delivery Internal Mode
Teaching Methods Lecture
Tutorial
Computer Lab
Assessment Items
Other: (please specify) Mixdown Task - Using pre-recorded audio material, students will produce an audio mixdown (using software) demonstrating their aural awareness and editing ability. The mix should also involve the use of effects, compression, etc in order to achieve a well balanced mix.
This task contributes 30% of total course assessment and will be due early/mid in the semester.
Other: (please specify) Acoustic Recording - Students will utilise audio recording equipment (including microphones) to capture a music performance (eg. of a solo artist or duo group). The aim is to acheive good levels and a natural tone. Processing techniques (through software) may be employed to enhance the recording.
This task contributes 30% of total course assessment and will be due mid/late in the semester.
Other: (please specify) Advanced Recording - Students are to undertake a more complex audio recording of a music performance (eg. a small ensemble of instruments). The recording may employ multitrack recording techniques, headphone monitoring, etc. The aim is to accurately capture the music performance and produce a professional sounding stereo mixdown.
This task contributes 40% of total course assessment and will be due late in the semester.
Contact Hours Lecture: for 1 hour(s) per Week for Full Term
Tutorial: for 1 hour(s) per Week for Full Term