Available in 2012
| Ourimbah | Semester 2 |
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Investigates issues of Art History and Ideology as they have been applied to the analysis of visual imagery. It will examine the theme of "gender" as a case study in the construction of Art History and its links with the reading of artistic imagery. An investigation of the student's own imagery will be incorporated into the teaching process. On completion the student will: have developed the ability to frame their practice within a specific ideological, historical or contemporary context; have an increased knowledge of methodologies of art history; and have acquired specialised knowledge of a selected aspect of art theory or history.
ObjectivesBy the end of the course the student will: 1. have developed the ability to frame their practice within a specific ideological, historical or contemporary context. 2. have an increased knowledge of methodologies of art history 3. have acquired specialised knowledge of a selected aspect of art theory or history. | |||
ContentChallenging the Canon, Dissolving the Hierarchies The Death of the Artist as Hero Rewriting History: Artistic Collaboration in the 20th Century Investigating the Margins: Children?s art, Naive art, art of the Insane Feminist Art History: Rewriting the Canon Virgin or Whore: Representing women Rethinking the Crafts Bodies of Masculinity: Representing Men Sexual Politics: Gay and Lesbian Imagery | |||
Replacing Course(s)ARTC2010 Current View of Art History | |||
TransitionStudents who have successfully completed ARTC2010 Current View of Art History may not enrol in CAPA2010 Current View of Art History. | |||
Industrial Experience0 | |||
Assumed KnowledgeN/A | |||
Modes of DeliveryInternal Mode | |||
Teaching MethodsLecture Tutorial | |||
Assessment Items
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Contact HoursTutorial: for 1 hour(s) per Week for Full Term Lecture: for 2 hour(s) per Week for Full Term | |||
Timetables |